Snow Eagle Lord: The Lord of Moxue Kingdom in Douluo Continent
Chapter 81 Finally Becomes the Source of Chaos (Finale)
Chapter 81 Final words to readers
First of all, I would like to say sorry to the readers who support me. Although this book has not been updated, many things I wanted to write have not been written.
Coupled with the visit of the river crab mythical beast, I can no longer write anymore.
At least it's a normal ending.
I have discovered that my book actually collapsed when I wrote about the protagonist creating many system hosts. Then when I turned around to write about the extraordinary world that Douluo is attached to, more than half of it collapsed.
I was so intent on squeezing everything I thought into one book that I didn’t even think about my writing skills and my ability to create plots.
I feel like when I was writing this book, I was like a savage who had lived alone in a cave for decades. There was so much to say, but not a complete sentence.
I thought about it - how interesting it is for many system hosts to compete with each other in the same world.
But I didn't think about why others didn't write like this - those who wrote like this might be too scared to pounce anymore.
If every character is a main character, too much writing and ink needs to be invested, and each character needs to be given a unique personality instead of a simple puppet, then the writing must be extremely sluggish, like an old lady's footcloth, smelly and long.
I didn't think too much at the beginning of the creation, so there wasn't enough conflict between the characters. This was my biggest problem when shaping the plot - I didn't have the ability to create group portraits, and I couldn't make everyone come alive.
It is for this reason that I deliberately avoided positive descriptions of the system holders later on, but escaping cannot solve the problem. They will eventually face it head-on. What will I do on that day?
I designed a systematic format for holding conferences, but when I was preparing to hold a conference once a year in the plot, I discovered that holding a conference is an act that is comfortable from a God's perspective, but uncomfortable from a reader's perspective.
If I were a reader myself, I would definitely say: "The author of The Riddler is dead! Why don't you write the riddles in mud and torture the readers."
What I can't take into account are not only the original characters who are supporting characters in the original work, but also the conflicts between the supporting characters and the main characters of the original work due to plot changes.
The conflicts between each other will affect each other and then change the characters' thoughts. This is the most difficult thing to write. I admit that I can't do it, so I finally chose to finish the book in a hurry.
If I want to write in the future, I will come back to make up for the regrets of not being able to write everything.At that time, it will be presented to everyone in the form of extras.
Thinking about it again, I roughly understand how the masters dealt with it - there should not be too many important characters appearing in the same map at the same time - important characters are expendable and phased.These characters should appear one after another and end up in other maps one after another.
A map like Douluo is too small, so the main characters must not only be few, but also concentrated!Only when they are gathered together can the characters be enriched through profile descriptions of other people.
If there is another book, I will definitely pay attention to this issue.
It is the interactivity of Invincible flow - that is, conflicts, battles, and the really exciting parts. Because the character creation is too scattered, it is not reflected much.
Another failing point lies in the complexity of the subject matter itself. The concept of the material world comes from "Snow Eagle Lord" by the great tomato-eating master.
The original work only focuses on shaping the material world of the Xia Clan world, and the extraordinary world attached to the Xia Clan world also only focuses on the description of the world of fire.
At that time, I had been enjoying how exciting it was for a lord of the material world like the Witch God to conquer each material world. I would even substitute myself in my mind and kill everyone.
At that time, I felt very sorry that Tomato did not rewrite the material world and the small or large extraordinary worlds in the material world.
But after I picked up the pen, I discovered that things were not as simple as I imagined - every material world must re-imagine a practice system.
The collision of different worldviews is certainly exciting, but as the author, I don’t have such strong memory and logical abilities.
In particular, I don’t want to create those cookie-cutter material worlds with exactly the same way of practice. I don’t think that kind of battle process is exciting at all, and I don’t even want to write about it at all.
In my original conception, the different timelines of the five Douluo Continent parts are actually five cyclical material realms, and these can all be put into the Douluo chapter.
