crush the rich
Chapter 694 694
After Yue Anqing understood this, she couldn't help feeling fond of Tian Guo, thinking that this girl is really cute.But soon she changed her face - she played Tian Guo, but she had always disliked Hu Silin.
After all, it is the character Tian Guo who is cute, not the Hu Silin in front of me.
Moreover, she thought, Yang Lu also has Yang Lu's cuteness, and He Tianguo has its own merits and is no worse than the other.
Yin Lian admitted this personally.
Yin Lian: I'm kidding you, how could you be as cute as Si Lin.
But for Yue Anqing, Yang Lu is indeed more suitable for her to perform.Although the role of Tian Guo has many highlights and moments of humanity, it is difficult for Yue Anqing to agree with her character... no, to be precise, she agrees with her life experience.In her opinion, if she encountered something like Tian Guo, she would secretly report to the office later.
In contrast, although Yang Lu was miserable, Yue Anqing liked her decisiveness and narrow-mindedness very much.In her opinion, this is Yang Lu's true temperament.
This evaluation is actually very strange from Yue Anqing's mouth.In the eyes of those who really understand her style, Yue Anqing herself is a scheming girl, so why would she think that her true temperament is an advantage.But in fact, Yue Anqing's self-cognition is different.
She feels that she is better at pondering the ways of the world in terms of thinking, and is willing to deal with it in a way that is more beneficial to herself.But she is quite honest about her own desires and preferences, which is a kind of straightforwardness and true temperament.
In this regard, Yang Lu and she do have a lot in common.
According to the book, Yue Anqing's character is a real villain.Of course, if she wants to play Yang Lu, she can't act according to the true nature of this routine.What she lacks compared to Yang Lu is a kind of "principle" and "bottom line".
This is what Yin Lian said.
So since getting the script, Yue Anqing has been shaping Yang Lu's "principles and bottom line".
But she didn't perform well at the beginning, because she showed her principles and bottom line too exposed.Later, Yin Lian looked shameless, so she put it another way, asking her to add a self-esteem as a buffer between acting skills and principles.
No matter how unprincipled Yue Anqing was, for a girl from such a well-to-do family, she still had some self-esteem, so she finally acted less bluntly.
In the film crew, Yin Lian has specially arranged screenwriting and acting teachers, both of which can help Yue Anqing complete the establishment and shaping of characters.Of course, these teachers themselves are not top actors, and it is impossible to replace Yue Anqing to complete all the work, but they do have specialization in specific fields, at least they can teach Yue Anqing a more scientific method of character creation.
But to sublimate the character into a work, Yue Anqing still needs to figure it out on her own.
Yue Anqing must be talented. Peter Pan had so many child stars back then, not all of them could be famous.Although there are also reasons why Peter Pan's high-level officials are not good people, being famous also depends on the children's own abilities and talents.
It is even possible that most of those who can become famous are due to ability and talent, while those who are talented but difficult to become famous are Peter Pan's fault.And more is that he has no talent, and the relationship with Peter Pan is not very big.
Under the guidance of the teacher, Yue Anqing slowly established the role of Yang Lu, and pondered the characteristics of this character on a daily basis. Her emotional changes and reactions when facing various situations can be said to be more integrated. come better.
Although Yin Lian's acting skills are not very good, her vision is precise enough.Every time Yue Anqing encounters difficulties in acting, Yin Lian can always point out her problems accurately and give effective suggestions.
Yue Anqing's muqiang mentality has always been serious, so as long as Yin Lian shows enough ability, she can be happy no matter how bad the other party treats her.
Of course, Yin Lian is actually not that bad to her now. Occasionally bickering and mocking with her, it can only be said to be not so gentle persuasion, but most of the time, she still gets along seriously, and will help when the other party is not so pushy. Solve the problem.After all, the two of them had fought in the same camp, and Yin Lian already regarded Yue Anqing as one of his own.
Even though Yue Anqing didn't feel it, just like what Yin Lian and her mother-in-law said, Yin Lian was actually trying to give Yue Anqing a good influence by acting as Yang Lu.
The role of Yang Lu actually has a strong sense of justice in many cases, and her principles are also very strong.If it weren't for this, she wouldn't have any intersection with Tian Guo, Chen Tong and the others.Although she designed to kill her stepfather, it was not because she was cruel and easy to kill, but it was just a way to protect herself as a last resort.And since she got rid of the threat of her adoptive father, she has been wandering around, preferring to give up a life that may be safer, but also to live freely.
