Respawn Entertainment: Days of Glory

Bian Lang was not sure whether the "Praise of Tesi River" mentioned by Tan Ying was the same song arranged by the original Earth Nine Treasures.

But he had almost recalled the rhythm guitar part. Before Tan Ying could react, he started to play a section because his hands were itchy.

But who knew that it was such a coincidence that when I heard Tan Ying singing this song, I was already right. As for whether the meaning of the lyrics is correct or not, that's not something Bian Lang can understand. Anyway, in his concept, the only difference between long and short songs sung in Mongolian is that the pronunciation and pronunciation are similar to him.

With this basic premise, Bian Lang's subsequent performances became smooth and smooth.

Tan Ying, who was surprised, also sang the whole song very comfortably.

The other people looked confused!

Hua Yan: "Didn't you say you heard Tan Ying singing folk songs? Why did you just provide the accompaniment yourself!"

Dayong: "If we add drums to this section, it would be perfect. It's a real heavy metal!"

Dili: "It seems like there is no lead vocal in this song, right?"

The balalaika is a Russian stringed instrument with a triangular belly, three strings and movable frets. It is usually played with fingers, but can also be played with a leather pick.

There are 6 conventional models, large and small. The maximum height of the instrument is equivalent to the height of an ordinary person. Due to their different sizes and sizes, this type of piano has different ranges and pitches. If more than a dozen of them are played together, they can be as powerful as a symphony orchestra.

Like the Morin Khuur, as one of the dual core elements of the Mongolian band, a Mongolian band without the Humai player is equivalent to losing its soul.

Huang Kai: "There must be a bass. The essence of this song must be stabilized by the bass!"

He felt that as long as Bian Lang made a complete arrangement, there would be no problem in convincing his group of musical partners.

If the following songs basically follow this approach, then there will actually be no shortage of the band's works.

This is the most novel and shocking experience that Tan Ying has experienced in her decades of playing career.

After the song was performed, Tan Ying, who was shocked, asked in disbelief: "Have you heard this song before?"

Faced with this sudden turn of events, Tan Ying thought for a while and replied: "Yes, yes, but if it is used in a rock band, his skills are probably not enough."

There is also a special musician in the Nine Treasures Band, Balalaika.

The one modified by Bianlang gives people the impression that the water of the Tesi River has the momentum of thousands of horses galloping, and it will submerge the entire grassland along the way.

As for Huang Kai, the transparent person in the band, his opinions have always been of little merit.

Dayong and Lili were right. The arrangement of this song was geared towards heavy metal, and indeed there was no lead guitar.

Bian Lang's understanding of this instrument is limited to its name and origin. If he doesn't know it very well, he won't insist on it.

The bass is certainly indispensable in a metal band, but the morinouqur is one of the core elements of the Mongolian band.

As for singing, Tan Ying's singing skills are average, mainly due to lack of breath. Of course, a humai hand is also essential.

The reason why he thought about it before answering was entirely because Bian Lang's casual guitar arrangement just now made him feel that this song would definitely not be simple after it was completely released.

Bian Lang smiled and shook his head. Without explaining much, he changed the topic and asked, "Are there any Houmai players among your friends?"

It evolved from the tambourine and was used in folk music in the 18th century, but also in large balalaika bands in the 20th century.

If Bian Lang knew about their inner dramas, he would point out right and wrong to them.

This song was taught to him by his morinouqin teacher. Compared to Bian Lang, who just had a rudimentary rock version just now, the version taught by his teacher was calm, everlasting and long after being performed...

There are too many national short tunes handed down from the Mongolian people. If they are still performed using traditional playing techniques, they can still only be circulated within the nation. But after incorporating rock elements, these ancient things have the potential to become world music.

But what he didn't know was that in addition to "Ode to the Tesi River", Bian Lang also had "Spiritual Eye", "Ode to the Horse" and "Thirty-Zhang Copper Mouth" in his mind, which were pure original lyrics and music composed by Ashan.

But Bian Lang won't be in a hurry to take it out this time. While waiting for Tan Ying to find someone, he will carefully check the Mongolian legends and allusions related to these song titles, and try to get the chance to let Tan Ying write the lyrics. Can be more precise.

"By the way, who are your friends?"

"Plus I have two morin fiddle players, a keyboard player and a vocalist..."

Upon hearing this, Dayong and Huang Kai rushed to speak: "Add me one!"

Both of them are now full-time musicians, so it’s no problem for one person to compete with two bands.

The key two people are one with a bald head and the other with a fat man. If they wear traditional Mongolian costumes, it would not be inconsistent with their image.

But you still have to find a guitarist, otherwise without the overdriven sound of the electric guitar, this metal music will not have the taste of metal.

"Okay, then you and Teacher Tan Ying will practice together first. As for the guitarist, let's see who else in the company is willing to play along?"

While talking, Bian Lang drifted his peripheral vision towards Ti Li Na.

But who knew that Li Li's response would be: "It's enough for me to focus on the Rolling Stones. Why don't you go ask Dafeng and the others? Their guitarist is more suitable for a metal band."

"Well, my idea is to create a Mongolian heavy metal band..."

Upon hearing this, Dayong and Huang Kai became even more interested.

Especially Huang Kai, he had dealt with some Mongolian musicians when he was playing BJ, and he had already had an idea for matching their humai with bass, and this time it was just right!

Just when a few people were chatting enthusiastically, Chen Xuan came over with laughter.

Judging from the satisfied look on the little girl's face, I guess this close-up star chasing experience gave her a good experience.

Before Bian Lang could ask, Chen Xuan took the initiative and said, "Brother Lang, this kid has a good voice and good intonation. Do you want to consider signing him?"

As for the first half of the sentence, Bian Lang thought Chen Xuan was talking about the situation, but with the addition of the second sentence, the authenticity was completely different.

Just as he was thinking about it carefully, an idea flashed in his mind, and he suddenly thought of the lead guitarist of the original Earth band.



The one who raised his daughter from an early age started writing songs for her daughter and forming a children's band when she was very young. When she was about 10 years old, she had already released five songs, two of which were composed by Bian Lang, and she eventually signed a contract with Tencent Music.

After thinking about it, Bian Lang finally knew where the familiarity between the father and daughter came from when he first met them.

Thinking of this, Bian Lang didn't care about Tan Ying's opinion, and directly asked Tan Xiao: "Little Tan Xiao, do you want to come to our Rolling Stone Music to learn singing? From now on, you will be like Chen Xuan..."

"I did, but I want to form a band!" He said this so loudly and without any consideration.

But the logic behind this is something that an adult like Bian Lang cannot understand: "Why is your idol Chen Xuan, but you want to play in a band?"