crush the rich

In fact, this is not the first time Yin Lian’s light display equipment has been exposed. Yin Changsheng’s game currently uses light display equipment, and it has been shown many times in live broadcasts, and the social response is also great.

However, the display at that time was relatively casual and there was no formal promotion. Therefore, although people who are interested in this area may feel that relevant information is everywhere, those who do not pay attention to this field themselves often have not even heard of it.

This is also the drawback of the modern digital network. The dissemination of information is becoming more and more targeted, but also narrower and more directional.

Of course, this problem has not been solved in Xia Guo, but Xia Guo's network database is comprehensive and well-organized, so a lot of information can be easily found as long as you are interested, but it has little impact.

This can also be regarded as a kind of institutional structural crushing.

In this case, although the news of "Earth OL" spread everywhere, and even the two directors may have seen relevant information at some time and place, but because of their own interest orientation and the crazy bombardment on the Internet, Exaggerating the impact of false information, it is often difficult for them to believe the content of these headlines, let alone click in to confirm them.

So when they saw this scene, they didn't connect it with the "holographic handheld" that was widely rumored on the Internet. They just felt that the scene they saw was very fantasy, and even had a sense of unreality.

In contrast, Yin Lian's appearance in this short film is the most natural thing, after all, it's not like she hasn't acted before.

If one had to say that there was something unusual about her, it would probably be that Yin Lian in the [-]D image was too different from the real one, not to mention that her acting skills were too good.But the two of them didn't think deeply about this aspect for a while, they only thought that she had rewrote a few plays and had a deeper understanding of acting skills.

They are more concerned about the screening format itself.

The screen as big as the table, showing the film gives people a completely different feeling from the small figure floating on the handheld.The game console provided by Yin Changsheng is only the size of a palm, and the characters or houses are very small and cute, but the definition is not very high, and it is difficult to see the details, so it is often easy to overlook the fine details of the art.

This large stereo image is different.

There is enough space to show even the folds of the character's clothes. The three-dimensional effect makes the character look more vivid and beautiful. Among other things, at least the problem of many actors being "photogenic and fat" on the big screen is completely eliminated here. Although the Yin Lian in the video still lacks a bit of charm than in reality—it’s hard to say exactly where the difference is and why—but it’s still very good-looking, and it looks sweeter and more amiable.

In addition, it is the picture change of the whole image.

The two directors have also watched the current [-]D movies, not to mention those that are not really [-]D, even if it is a holographic game that does have a [-]D structure, it actually feels relatively ordinary to play.

Before seeing these images, the two of them had never imagined that a sufficiently clear and smooth three-dimensional shot could look so spectacular...and gorgeous.

This description sounds weird, but it happens to be how they actually feel now.

How should I put it, just like a swallow gliding between carved beams and painted buildings, the insignificance and vastness between mountains and rivers and history, such a three-dimensional image can make the viewer's field of vision very vast, and can also make it very small, And between the large and small transformations, the two-dimensional and three-dimensional images really differ by one dimension of shock.

Among the two directors, Ai Jisheng is a director of popular literary and artistic films, the kind who can shoot a literary and artistic film with a deep theme, full of laughs, tears, and empathy, but the story itself is full of emotions. He is often a very down-to-earth director, and the other is Zhang Peihua, who is good at comedies. His comedies are famous for their compact laughs and popular ones, but the stories themselves often have very exciting and complete story lines.

Both of them actually prefer comedy stories, and Yin Lian's "Daily Stories of Red Mansions" is an out-and-out sitcom even though it is adapted from the fatal tragedy "Dream of Red Mansions".

This is why Yin Lian thinks they are suitable.

But among the two, Ai Jisheng, who is older, undoubtedly has a deeper feeling and understanding of movies and life. At this time, watching these plot scenes, his mood swings are also greater.

In fact, he has already faintly realized that if this scene is not shot in a small courtyard with blue tiles and white walls, but "the sound of apes on both sides of the river can't stop crying" and "the sun sets over the long river", then it will be truly shocking.

However, considering that Yin Lian's resources and budget should be limited, an experimental film should not be so demanding.

After all, the picture at this time is actually shocking enough.

On the other side, Zhang Peihua paid more attention to the camera skills contained in these shots.

To be honest, since Zhang Peihua only shoots comedies, he hasn't had an in-depth understanding of [-]D technology, nor has he thought too much about it.In his opinion, the so-called [-]D special effects films on the market are still too rough and too focused on showing off technology. Although there is a certain visual impact, there are too few places where they can be applied.

As for the real [-]D technology, I'm afraid it will take a long time to wait.

In this case, it is meaningless to think about how to shoot a [-]D film, and there is not even a definite and mature concept of what a [-]D film is.

Even if a [-]D movie is produced, Zheng Peihua also believes that in terms of camera movement, the [-]D movie may not be able to leave too much space for expression because it is too specific, and it may not be as expressive as the [-]D movie.