This point is actually completely opposite to Yue Anqing.
But it belongs to the part that Yue Anqing can understand. After all, she doesn't need to experience Yang Lu's poverty-stricken wandering life. She only needs to experience her intelligent and strong character who dares to love and hate.
And in shaping the character, she will inevitably identify with and empathize with this character, which actually has an impact on her own personality and thoughts.
In the process of shaping the character of Yang Lu, Yue Anqing did often think about some philosophical issues - in fact, she didn't need to do these things, as long as she brought Yang Lu in, too much thinking would easily lead to confusion .
But Yin Lian didn't stop her, so she did it.Yin Lian is not worried that she will go into a dead end, because Yue Anqing has such a personality, she will not give up this role, so in the end she will still find a logic of role behavior that she can agree with.She was the one who would change herself to fit the role instead of questioning the role to prove herself.
But after playing Yang Lu, maybe her thinking and personality will change.
Yue Anqing is actually not very old, although she is a little too precocious, but it does not mean that her personality has been fully formed, she still has many opportunities to grow.
that's the truth.
Through exploring Yang Lu's character and related plots, Yue Anqing gradually became more and more able to understand the logic of Yang Lu's behavior in many things.For example, at the beginning, Yang Lu was always hostile and defensive towards her stepfather, and she didn't hide this vigilance.But at that time, she was not as independent and fearless as later, because she had not wandered before, and she was not confident that she could live alone.
When Yang Lu was really stubborn by nature, for example, to save lunch money and secretly went to find a locksmith to install a deadbolt lock for her room, she did it very obviously and disregarded feelings, but on the surface she still Whitewash the peace and tell the mother and stepfather that the airtightness of the room is not good. After some typhoons, the door will hit the door frame slightly in the middle of the night.
Everyone knew that this was an excuse, but in order to whitewash the peace, although the stepfather was reluctant to study her door for a long time, he finally accepted this excuse.
On the contrary, it was Yang Lu's mother who nagged her for a long time, blaming her for being coquettish and self-assertive. Although Yang Lu's coquettishness was on the surface, but in the adult's voice, she was worried that Yang Lu's actions would obviously cause her stepfather to be dissatisfied. means more.
At this time, Yang Lu is not as perverse and withdrawn as she was after a long time, so in terms of the plot, this episode is quite depressing. At least Yang Lu will still be dissatisfied, but compromise with her mother.
The process of Yang Lu and his stepfather's battle of wits and courage is often filled with the atmosphere of a horror movie.Yin Lian sometimes deliberately renders the scenes out of the scope of horror movies, reducing the weight of the stepfather as a gangster or even a gangster (attempted), and rendering him more as a monster from a child-like perspective.
For example, on a day when there is no one at home, when her stepfather knocks on the door, Yang Lu deliberately wears earplugs to pretend to sleep, but actually hides in the quilt, not daring to make any movement, but secretly grabs the quilt out of its creases. The scene is very similar to the scene in a horror movie where some characters encounter ghosts knocking on the door.
And every time Yang Lu came back from school, she vigilantly inquired about her stepfather's movements, and then tried to distract her stepfather by using neighbors, or sneaked back to the room without attracting attention, just like a player doing stealth when playing a game. Task.
But at this time, Yang Lu is still weak, so sometimes it is inevitable that she will be succeeded for some reason.But Yin Lian didn't want to have a real obscene scene, and more often it was verbal harassment and some suggestive small gestures.However, Yang Lu has a fierce personality, so if the other party really crossed the line a little bit, she would directly struggle desperately. The first two times, she took advantage of her stepfather's unpreparedness and escaped smoothly.
The stepfather was indeed a little irritated at first, but later he regarded Yang Lu's reaction as fun, just like the prolongation of the pleasure of eating brought about by the mouse's desperate struggle during the process of a cat catching a mouse.He intimidated Yang Lu mentally in all directions, and all of Yang Lu's fears seemed to become his food.
The teacher who played the stepfather complained: "I don't think I'm playing a gangster, but a pervert who just likes to scare children."
Yin Lian said: "This is enough."
