crush the rich

After a while, Yin Lian laughed and said, "I remembered, you may be suitable for another role."

Anil did not expect Yin Lian to think for a long time, but finally said such a sentence.

He was a little surprised, and tried not to show any urgency, and asked, "Is there something wrong with my acting?"

Yin Lian was silent for a while, and then said: "It's not that there is a problem with the acting, it's just that the temperament...is not suitable for the role of the mage king."

Yin Lian spoke more reservedly.

To put it bluntly, she actually felt that Anil was a bit gloomy.His performance and interpretation of the character are clearly questionable.

This line in the script itself represents the mage king on the dark side.But since he is the protagonist, even if he is black, he cannot be completely black.Therefore, the emotion in this line should be a compromise that the Mage King had to make after realizing the pressure of the gods.

This is a growth, but also a fall.

This choice is humiliating and full of ridicule for both the warrior and the king himself.

Restricted by Mathil's resources of professional drama actors, Yin Lian made some changes to the plot sequence, performance techniques and line details without changing the core of the script, making it more suitable for Mathil's customs and circumstances. .In this case, Yin Lian divided the performance originally undertaken by the actors of the Master King alone into more complex split-mirror images.

Of course, to make the audience understand the meaning of the shot when they see it, Yin Lian still has to put a lot of effort into the setting.Fortunately, the mages in the city of sages are not afraid of construction work.

For this reason, Yin Lian designed several very complicated stage mechanisms.Anyway, the space of the theater is large enough, so she simply designed a large triangular revolving stage, one of which is a set of seven high and low doors, one side of the background is fragrant white lily bushes and strong light, the other side is dark door and a little bit of starlight.In the door on the side of the blooming flowers, there are all mage kings on the bright side, while on the side of the starlight, there are all mage kings on the dark side.

In the setting on the side of the starlight, Yin Lian chose a pure black background for the dark part, but drew a dark red pattern on it that could not be seen with the naked eye, and could only be glimpsed under certain lighting. With the unknown blood flowing in the dark.

The script that Yin Lian gave to the actors at this time was originally the growth process of the mage king.However, because the first half of the mage king's life condensed in one act is difficult for non-professional drama actors to interpret, Yin Lian cut this episode with a huge time span into seven acts, and even let the young or petite play in between. The woman plays the mage king in her teenage years.

This actually lowers the requirements for actors.

Anil's acting skills are very good.From Yin Lian's point of view, he probably worked in some church choirs.In this world, apart from the Qingjin Imperial Capital, only certain choirs in the Holy City have the best singers.Although not every priest is a strong singer, the most powerful singer is definitely a priest. 33 Novel Network

In this regard, even the singers and musicians of Qingjin Huangdu can't compare with some churches, such as...the Church of Light.

In addition, Anil's demeanor and temperament are also extraordinary.Some things, either after long training or nurturing, or are naturally promoted by one's own status and circumstances, are far from being imitable by force.

Yin Lian had doubts about Anil's identity, but she just had him monitored and did not intend to expel him directly.

There is no reason to use the human resources sent up.Even if the other party really has some conspiracy, you can still be vigilant and throw it away when it is used up.

Even so, Yin Lian still arranged very cautiously.Because manpower is sufficient and labor is cheap, Yin Lian arranges a few actors and singers for each role, and decides whether to use them as rotations or substitutes depending on the situation.

The same goes for Anil's character.

Yin Lian did not directly attack the gods in the drama - although he questioned and criticized the gods anytime and anywhere, in fact, he was targeting the church.

In this drama, the gods are not the real villains, but more like puppets used by the church-Martil's audience may not really understand the meaning of this design, but Yin Lian knows that this approach will only make people worse. Perfectly guide the emotions of the people, making it easier for them to integrate into the plot.

The Mage King took away the magic book and Matil at the same time, and Yin Lian was not going to wash it.In fact, for Yin Lian, a proper black spot is not a black spot, but a kind of charm.

To open the door of truth and power, like Prometheus stole the fire, against the gods... how could this be a mistake?This is obviously a great cause!

Then, from the standpoint of Salmadi, she questioned the ruthlessness and cruelty of the gods, their indifference and indifference to human beings, and revealed the "truth" that the church hijacked the hearts of the people by means of injustice.

Salmathi singers sing songs.This paragraph is Selmadi telling the mage king the truth of the gods: "Fire is fire/blazing or warm/but never tries to ignite flowing water/light is light/illuminates everything in the world/but only does not illuminate darkness /The sun does not invade the territory of the moon/The night does not walk in the garden of the day/The gods do not care about the disputes of the world/The father is a rough god/And the world is the hunting ground of faith..."