As for other novels written by the Third Young Master of the Tang family, such as "Bacchus" (The Good and Evil God King), "The Divine Seal Throne" (Huo Yuhao's Golden Finger), and "Dzi Bead Transformation" (Dark Demon Tiger), which are clearly related to Douluo Continent, There are also novels like Son of Light, Emperor of the Piano, and Mad God. I want to incorporate them into the category of the material world.
But when I started writing, it completely collapsed.I wrote, deleted, and wrote, but I couldn’t make myself understand it at all.
Just like a program full of bugs, the practice versions are simply incompatible with each other. It is almost impossible to divide them into similar level systems. This is also a point that makes me very painful.
The third failing point is my lack of control over the protagonist Goldfinger - there should never be too many Goldfinger, nor should there be too many settings - although I didn't want to write a cool article at the beginning, but I still I never want people who read my novels to feel uncomfortable.
And my description of Goldfinger completely goes against the concept of coolness.
It can be described as a lengthy article. Which Golden Finger company wants to introduce hundreds of words?
The best cheat should be the cheat of understanding like the Tomato novel and the continuous small opportunities that come one after another.
Or a cheat like Go Away Novel - "Dark Blue with Dots!"
The golden fingers of my book are not only many, but also messy.I have almost forgotten what I wrote, and I have to look back to remember it all. There is definitely no point for readers to remember this junk information, so it is undoubtedly an extreme failure.
If I had used reincarnation as a cheat at the beginning of the setting, and nothing else, it would have been much more exciting.
It's a pity that there is no chance to do it again.
There are also many broken points, such as the interaction between the two heroines, which I really can’t figure out even if I want to go bald.I also deliberately revisited those classic novels with two heroines, but in the end I still felt like I couldn’t handle them.
The fact that I can't deal with this is not because I can't bring the heroine Wu Nao into the harem - even if someone wants to read the brainless harem story, I don't want to write it.
The root of this problem lies in the interactivity of the invincible flow - the interaction with the heroine can easily become one-sided charity, it is difficult to have plots such as overcoming difficulties together, and it is difficult to create colorful characters.
And I, the author, have no experience of riding in two different boats.
For another example, another downfall is that I am keen on making jokes.
Careful friends may have discovered that there are too many jokes in this book, and they may not necessarily have a sense of coordination. There are various well-known or unknown novel jokes, comic jokes, anchor jokes, and news jokes. One chapter is not played. I seem to be embarrassed by some of the jokes.
But do these memes really make sense?Or is it more offensive?
When writing novels, you should pay more attention to the plot itself, and you should create your own jokes instead of playing around with other people's jokes.
I feel that I still have a lot to improve on. The original idea of writing a fanfic was - I wanted to make up for the shortcomings in these two novels that I like very much, and then add a bunch of personal stuff into it.
I started writing with the idea of "I can do it if I do it". As I kept writing, I realized that I really can't do it.
Internet writing does not rely on writing skills. Of course, I didn’t mean to say that the third master of the Tang family and I Eat Tomatoes are not good at writing.
Internet articles rely on compact plots and excellent character creation - how to make scenes vivid on the page within a limited number of words, and how to make every important character come alive within a limited storyline.
Even more difficult is how to deal with the pleasantness between the plots of the story so that everyone can read comfortably without getting tired of it.
These are things I can’t do for the time being, and they are what I will work hard to improve in the future.
The sea is changing, but the true character of a hero remains unchanged. The next book, if there is a next book, we will see you again in the world.
In fact, the previous ones are not the main reasons, because the performance of this book is too poor, I have not been able to sign a contract, and I have not received a penny of royalties. If I continue writing, I will starve to death.
Finally, thank you for your support and companionship. Writing a book is really not that simple, at least it is not that simple to survive from starvation by writing a book.
The next book will be a pure fanfic of Lord Snow Eagle.
I think the inspiration for some of the characters in this book is quite interesting and can be used in the next book, if there is one.