The assistant director thought that the scenes were obviously a bit too exciting for children.He now believes that Yin Lian really wants to make children's films with children as the main audience, because these shooting techniques and scene designs are completely aimed at children.Of course, the standard of the script is very high, and the assistant director believes that adults will also be attracted, but the emotional feedback triggered should not be as strong as that of children.
But it is precisely in this situation that many scenes and shooting techniques seem a bit too exciting: "I think if you really press this edit later, plus special effects, many child viewers may be scared away, even if you continue watching Children may also leave psychological shadows."
Yin Lian laughed and said, "I just want to become their psychological shadow."
Deputy director:"……?"
What kind of underage pervert are you?
Of course, Yin Lian didn't say that because she wanted to bully children.She asked the assistant director: "What do you think is the greatest value of TV dramas in this society?"
The assistant director was stunned for a moment, thought for a while, and replied: "I did think about it, but what Director Yin wants to talk about is definitely not its commercial value, right?"
Yin Lian said: "I think its commercial value is actually very limited. It is definitely not the most profitable. The price/performance ratio is far inferior to the game market, let alone some high-tech industries. After all, in this era, what? There is no technology to make money.”
"If you don't discuss commercial value, I think it's more about entertainment value." The assistant director replied, "TV dramas are now a part of the spiritual life of a large part of the people, and they are in demand."
Yin Lian nodded and said: "You are right. In fact, people's spiritual needs have been increasing. With the improvement of education level, people are no longer satisfied with the original level of 'satisfied'. Now there are more Many forms of entertainment are joining the lives of ordinary people, but traditional spiritual entertainment such as books and television will not withdraw from the player's leisure list in the future, and it will accompany mankind for many centuries."
The assistant director was a little surprised by Yin Lian's quantifier—although he also agrees that TV dramas will not easily withdraw from people's spiritual life, even though many people are clamoring that this type of entertainment will be replaced by new ones, but Yin Lian is too Guarantee.
Of course, Yin Lian is not talking nonsense, because she has been to Xia Guo, and knows that the skill tree of film and television dramas has just been pointed out to the elementary level, and it is far from being fully developed.
But this is not the point.
She said: "But I think the greater value of TV dramas lies in their cultural and educational value. Of course, I am not saying that all TV dramas need to have cultural and educational value... Ah, no, I think all TV dramas All dramas should have a certain cultural and educational value, but it is not necessary for each of them to be of a high level. Cartoons can talk about the principles of cartoons, and martial arts films can talk about the principles of martial arts movies.”
The assistant director was very supportive: "Yes, the three views are the most important."
Yin Lian said: "Do you know how many people have a psychological shadow on a well-known domestic violence film, and in the next few decades, when facing the same social problems, there will be more attention and more correct and more full awareness?"
The assistant director was taken aback for a moment, vaguely realizing which work Yin Lian was talking about.
But to say that Yin Lian wants to shoot this level of "psychological shadow", the assistant director thinks it's not quite like it. "Children of the Moon" itself is still a genius children's play by Su Shuang, and the two must not be compared.
The assistant director also told the truth. After all, based on the previous experience of getting along, Yin Lian is actually very willing to understand the different ideas of different people in the crew and discuss with them.
Yin Lian said: "Because I don't want to really scare all the children away. And for children, I don't think there is a big difference in their fear of the two. Yang Lu's plot can make people feel scared, It can make children afraid of such things, and they will have more sympathy and empathy in the face of such social incidents in the future, instead of being irrelevant and sarcastic, that is the greatest impact of this film on society. contribution."
After the assistant director understood, he was deeply impressed by Yin Lian.
Although I feel that this child is unusual every day, I still feel that it is unusual again today.
Yin Lian said: "In fact, TV dramas are a better tool for cultural and ideological output than many other media and teaching materials, but the current utilization efficiency is still very low. You can see that many children now have 'television drama plots that they will never forget for many years', but Most of it is not human warmth or justice in the world, nor the dangers of the world or the shining points of human nature, but "you love me and I love you", "the heroine gave her life for the hero" or "the heroine paid for the heroine and the hero." lost their lives'... But you can't say that the children's ideological level is not high, they will cry for the martyrs and be angry for history, the real low level is the film and television industry."
"It's going to get better. Or it's getting better, and we're just adding to it."
Although the assistant director thought it was a good work before, and in the good atmosphere of the crew, he had a better impression of the entire creative team than before, but after this conversation, there was an inexplicable difference. previous feelings.
