The first point is that everyone feels that Tyrell is too powerful and coerced the protagonist. You can deduce the reason for this design in reverse.It is because of the occurrence of a specific event, which aggravates the occurrence of the event, or affects the outcome of the occurrence. (If you really can’t think of it or feel aggrieved, please join the group and I will spoil it a little.)

The second point is that the character of the protagonist is not obvious. What should I say about this? When I write a character, I will never take the initiative to spend narration to write what the character of the protagonist should be. The characters are defined on different baselines, some may be a kind of transformation after going through events, some may be growth, some may be extroverted, and some may be sinking. This kind of character can only be defined by book friends after the book is over. what kind of person.

After reading so many online articles, I can think back to the protagonists of the novels I read with the deepest image or the longest timeline. Now let me define the character traits of the characters, I can hardly define them.

The third is that the protagonist trains dragons because he is not strong enough. In fact, I just wrote about the trolls who go to Dragonstone Island to smoke male guns. In the era of hot weapons, plug-ins are not good. As a result, no readers have said this, and they are all disgusted with the master’s feet. In fact, it’s okay. He and Destiny (male gun sprayer) don't talk about martial arts ethics, and Brother Chun guarantees that he won't die suddenly.

Then regarding the introduction of LOL, the first is as a quantitative power setting of the world view, and the second is that there is actually a design that gradually changes from the early human wars and struggles to alienated objects, and the transformation of gods is similar to wars like the Night King. My setting is that the collection of several main series of runes is the source of power for the world (so many runes are the key POV characters in the world of Game of Thrones). The five major series of runes represent the five ultimate divine powers, and then all heroes After the skills are almost screened, it is equivalent to the rune system is similar to the source of life, and then the skills are equivalent to the supporting supernatural powers (but the game of power is indeed a wonderful struggle, so the early period must be the struggle between people's territories and families, because this kind of struggle It’s like a whirlpool, the various families and protagonists are equivalent to the absorbed yellow ducks, although the protagonist is the most conspicuous one, but the first perspective is still given to the center of the whirlpool, counting the ducks falling into the whirlpool together , rather than waiting for some duck to fall into the vortex.)

Then at the time point when this kind of struggle continues, the protagonist has gathered a certain set of main runes due to human struggles, and it begins to belong to the starting point of his own magic power.

That kind of fight with demigod magic every second, maybe I wrote it full-time and you can wait until next year. If I still code after this kind of work, I think it will be 2024.

Then about LOL heroes, I have actually been thinking about this kind of thing since I started the book, but I have been reluctant to start writing early, such as withdrawing gold to summon heroes, or giving a void egg to hatch Kha’Zix or Chogas, or exchange for job transfer Let me slowly polish Erya into an assassin like Carter or Nan Daofeng, or the protagonist gives birth to an heir and then inherits a hero's ability.Because it is the era of public law and the era of high warfare (there is no need to write about power struggles, and directly use force to defeat skills.)

Now the first perspective must still be the battle in the river, after all, it involves the fate of the Lannister family, the entire post-war power structure of the Seven Kingdoms, and the entry of Long Ma.

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