"God doesn't care who is the king of the world/He hears the pleas of mortals/They cry out/Save me/Save me/You are supreme/You are omnipotent/Give us wealth and glory/Give us power and strength /Sometimes he is in a happy mood/and fulfills someone's request and hope..."

Yin Lian took the pen, thought for a while, and thought about the aria of Master Wang, thinking, which word is better to use for the lyrics of the duet?Mathil has too few synonyms, the inflections are not varied enough, and sometimes it doesn't rhyme well.

She wrote:

"Mage King: Let some people be honored/Let some people suffer..."

She stopped writing, thinking: Should I use "Both are devout believers/But God is so unfair" or "We once prayed devoutly/But went to heaven and hell" here?

Yin Lian thought for a while, but chose the latter.

In this way, the later lines of Salmadi were much easier to translate, and Yin Lian hardly changed them.

"Salmadi: All God gives is strength / Mortals create heaven and hell by themselves / If you are dissatisfied / Like me / Want to break free / Like me / Why don't you kiss my hand / Go where I guide road?"

The Master King asked: Is that heaven or hell?

Sharmati: Or we come from a world where we are free to decide.

Yin Lian thought about it, felt it was wrong, and changed it to "heaven and hell are not as good as the world where everyone can decide their own destiny".

Thinking about it again, this line was not expressed directly enough.The most important thing is that many of Matil's people may not have enough understanding of the so-called "freedom", so after thinking for a while, she simply changed the passage of the selected music, and strengthened the explanation in this regard.

"Heaven and hell bestowed by God / How can it compare to my own world? Be your own master / Gain the power to determine your destiny / No need to pray to anyone / No need to be chosen by anyone / If you want power / Why don't you hold me hands?"

Yin Lian quite likes the character of Salmadi.Although in the real legend, Salmadi has no other deeds other than her beauty, and just listening to the legend is still a love brain, but Yin Lian feels that in a truly complete story, Salmadi as such an important Yes, a charismatic character should have more than just one face.

Yin Lian also arranged a dance for Salmadi.

She first taught the backup dancers their moves.In this dance, the movements of the backup dancers are not only inconsistent with those of Salmadi, but also form a great contrast.The backup dancer always maintains movements similar to sitting on the ground, kneeling dance, lowering the waist, etc. the level is lower than normal standing, but Salmadi is much simpler.

Yin Lian found several actors from Salmadi, and then turned on the crystal to start recording, letting the actors watch from the sidelines.

She demonstrated to them herself.

Salmadi's dance shocked all the spectators present.It's not because of how amazing or technical this dance is, but because of the charm and aura that Yin Lian is among the dancers, and that simple movement expresses beyond the cognizance of the viewer.

Yin Lian's dance moves are very simple.She stood among the backup dancers, raised her head casually, and glanced at the onlookers on one side.Her movements have a mysterious sense of rhythm, which naturally attracts everyone's attention, while her back is straight, and there is a sense of arrogance in her standing posture.When she raises her head, you will feel that there is a hook in her eyes, tough but involuntarily wanting to surrender to her.

She raised her hand slightly, as if waiting for someone to kiss her, and then her eyes slowly wandered among the crowd, as if she was not being selected, but actively selecting believers.

Then she started to walk, and every time she walked to a place, the backup dancers prostrated themselves on the ground.Yin Lian's footsteps stepped on the ground, and with the sound effects prepared by the sight, each step carried a wonderful sense of rhythm.Until she came to a position, and then, in a very proud posture, knelt down.

Everyone seemed to hear the voice of the king of gods: [Salmadi, go and dance. 】

Yin Lian stood up slowly, and then ran suddenly.She went from expressionless to slowly smiling, and then the music suddenly changed, Yin Lian began to spin and move, her figure was as light as a swallow, but as proud as a swan.

That dance really shocked the viewers, because Matil's people couldn't understand how Yin Lian used this extremely soft posture to show an extremely powerful posture that seemed unattainable.

At the end of the dance, the proud swan finally lowered its neck slowly, but raised its head the next moment, staring straight ahead with burning eyes, with a smile on its lips.

It seems that the bowing of the head at this time is just a turning point of the story.And she has incomparable self-confidence, and she will eventually take charge of the direction of fate.

When everyone was still immersed in this dance, Yin Lian stood up without caring about spoiling the atmosphere, then turned off the crystal, and said: "I will re-engrave this crystal later, and then you can follow it Video exercises on it."

He also said to the backup dancer: "Today's backup dancer is terrible, the movements are far from neat, and the rhythm is not good. You need to practice more."

All the backup dancers agreed with some grievances, and several high-ranking members of the association sighed, thinking that Your Excellency Lian is really destroying the atmosphere like a god, and he is so fierce.

As a result, Yin Lian came over, but looked at them with a bit of resentment, and looked at them inexplicably.