I can't tell whether it's a sense of responsibility or something else, but I feel passionate.
He is not the first person to be instigated by Yin Lian.
After all, it is the character Tian Guo who is cute, not the Hu Silin in front of me.
Moreover, she thought, Yang Lu also has Yang Lu's cuteness, and He Tianguo has its own merits and is no worse than the other.
Yin Lian admitted this personally.
Yin Lian: I'm kidding you, how could you be as cute as Si Lin.
But for Yue Anqing, Yang Lu is indeed more suitable for her to perform.Although the role of Tian Guo has many highlights and moments of humanity, it is difficult for Yue Anqing to agree with her character... no, to be precise, she agrees with her life experience.In her opinion, if she encountered something like Tian Guo, she would secretly report to the office later.
In contrast, although Yang Lu was miserable, Yue Anqing liked her decisiveness and narrow-mindedness very much.In her opinion, this is Yang Lu's true temperament.
This evaluation is actually very strange from Yue Anqing's mouth.In the eyes of those who really understand her style, Yue Anqing herself is a scheming girl, so why would she think that her true temperament is an advantage.But in fact, Yue Anqing's self-cognition is different.
She feels that she is better at pondering the ways of the world in terms of thinking, and is willing to deal with it in a way that is more beneficial to herself.But she is quite honest about her own desires and preferences, which is a kind of straightforwardness and true temperament.
In this regard, Yang Lu and she do have a lot in common.
According to the book, Yue Anqing's character is a real villain.Of course, if she wants to play Yang Lu, she can't act according to the true nature of this routine.What she lacks compared to Yang Lu is a kind of "principle" and "bottom line".
This is what Yin Lian said.
So since getting the script, Yue Anqing has been shaping Yang Lu's "principles and bottom line".
But she didn't perform well at the beginning, because she showed her principles and bottom line too exposed.Later, Yin Lian looked shameless, so she put it another way, asking her to add a self-esteem as a buffer between acting skills and principles.
No matter how unprincipled Yue Anqing was, for a girl from such a well-to-do family, she still had some self-esteem, so she finally acted less bluntly.
In the film crew, Yin Lian has specially arranged screenwriting and acting teachers, both of which can help Yue Anqing complete the establishment and shaping of characters.Of course, these teachers themselves are not top actors, and it is impossible to replace Yue Anqing to complete all the work, but they do have specialization in specific fields, at least they can teach Yue Anqing a more scientific method of character creation.
But to sublimate the character into a work, Yue Anqing still needs to figure it out on her own.
Yue Anqing must be talented. Peter Pan had so many child stars back then, not all of them could be famous.Although there are also reasons why Peter Pan's high-level officials are not good people, being famous also depends on the children's own abilities and talents.
It is even possible that most of those who can become famous are due to ability and talent, while those who are talented but difficult to become famous are Peter Pan's fault.And more is that he has no talent, and the relationship with Peter Pan is not very big.
Under the guidance of the teacher, Yue Anqing slowly established the role of Yang Lu, and pondered the characteristics of this character on a daily basis. Her emotional changes and reactions when facing various situations can be said to be more integrated. come better.
Although Yin Lian's acting skills are not very good, her vision is precise enough.Every time Yue Anqing encounters difficulties in acting, Yin Lian can always point out her problems accurately and give effective suggestions.
Yue Anqing's muqiang mentality has always been serious, so as long as Yin Lian shows enough ability, she can be happy no matter how bad the other party treats her.
Of course, Yin Lian is actually not that bad to her now. Occasionally bickering and mocking with her, it can only be said to be not so gentle persuasion, but most of the time, she still gets along seriously, and will help when the other party is not so pushy. Solve the problem.After all, the two of them had fought in the same camp, and Yin Lian already regarded Yue Anqing as one of his own.
Even though Yue Anqing didn't feel it, just like what Yin Lian and her mother-in-law said, Yin Lian was actually trying to give Yue Anqing a good influence by acting as Yang Lu.
The role of Yang Lu actually has a strong sense of justice in many cases, and her principles are also very strong.If it weren't for this, she wouldn't have any intersection with Tian Guo, Chen Tong and the others.Although she designed to kill her stepfather, it was not because she was cruel and easy to kill, but it was just a way to protect herself as a last resort.And since she got rid of the threat of her adoptive father, she has been wandering around, preferring to give up a life that may be safer, but also to live freely.
