Rebirth 13, starting from the big demolition treasure hunt

The area of ​​​​the river is relatively large. In the next few days, they continued to explore the river in front of the temple.

There was a former wharf there, and there were still some items left behind. At least it was a better shipping point than the current garbage dump near the city.

At noon that day, when they were having dinner, the excavator boss Li came over and asked him to go to his house to look at something.

We talked about it for a few days, and considering that the time I spent detecting treasures was to make money, the time I spent going to other people's houses to buy things was also used to make money.

Anyway, it takes time, the principle is the same.

Buying other people's things doesn't require any physical effort, and if you find a good one, it may be more profitable than detecting.

Wu Yuansheng drove him with him, and under his guidance, the two went to his home.

(Boss Li usually rides a motorcycle here. He has not bought a car yet.)

People in mountain villages usually live in scattered houses. There is only a row of houses connected to his house, and it looks like there are only four families.

Boss Li's house is the first one next to it. It is a two-story house that looks like it was built more than 20 years ago.

In the 1990s, those who built buildings in mountain villages usually had better-off families.

At that time, most people still lived in herringbone houses.

The conditions of his family should be very good in this area. After all, he bought an excavator.

Nowadays, there is a lot of construction in various places, and excavators are definitely very profitable.

"Boss Wu, everything is here!"

Follow him into the house and arrive at a small house in the backyard, Boss Li said.

Wu Yuansheng took a look at the things inside. There were some items on the floor, on the walls, and in the solid wooden cabinets.

It seems that Master Li of the excavator is still very smart. He knows that when he sees good objects during construction projects, he picks them up and takes them back.

Over the years, slowly accumulated, there are more of those items.

He looked at the ground first and saw that there were all ceramics on it.

There are two earthenware jars, a celadon ceramic jar, and an earthenware basin.

The two clay pots are about one foot tall and very thick.

One of them is a black pottery dish-mouth jar with two ears and no decoration.

The other one is a gray clay pot with many rag patterns on the surface.

They all appear to be from the Han Dynasty.

The celadon jar is from the Longquan kiln. It has floral patterns on the surface. It is a bit late and should be from the Qing Dynasty.

(Pottery is different from ceramics. Pottery is not glazed, while ceramics has a glaze on its surface.)

The pottery basin is also made of black pottery. It is not big, with a maximum diameter of about one foot and a height of about 20 centimeters.

This year should be very early, and it can also reach the Han Dynasty.

The things placed by the wall are all stone tools.

There are a pair of stone lions with bases, a stone turtle with only half of its head sticking out, a stone horse hitch, a pair of rectangular stone locks for practicing martial arts, and a stone tablet.

Among them, the stone tablet is very special. It looks like it belongs to the town house.

There are runes painted on it and it says:

"Om, ma, ni, ba, mi, hum"

"The king of state holding in the east, the king of growth in the south, the king of wide eyes in the west, and the king of hearing in the north."

"Buddhist Dharma...Supreme Purity...Heavenly Master..."

"Shi Gandang..."

and some other texts.

Judging from the runes and text patterns, it is a house-building item that combines Buddhism and Taoism.

These stone tools include those from the Republic of China period and those from the Qing Dynasty, all of which are very old.

They are not very big and can be carried by one person.

There are many things on and inside the cabinet, including jars, plates, bowls, teacups and other porcelain.

After taking a look at the porcelain, I saw that the better ones included two jars and a bowl.

One of the jars is blue and white, and the other is colorful.

The blue and white pot porcelain is very thin, the blue and white color on the surface is very beautiful, and the pattern painted is a picture of a shepherd boy riding an ox.

He had seen this kind of jar, it was from the middle Qing Dynasty.

The colorful jar is very thick and heavy. There are multiple characters painted on it, both civil and military. It should be a character story jar.

Although the bottom mark says "Made in the Wanli Year of the Ming Dynasty", it feels like it should be Qing Dynasty imitation Ming porcelain.

The bowl is a "flower bowl with the character longevity", made of blue and white porcelain, with patterns of flowers, the character longevity and the character "swastika" painted on the outer ring and the inner bottom.

The bottom mark of this bowl reads "Made in the Chenghua Year of the Ming Dynasty", which is a contemporary item.

I checked carefully and found that the porcelain in the cabinet was all genuine, not the fake ones bought from street stalls.

People who often pick up porcelain shards and touch ancient porcelain shards are definitely not much worse than those so-called experts who talk on paper.

In this regard, he himself is still very confident, even though his education is not high.

After all, true knowledge comes from practice. Even true experts should go to the front line to practice in person and touch the items that are truly up to date.

Only those front-line archaeologists can be called real experts.

Those who have never been to the front line can only be called trolls, and they are all fake.

(In the antique market, he once saw a man who often bought things and was very willing to spend money. He claimed to be an expert.

But this person has never been to the place where the first-line items were unearthed.

None of the high-grade things he bought were genuine. They were all imitations from Shifo Temple or Jingdezhen, and they were not high-end imitations.

According to him, he has been studying porcelain and jade for thirty years. Every time he buys it, he uses a magnifying glass to look at it. What he buys are fakes. I wonder what he is studying?

As an insider, Wu Yuansheng knew that antique stalls, which looked more high-end, were basically unreal. If there were really good things, who would get them to sell at the stalls?

This person who calls himself an expert has the wrong starting point.

If you buy it in some places where the stalls are full of fakes, no matter how you look at it with a magnifying glass, it will always be fake.

People who have studied fake products a lot will say they are fake when they see real products, because in their minds, fake products become real. )

There is also a small copper kettle, two copper oil lamps, a copper sword, a bronze mirror, three cannon shells of different sizes, an iron scale and other metal items in the cabinet.

The copper kettle is not big, about 20 centimeters high, like a gourd, but it is not the kind with a double belly, but the kind with a single belly and a larger bottom.

The pot is plain, and although it is not big, it looks very early, probably to the Han Dynasty.

Two copper oil lamps, one oval and the other in the shape of a candlestick.

The oval oil lamp should be from the Song Dynasty, and the candlestick is later, from the late Qing Dynasty or the Republic of China.

The bronze sword is about half a meter long. It has a plain surface with no decorations and no scabbard. It is from the early Han Dynasty.

The bronze mirror is a bronze mirror with regular patterns. It should be from the Han Dynasty. It is about 10 centimeters in diameter. It is in good condition and looks much more comfortable than the bronze mirrors from the Song Dynasty.

The height of the shell shell is about 25 cm to 30 cm. This kind of item is generally from the Republic of China period.

Iron weights are special and rare.

Its shape is Qin Quan's style, hemispherical, with a base diameter of about 8 cm and a height of 5 to 6 cm.

It has a heavy feeling when you first get it, and the condition is very good. Although it is more than two thousand years old, the surface is shiny and black, forming a natural patina, and there is no trace of continued rust.

This kind of Qin Quan can be made of iron or copper, and some of them have characters engraved on them. Those with characters are of great value.

Upon closer inspection, there were no words on its surface.

It has a shape like a lotus pod, and it feels like you are in a position of power when you hold it.