But at this moment he had to admit that he was wrong.

He once thought that human beings have two-dimensional vision, so they should be more able to accept the beauty of two-dimensional images, but his own actual feelings of watching these images told him that human beings clearly have three-dimensional vision.

So at this time, he was obviously more moved by the three-dimensional dynamics, and he was so surprised by his unimaginable mirror movement route that he was speechless.

...Yes, an unbelievable mirror movement route.

The mirror movement route of this [-]D image is much more free than he imagined, but it faintly makes people feel that it is not arbitrary, but has its own set of very reasonable internal laws.

Because it makes people comfortable.

Film and television lenses that can make people "see comfortably" are often already at a very high level.

The two directors are both insiders. Perhaps because they know more about the plot, they are overly professional in watching the plot, so they ignore a lot of the plot. When they realized it, they caught a few plots like blind sheep, and left The acting skills of "Brothers and Sisters of the Yin Family" are really good... This kind of perception is completely in the wrong direction.

After watching it once, Yin Lian asked them how they felt, but the two great directors didn't regain their senses at all, and just asked to watch it again.

It wasn't until the third time that the two directors had the heart to chat with Yin Lian about their feelings, but maybe because they were so deeply touched by the film's screen, they didn't know how to start it, and the last thing that opened the topic was a relatively insignificant sentence : "...you and your brother's acting skills are very good..."

Yin Lian smiled and said, "We didn't play it."

The two directors were stunned for a moment, but it was Zhang Peihua who reacted first and said, "Face-swapping technology?"

Yin Lian nodded and said, "Yes."

Ai Jisheng found it incredible, and asked: "Just the face-changing technology used in your show? Can it do this? Can it be used in holography?"

Yin Lian explained: "Because the essence of face changing is to model the body data of real people, and then manipulate these models by interpreting the muscle signals of the actors during the performance, so the principle of two-dimensional pictures and three-dimensional pictures is actually the same, and the difficulty is also different. Not big."

She thought for a while and said, "It's better to say that this technology itself was invented for [-]D images, and [-]D is just a derivative application, a format specially modified to adapt to flat devices."

Ai Jisheng said hastily: "In other words, its performance in [-]D should be better than that of [-]D?"

Yin Lian replied conservatively: "At least it won't be worse, and the versatility must be wider."

This is obviously a very important message.

Ai Jisheng asked again: "Is your... three-dimensional image... just this big? Can it be enlarged in the future?"

Yin Lian replied: "Of course it can be of various sizes. For example, it can be as big as a handheld, or as big as a movie screen...it can even be made into a suspended screen in a square."

Zhang Peihua gasped.

Ai Jisheng asked: "Are you planning...to shoot your "Daily Stories of the Red Chamber" in this form?"

Yin Lian said: "Of course."

"To be honest..." Ai Jisheng paused before saying, "...wouldn't it be a bit of a waste?"

Yin Lian raised her eyebrows, really puzzled: "Waste? Why do you say that?"

Ai Jisheng replied: "Because this kind of technology is actually easier to achieve the best effect if it is used in special effects films, and it can shock the audience even more."

Yin Lian understood what he meant, smiled immediately, and said, "There is nothing wasted in serving culture."

She paused and said: "I know the current concept, special effects films are more in line with the standards of blockbuster films. But if I have to say it, I think shock and touch are two concepts. For Director Ai, do you think you can start from Which is greater, a work that shocks the audience technically, or a work that touches the audience emotionally?"

Ai Dao paused, and replied: "It must be the latter."

Yin Lian nodded: "It is only technology that shocks the audience. Movies need technology, but technology does not necessarily need movies. It is movies that touch audiences, and movies should always be a kind of culture, not technology."

Finally, she concluded: "You see, we have technology now, and it's there. And using it to create and spread culture, I don't think there is a less wasteful way to do it."

Ai Jisheng agrees with Yin Lian's statement in his heart, but he still feels uneasy... It's not that he himself really values ​​the benefits, but because the current values ​​in the industry are like this. Technology represents a huge benefit. The little girl is not sensible, so she gave up such a big benefit so lightly. He worried that she would regret it in the future.

But the little girl's attitude is very firm and her sentiments are very noble. There is really no reason not to encourage her but to punish her. Therefore, Ai Jisheng can't say anything, so he can only turn his attention back to the drama.

The two directors asked a lot of related questions, and the time dragged on unknowingly.It wasn't until Sister AI came in with tea and snacks that the two directors realized that more than an hour had passed.

They still have a lot of curiosity about this equipment and Yin Lian's technology, but it's not a problem to procrastinate like this. Finally, they decided to sign a contract first. After signing the contract, Yin Lian gave them the script and then gave them the access to the area where the relevant equipment is located. Permission, when the time comes, they can slowly study the script, equipment and related materials.