This point is actually completely opposite to Yue Anqing.
But it belongs to the part that Yue Anqing can understand. After all, she doesn't need to experience Yang Lu's poverty-stricken wandering life. She only needs to experience her intelligent and strong character who dares to love and hate.
And in shaping the character, she will inevitably identify with and empathize with this character, which actually has an impact on her own personality and thoughts.
In the process of shaping the character of Yang Lu, Yue Anqing did often think about some philosophical issues - in fact, she didn't need to do these things, as long as she brought Yang Lu in, too much thinking would easily lead to confusion .
But Yin Lian didn't stop her, so she did it.Yin Lian is not worried that she will go into a dead end, because Yue Anqing has such a personality, she will not give up this role, so in the end she will still find a logic of role behavior that she can agree with.She was the one who would change herself to fit the role instead of questioning the role to prove herself.
But after playing Yang Lu, maybe her thinking and personality will change.
Yue Anqing is actually not very old, although she is a little too precocious, but it does not mean that her personality has been fully formed, she still has many opportunities to grow.
that's the truth.
Through exploring Yang Lu's character and related plots, Yue Anqing gradually became more and more able to understand the logic of Yang Lu's behavior in many things.For example, at the beginning, Yang Lu was always hostile and defensive towards her stepfather, and she didn't hide this vigilance.But at that time, she was not as independent and fearless as later, because she had not wandered before, and she was not confident that she could live alone.
When Yang Lu was really stubborn by nature, for example, to save lunch money and secretly went to find a locksmith to install a deadbolt lock for her room, she did it very obviously and disregarded feelings, but on the surface she still Whitewash the peace and tell the mother and stepfather that the airtightness of the room is not good. After some typhoons, the door will hit the door frame slightly in the middle of the night.
Everyone knew that this was an excuse, but in order to whitewash the peace, although the stepfather was reluctant to study her door for a long time, he finally accepted this excuse.
On the contrary, it was Yang Lu's mother who nagged her for a long time, blaming her for being coquettish and self-assertive. Although Yang Lu's coquettishness was on the surface, but in the adult's voice, she was worried that Yang Lu's actions would obviously cause her stepfather to be dissatisfied. means more.
At this time, Yang Lu is not as perverse and withdrawn as she was after a long time, so in terms of the plot, this episode is quite depressing. At least Yang Lu will still be dissatisfied, but compromise with her mother.
The process of Yang Lu and his stepfather's battle of wits and courage is often filled with the atmosphere of a horror movie.Yin Lian sometimes deliberately renders the scenes out of the scope of horror movies, reducing the weight of the stepfather as a gangster or even a gangster (attempted), and rendering him more as a monster from a child-like perspective.
For example, on a day when there is no one at home, when her stepfather knocks on the door, Yang Lu deliberately wears earplugs to pretend to sleep, but actually hides in the quilt, not daring to make any movement, but secretly grabs the quilt out of its creases. The scene is very similar to the scene in a horror movie where some characters encounter ghosts knocking on the door.
And every time Yang Lu came back from school, she vigilantly inquired about her stepfather's movements, and then tried to distract her stepfather by using neighbors, or sneaked back to the room without attracting attention, just like a player doing stealth when playing a game. Task.
But at this time, Yang Lu is still weak, so sometimes it is inevitable that she will be succeeded for some reason.But Yin Lian didn't want to have a real obscene scene, and more often it was verbal harassment and some suggestive small gestures.However, Yang Lu has a fierce personality, so if the other party really crossed the line a little bit, she would directly struggle desperately. The first two times, she took advantage of her stepfather's unpreparedness and escaped smoothly.
The stepfather was indeed a little irritated at first, but later he regarded Yang Lu's reaction as fun, just like the prolongation of the pleasure of eating brought about by the mouse's desperate struggle during the process of a cat catching a mouse.He intimidated Yang Lu mentally in all directions, and all of Yang Lu's fears seemed to become his food.
The teacher who played the stepfather complained: "I don't think I'm playing a gangster, but a pervert who just likes to scare children."
Yin Lian said: "This is enough."
The assistant director thought that the scenes were obviously a bit too exciting for children.He now believes that Yin Lian really wants to make children's films with children as the main audience, because these shooting techniques and scene designs are completely aimed at children.Of course, the standard of the script is very high, and the assistant director believes that adults will also be attracted, but the emotional feedback triggered should not be as strong as that of children.