The Lord’s achievements.
I hope you all will continue to support me, thank you.
(End of this chapter)
First of all, I would like to say sorry to the readers who support me. Although this book has not been updated, many things I wanted to write have not been written.
Coupled with the visit of the river crab mythical beast, I can no longer write anymore.
At least it's a normal ending.
I have discovered that my book actually collapsed when I wrote about the protagonist creating many system hosts. Then when I turned around to write about the extraordinary world that Douluo is attached to, more than half of it collapsed.
I was so intent on squeezing everything I thought into one book that I didn’t even think about my writing skills and my ability to create plots.
I feel like when I was writing this book, I was like a savage who had lived alone in a cave for decades. There was so much to say, but not a complete sentence.
I thought about it - how interesting it is for many system hosts to compete with each other in the same world.
But I didn't think about why others didn't write like this - those who wrote like this might be too scared to pounce anymore.
If every character is a main character, too much writing and ink needs to be invested, and each character needs to be given a unique personality instead of a simple puppet, then the writing must be extremely sluggish, like an old lady's footcloth, smelly and long.
I didn't think too much at the beginning of the creation, so there wasn't enough conflict between the characters. This was my biggest problem when shaping the plot - I didn't have the ability to create group portraits, and I couldn't make everyone come alive.
It is for this reason that I deliberately avoided positive descriptions of the system holders later on, but escaping cannot solve the problem. They will eventually face it head-on. What will I do on that day?
I designed a systematic format for holding conferences, but when I was preparing to hold a conference once a year in the plot, I discovered that holding a conference is an act that is comfortable from a God's perspective, but uncomfortable from a reader's perspective.
If I were a reader myself, I would definitely say: "The author of The Riddler is dead! Why don't you write the riddles in mud and torture the readers."
What I can't take into account are not only the original characters who are supporting characters in the original work, but also the conflicts between the supporting characters and the main characters of the original work due to plot changes.
The conflicts between each other will affect each other and then change the characters' thoughts. This is the most difficult thing to write. I admit that I can't do it, so I finally chose to finish the book in a hurry.
If I want to write in the future, I will come back to make up for the regrets of not being able to write everything.At that time, it will be presented to everyone in the form of extras.
Thinking about it again, I roughly understand how the masters dealt with it - there should not be too many important characters appearing in the same map at the same time - important characters are expendable and phased.These characters should appear one after another and end up in other maps one after another.
A map like Douluo is too small, so the main characters must not only be few, but also concentrated!Only when they are gathered together can the characters be enriched through profile descriptions of other people.
If there is another book, I will definitely pay attention to this issue.
It is the interactivity of Invincible flow - that is, conflicts, battles, and the really exciting parts. Because the character creation is too scattered, it is not reflected much.
Another failing point lies in the complexity of the subject matter itself. The concept of the material world comes from "Snow Eagle Lord" by the great tomato-eating master.
The original work only focuses on shaping the material world of the Xia Clan world, and the extraordinary world attached to the Xia Clan world also only focuses on the description of the world of fire.
At that time, I had been enjoying how exciting it was for a lord of the material world like the Witch God to conquer each material world. I would even substitute myself in my mind and kill everyone.
At that time, I felt very sorry that Tomato did not rewrite the material world and the small or large extraordinary worlds in the material world.
But after I picked up the pen, I discovered that things were not as simple as I imagined - every material world must re-imagine a practice system.
The collision of different worldviews is certainly exciting, but as the author, I don’t have such strong memory and logical abilities.
In particular, I don’t want to create those cookie-cutter material worlds with exactly the same way of practice. I don’t think that kind of battle process is exciting at all, and I don’t even want to write about it at all.
In my original conception, the different timelines of the five Douluo Continent parts are actually five cyclical material realms, and these can all be put into the Douluo chapter.
