Entertainment: Let you come to the rescue, and you will play seven roles

"Teacher Su Qin, isn't it inappropriate for us to show Han Ziang's feelings so narrow-mindedly at this time?"

After a shot was finished, many people at the set felt that Han Ziang's lines were a bit inappropriate.

Whether it is Wu Mengda’s own ideological awareness or the character of Han Ziang as a senior driver of the transport vehicle in the play, the lines should not be like this.

Shouldn't he be willing to sacrifice his own life for the sake of justice, sacrifice his own family for the sake of the public, and complete the mission at all costs?

But what these lines show is that he disregarded the safety of the earth and the lives of 35 billion survivors for the sake of his two children.

This rescue operation, which mobilized the world's combat readiness forces, is likely to fail because of his selfishness and narrow-mindedness.

Not only will it cause the Wandering Earth project, which has been in preparation for hundreds of years, to fail, it will also lead to the complete extinction of human civilization on Earth.

But soon, Su Qin gave them a reasonable explanation.

"We cannot demand that anyone remain absolutely rational at all times. Just like a classic line from MOSS, it is a luxury to expect humans to remain rational forever."

"As a senior driver of the carrier, Han Ziang personally experienced the darkest moment of the Earth and certainly knows the importance of saving the engine and saving the Earth."

"But Liu Qi and Han Duoduo not only represent the inheritance of the family bloodline, but also represent the hope of mankind. Of course, he also wants to protect them, and he is also fulfilling this promise with his life in the later period."

“Every person is always caught in the dual contradictions of the ego and the greater self, selfishness and selflessness. The balance between the two precisely reflects the complexity of human nature.”

"Han Ziang's lines not only did not weaken his character, but on the contrary, they were able to reflect his humanity and establish his personal attributes."

After his explanation, all the logic made sense and everyone felt as if they had suddenly gained enlightenment.

"As expected of a genius creator, every setting for every character is perfect. Han Ziang's character setting alone is unrivaled."

"It has to be Director Su. Such a complex logic setting is so comprehensive. I guess Han Ziang will definitely be on the hot search after the movie is released."

"Director Su's ability to design characters is really great. It is completely different from the perfect character design of Western heroism, and it also reflects the collision of our traditional family and country feelings and small family affection, which is very Dragon Country characteristics."

Su Qin received endless praises, but he was not carried away and remained calm.

"Alright, alright, let's stop praising you in the future. No matter how good a character is, it still needs an actor to bring it to life. So the most important thing is the actors and everyone who serves them."

"Everyone adjust yourself and move on to the next scene immediately."

After everyone adjusted, the shooting continued.

After Wang Lei scouted the terrain with a signal gun and got confirmation from Han Ziang, he decided to lead the entire team to climb up the Magic City Center Building, and finally escape from the Death Ice Peak and come to the ice surface.

Of course, Su Qin also put a lot of effort into the background design of this plot.

The Magic City Center Building is a giant high-rise landmark skyscraper in Magic City. Construction began in 2008 and was completed in 2017. Han Ziang came to Magic City at the age of 2017 in and participated in the finishing work of the building.

So he was very familiar with this landmark building and knew that there was an escape elevator in the building, which was also their only chance of escape in the play.

However, before filming, Su Qin made further corrections to the setting of this scene.

The first thing was to change the lighting, using lighting sticks to dye the elevator shaft red, which formed a strong contrast with the first half of the film, which was dominated by cool colors.

At this moment, the dazzling red color can make the audience feel dangerous and uneasy.

In order to achieve this effect, he asked the props team to hide a large number of red lighting sticks in the elevator shaft, which even made the actors feel uneasy.

At the same time, during the filming, he also made very detailed arrangements for the positions and movements of the personnel.

"Everyone must pay attention to the positional relationship between the characters later. This is very important for the expression of audio-visual language."

"At the elevator entrance on the first floor, a confrontation was formed between Liu Qi and his six companions and Da Gang and Zhou Qian. This was the first step in establishing the relationships between the characters."

"Then as the cable descends, the audience's perspective will follow the camera's movement to the first floor, where Dagang takes the rope and walks into Liu Qi's scene. Behind him, Tim is staring at the cracks on the wall. There is also a huge crack in the scene behind Liu Qi, which creates a sense of crisis that the entire building may collapse at any time."

"Then Wang Ping, you must pay special attention to switching the camera to a panoramic view. The left side should capture Han Ziang's family, and the right side should capture Zhou Qian and Dagang. The two sides should use the flint as the dividing line, showing two different camps."

"On one side are the old, weak, sick and disabled, and on the other side are the flints that are crucial to saving the earth and mankind. Liu Qi, the protagonist, stands in the middle of the picture. He has to make a decision. His decision affects the direction of the entire film and the fate of the earth."

"Of course, this is not the end. Wang Ping, you need to move the camera to focus on the cable. Behind this cable is the red elevator shaft. The red background reflects the urgency of the situation and further highlights their sense of urgency in escaping. This cable is the transportation line for the flint and also their lifeline for escape."

"Liu Qi, you have a key move here, which is to fight for the cable. You must take risks for the safety of your family, so you must pull the cable to your chest to show your responsibility. You must not hesitate in this step, and you must be very decisive. This is a key step to show the growth of the protagonist."

……

Listening to his extremely detailed explanation, everyone in the crew was stunned.

No matter they were new actors or veteran actors, they had never seen such a detailed, outrageous and perverted explanation of the scenes.

As soon as he stopped talking, Wu Mengda started to brag.

"Director Su Qin, I've been acting all my life, but I've never met anyone who explains things like you do. Tell me the truth, have you already acted out all the scenes for this movie in your mind, and now you're just asking us to recreate the plot in your mind?"

Zhang Zifeng shook Su Qin's hand, her eyes full of admiring little stars.

"Brother Su Qin, you are too scary. I have visited many film crews before, and basically the director would give a rough explanation, and then the actors would understand it on their own. This is the first time I have seen you explain the entire scene so clearly, from the actors to the props, from the scenery to the director. Moreover, this is a science fiction film, and many of the scenery are empty assumptions. You are definitely the first person in China to do this."

Others also nodded frequently and expressed the same admiration.

But Su Qin just smiled and said, "We are just getting started. There are more exciting things to come. Let's finish filming this scene first. Later, I will take you to experience the hard science fiction I have conceived."