But it is precisely in this situation that many scenes and shooting techniques seem a bit too exciting: "I think if you really press this edit later, plus special effects, many child viewers may be scared away, even if you continue watching Children may also leave psychological shadows."
Yin Lian laughed and said, "I just want to become their psychological shadow."
Deputy director:"……?"
What kind of underage pervert are you?
Of course, Yin Lian didn't say that because she wanted to bully children.She asked the assistant director: "What do you think is the greatest value of TV dramas in this society?"
The assistant director was stunned for a moment, thought for a while, and replied: "I did think about it, but what Director Yin wants to talk about is definitely not its commercial value, right?"
Yin Lian said: "I think its commercial value is actually very limited. It is definitely not the most profitable. The price/performance ratio is far inferior to the game market, let alone some high-tech industries. After all, in this era, what? There is no technology to make money.”
"If you don't discuss commercial value, I think it's more about entertainment value." The assistant director replied, "TV dramas are now a part of the spiritual life of a large part of the people, and they are in demand."
Yin Lian nodded and said: "You are right. In fact, people's spiritual needs have been increasing. With the improvement of education level, people are no longer satisfied with the original level of 'satisfied'. Now there are more Many forms of entertainment are joining the lives of ordinary people, but traditional spiritual entertainment such as books and television will not withdraw from the player's leisure list in the future, and it will accompany mankind for many centuries."
The assistant director was a little surprised by Yin Lian's quantifier—although he also agrees that TV dramas will not easily withdraw from people's spiritual life, even though many people are clamoring that this type of entertainment will be replaced by new ones, but Yin Lian is too Guarantee.
Of course, Yin Lian is not talking nonsense, because she has been to Xia Guo, and knows that the skill tree of film and television dramas has just been pointed out to the elementary level, and it is far from being fully developed.
But this is not the point.
She said: "But I think the greater value of TV dramas lies in their cultural and educational value. Of course, I am not saying that all TV dramas need to have cultural and educational value... Ah, no, I think all TV dramas All dramas should have a certain cultural and educational value, but it is not necessary for each of them to be of a high level. Cartoons can talk about the principles of cartoons, and martial arts films can talk about the principles of martial arts movies.”
The assistant director was very supportive: "Yes, the three views are the most important."
Yin Lian said: "Do you know how many people have a psychological shadow on a well-known domestic violence film, and in the next few decades, when facing the same social problems, there will be more attention and more correct and more full awareness?"
The assistant director was taken aback for a moment, vaguely realizing which work Yin Lian was talking about.
But to say that Yin Lian wants to shoot this level of "psychological shadow", the assistant director thinks it's not quite like it. "Children of the Moon" itself is still a genius children's play by Su Shuang, and the two must not be compared.
The assistant director also told the truth. After all, based on the previous experience of getting along, Yin Lian is actually very willing to understand the different ideas of different people in the crew and discuss with them.
Yin Lian said: "Because I don't want to really scare all the children away. And for children, I don't think there is a big difference in their fear of the two. Yang Lu's plot can make people feel scared, It can make children afraid of such things, and they will have more sympathy and empathy in the face of such social incidents in the future, instead of being irrelevant and sarcastic, that is the greatest impact of this film on society. contribution."
After the assistant director understood, he was deeply impressed by Yin Lian.
Although I feel that this child is unusual every day, I still feel that it is unusual again today.
Yin Lian said: "In fact, TV dramas are a better tool for cultural and ideological output than many other media and teaching materials, but the current utilization efficiency is still very low. You can see that many children now have 'television drama plots that they will never forget for many years', but Most of it is not human warmth or justice in the world, nor the dangers of the world or the shining points of human nature, but "you love me and I love you", "the heroine gave her life for the hero" or "the heroine paid for the heroine and the hero." lost their lives'... But you can't say that the children's ideological level is not high, they will cry for the martyrs and be angry for history, the real low level is the film and television industry."
"It's going to get better. Or it's getting better, and we're just adding to it."
Although the assistant director thought it was a good work before, and in the good atmosphere of the crew, he had a better impression of the entire creative team than before, but after this conversation, there was an inexplicable difference. previous feelings.
I can't tell whether it's a sense of responsibility or something else, but I feel passionate.
He is not the first person to be instigated by Yin Lian.
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