As for other novels written by the Third Young Master of the Tang family, such as "Bacchus" (The Good and Evil God King), "The Divine Seal Throne" (Huo Yuhao's Golden Finger), and "Dzi Bead Transformation" (Dark Demon Tiger), which are clearly related to Douluo Continent, There are also novels like Son of Light, Emperor of the Piano, and Mad God. I want to incorporate them into the category of the material world.
But when I started writing, it completely collapsed.I wrote, deleted, and wrote, but I couldn’t make myself understand it at all.
Just like a program full of bugs, the practice versions are simply incompatible with each other. It is almost impossible to divide them into similar level systems. This is also a point that makes me very painful.
The third failing point is my lack of control over the protagonist Goldfinger - there should never be too many Goldfinger, nor should there be too many settings - although I didn't want to write a cool article at the beginning, but I still I never want people who read my novels to feel uncomfortable.
And my description of Goldfinger completely goes against the concept of coolness.
It can be described as a lengthy article. Which Golden Finger company wants to introduce hundreds of words?
The best cheat should be the cheat of understanding like the Tomato novel and the continuous small opportunities that come one after another.
Or a cheat like Go Away Novel - "Dark Blue with Dots!"
The golden fingers of my book are not only many, but also messy.I have almost forgotten what I wrote, and I have to look back to remember it all. There is definitely no point for readers to remember this junk information, so it is undoubtedly an extreme failure.
If I had used reincarnation as a cheat at the beginning of the setting, and nothing else, it would have been much more exciting.
It's a pity that there is no chance to do it again.
There are also many broken points, such as the interaction between the two heroines, which I really can’t figure out even if I want to go bald.I also deliberately revisited those classic novels with two heroines, but in the end I still felt like I couldn’t handle them.
The fact that I can't deal with this is not because I can't bring the heroine Wu Nao into the harem - even if someone wants to read the brainless harem story, I don't want to write it.
The root of this problem lies in the interactivity of the invincible flow - the interaction with the heroine can easily become one-sided charity, it is difficult to have plots such as overcoming difficulties together, and it is difficult to create colorful characters.
And I, the author, have no experience of riding in two different boats.
For another example, another downfall is that I am keen on making jokes.
Careful friends may have discovered that there are too many jokes in this book, and they may not necessarily have a sense of coordination. There are various well-known or unknown novel jokes, comic jokes, anchor jokes, and news jokes. One chapter is not played. I seem to be embarrassed by some of the jokes.
But do these memes really make sense?Or is it more offensive?
When writing novels, you should pay more attention to the plot itself, and you should create your own jokes instead of playing around with other people's jokes.
I feel that I still have a lot to improve on. The original idea of writing a fanfic was - I wanted to make up for the shortcomings in these two novels that I like very much, and then add a bunch of personal stuff into it.
I started writing with the idea of "I can do it if I do it". As I kept writing, I realized that I really can't do it.
Internet writing does not rely on writing skills. Of course, I didn’t mean to say that the third master of the Tang family and I Eat Tomatoes are not good at writing.
Internet articles rely on compact plots and excellent character creation - how to make scenes vivid on the page within a limited number of words, and how to make every important character come alive within a limited storyline.
Even more difficult is how to deal with the pleasantness between the plots of the story so that everyone can read comfortably without getting tired of it.
These are things I can’t do for the time being, and they are what I will work hard to improve in the future.
The sea is changing, but the true character of a hero remains unchanged. The next book, if there is a next book, we will see you again in the world.
In fact, the previous ones are not the main reasons, because the performance of this book is too poor, I have not been able to sign a contract, and I have not received a penny of royalties. If I continue writing, I will starve to death.
Finally, thank you for your support and companionship. Writing a book is really not that simple, at least it is not that simple to survive from starvation by writing a book.
The next book will be a pure fanfic of Lord Snow Eagle.
I think the inspiration for some of the characters in this book is quite interesting and can be used in the next book, if there is one.
The Lord’s achievements.
I hope you all will continue to support me, thank you.
(End of this chapter)
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