I submitted my mathematics to the country and won 500 million yuan

Li Zheng looked at the end of the stone palace and said to Zhou and Ming: "There is no way."

Zhou Ming meditated slightly, nodded and said: "It is indeed the end of the underground palace. It seems that this fifth stone room is for living."

Zhu Zihang said thoughtfully: "This is a tombstone of the Tang Dynasty, and it is also a ray of life buried deep in the darkness. The poetry, martial arts, songs, dances, and magical weapons of the Tang Dynasty are all here, plus In the last living area, the ancients did not find a way to defeat the darkness, but only built a shelter."

At this time, Liao Qian looked at the room with the stone piano, but she felt something in her heart. She stepped lightly, walked into the room gracefully, and danced the dance that had been lost for thousands of years.

Li Zheng and the other three also followed. At this time, they had reached the end of the underground palace and could finally enjoy it without any distractions. The three of them are all very pure science and engineering men, and they have no taste for anything. Anyway, they just look good.

As Liao Qian danced, some inexplicable Taoist charm lingered in the fifth stone room, which was ethereal, as if it did not exist, and seemed to have been stranded for thousands of years.

"If we could have had this underground palace back then, would we have been able to protect you..."

"The dance of colorful clothes and feathers, when will the dance return to the world..."

"The poetry of Chang'an, the songs and dances of Chang'an, and everything about Chang'an must be passed down..."

……

After the dance, Li Zheng and the others applauded.

Liao Qian said: "I seemed to hear a voice just now. Since the dance of colorful feathers has been passed down to the world, this underground palace will also be left to future generations. If darkness has not yet come, let us not expose everything here until the threat of darkness completely dissipates. , and let Chang'an's former glory return to the world."

Li Zheng and the others savored the meaning of Liao Qian's words, while Liao Qian walked out of the room first and returned to the living room along the passage. Li Zheng and the others followed, and soon discovered that there was an extra drawing on the stone table in the living room.

Zhou Ming stepped forward and began to use the civil weapon refining method. Soon a holographic projection appeared in front of the four people, introducing information about the Tang Dynasty Underground Palace.

After Chang'an was shattered, countless sages began to think about the bloody scripture that appeared on the Big Wild Goose Pagoda, and gradually connected it with the back-pushing diagram of Li Chunfeng and Yuan Tiangang.

The dark river has long flooded the world, and the prosperous Tang Dynasty was just a weak candlelight, unable to even withstand a random breeze blowing on the river.

No matter how the sages deduced, it was difficult to understand what kind of power that book represented. After all, the most powerful person in the Tang Dynasty at that time was only the Great Perfection of Qi Refining, and could only look at the True Yuan realm from a distance, let alone the True Yuan. The realm of Dzogchen within the realm.

Until one day, the banished immortal and the sage met in a dream. A sword light and a touch of pen and ink appeared in the southwest, and they traveled together to the ancient city of Chang'an, and then transformed into a scene of prosperous Chang'an. Dreams and reality exist in a superposition state, and the sages finally found a way to escape the world. Although they still could not resist the power of darkness, they finally had a way to deal with it.

So the sages excavated this underground palace based on the sword light and ink used in the dreams of banished immortals and sages.

The ancient civil engineering laws were clearly displayed in front of the four Li Zheng. Zhou Ming undoubtedly gained the most, followed by Li Zheng. It's a pity that although Li Zheng is a civil engineering major in the scientific world, he only has a superficial understanding of the civil weapon refining methods in the spiritual world. Now that I see this drawing, I mainly feel that it is bullshit and there are not many ancient weapon refining methods that can be learned. , making him feel once again that his knowledge was insufficient.

Acting, Taoism, cultivation and spells are slowly catching up. Due to the Stardust assessment, the most basic application of formations has been mastered, but the weapon refining method is still far behind. He can't even tell the specific difference between a magic weapon made of material like the Stardust and a magic weapon that can be collected in the dantian, such as the Sunset Bow and the Origin Badge, which are currently operating in the dantian.

Zhou Ming continued to analyze the drawings of the underground palace, and quickly shrank the palace. The holographic projection immediately displayed all the mountains and rivers surrounding the underground palace.

The four of them suddenly discovered that the underground palace was actually buried deep underground, and on the side of this underground palace was a huge palace complex.

The underground palace of the Tang Dynasty was actually hidden beside the underground palace complex of the Mausoleum of Qin Shihuang!

Rather than simply hiding on one side, Li Zheng took a closer look and found that the Tang Dynasty Underground Palace was slowly rotating around Qin Shi Huang's Mausoleum, as if it was a satellite of Qin Shi Huang's Mausoleum.

And as the holographic projection unfolded the entire landscape of the underground palace, a bigger secret was also revealed from the subsequent explanation of the drawing.

The Mausoleum of Qin Shihuang seemed to be built to resist darkness.

This is a message left by the sages of the Tang Dynasty.

Li Zheng and the four of them looked at each other. The darkness that the ancients called seemed to accompany the entire history of Daxia.

However, compared to the underground palace of the Tang Dynasty, the Mausoleum of Qin Shihuang is much weaker in concealment against the power of the True Yuan Realm. Now it has been discovered by Daxia officials and has been excavated to a certain extent, making it a popular attraction in Chang'an City. One of the tourist attractions.

However, the Qin Shihuang Mausoleum is densely covered with formations. In order to prevent the hasty excavation of the imperial mausoleum from damaging the internal facilities, the excavation of the imperial mausoleum has also appeared to be very cautious, and so far the progress has been slow. In a short period of time, it will be difficult for Daxia to see the true face of Qin Shi Huang’s Mausoleum.

At this point, the drawings of the underground palace of the Tang Dynasty have reached the final part, recording the entry and exit methods and expansion methods of the underground palace.

The basis for the establishment of the underground palace was the sword-light ink and ink written by banished immortals and sages in their dreams. Therefore, the basis for entering and exiting the underground palace is the ability to influence reality in dreams.

Of course, this ability is an ancient term, and it has been involved in Taoism in modern times. It is Schrödinger's cat mastered by Li Zheng.

In ancient times, only people with extremely high talents could accidentally trigger Schrödinger's cat. Leaving such a threshold is also an expectation for future generations.

In the understanding of the ancients, the Four Principles of Principles were among the few spells that could fight against the power of darkness. Although they could not completely master them, they hoped that future generations would be able to fight the darkness after mastering them. Only those with this kind of power are qualified to enter the underground palace, and can survive in the dark years, and carry forward everything left in Chang'an after the darkness recedes.

At the same time, due to the weakening of the Tang Dynasty after the Anshi Rebellion, the sages of the Tang Dynasty were no longer able to build a huge underground palace complex like the Mausoleum of the First Emperor of Qin. They could only build an underground palace as a reference, hoping that future generations would use this as a template to expand larger palaces. In this way, if darkness finally comes and the people of Daxia are invincible, more people can be protected.

Li Zheng looked at the expansion technique recorded on the drawing, which was based on the third of the four great philosophical techniques of Schrödinger's cat, Laplace's beast and Zeno's tortoise.

Li Zheng couldn't help but look at each other with Zhou Ming and Zhu Zihang. When they arrived at the Tang Dynasty Underground Palace, they seemed to have a sense of destiny.