When Chu Siyi was filming, Wen Liang asked the set manager for a notice. Chu Siyi had two scenes today, the first one was now and the second one was in the afternoon.

The first scene took more than an hour to shoot, and the director shouted.

Before Chu Siyi could speak, Wen Liang immediately stepped forward and put the down jacket on her.

Chu Siyi raised an eyebrow and glanced at her, then walked out directly, "The water cup is in the shed, it's pink. Get me a cup of hot water and bring it to the car."

"Okay." Wen Liang went to get a cup from under the shed and gave Chu Siyi the hot water two fingers away from the mouth of the cup to prevent the hot water from dripping out when he unscrewed it.

Chu Siyi casually took it and unscrewed it, and glanced at Wen Liang, "I'll rest in the car for a while. You'll keep watch outside. Call me if you need anything."

After speaking, he closed the door.

Wen Liang looked at the time and saw that there was still an hour for lunch. She leaned on the nanny car and played with her phone for a while. She squatted down when her legs were sore from standing.

When it was lunch time, Wen Liang went to get two lunch boxes.

Chu Siyi had a mysophobia and used her own tableware. After she finished eating, she threw the tableware to Wen Liang to clean.

In order to avoid the chance of Chu Siyi blaming her, Wen Liang washed it several times so that Chu Siyi could not make any mistakes.

After a brief rest, Chu Siyi got out of the car and returned to the set. The makeup artist touched up her makeup, and the stylist arranged her hair and clothes to prepare for the next scene.

On the shooting location, the props team and lighting team were debugging.

Wen Liang stood aside and waited.

At this time, the stylist took down a suit of clothes from the hanger nearby, which was exactly the same as the one Chu Siyi was wearing.

She walked directly towards Wen Liang, and under Wen Liang's puzzled eyes, she put the clothes into Wen Liang's hands, "Miss Wen, go inside and change your clothes."

Wen Liang looked at her in astonishment, then looked at the clothes, "Me? Change clothes?"

"Yes, aren't you Miss Chu's stand-in?" The stylist turned to confirm with Chu Siyi's eyes.

Chu Siyi nodded and looked at Wen Liang in the mirror, "Go and change clothes!"

Wen Liang didn't expect that Chu Siyi wanted her to be a stuntman and she would appear on the first day.

She held the clothes and stood still, "But I don't know what to act or how to act..."

Chu Siyi said impatiently, "After you change your clothes, come with me to listen to the director's lecture. Then you can do whatever the director asks you to do!"

Wen Liang pursed her lips, lowered her eyes, and took her clothes to the dressing room inside.

The clothes were thin and more exposed than Wen Liang imagined, especially the chest.

Maybe it’s because Chu Siyi’s cup size is smaller, so it looks normal when she wears it.

It was Wen Liang's turn, with a patch of white skin on her chest, half of each of the two rabbits exposed, the ravines were obvious, and it felt like the clothes were about to burst.

No, absolutely not.

Wen Liang opened the curtain, stuck her head out, and asked the stylist, "I'm sorry, do you have a top that's one size larger? It doesn't fit well."

The stylist walked in immediately and looked at Wen Liang naked, his eyes passing over her chest and thighs. The look was so explicit that Wen Liang's face turned red.

"Isn't this good? That's it. No need to change it." The stylist nodded with satisfaction.

"This..." Wen Liang lowered his head and glanced at his chest, "This can't work! It must be changed!"

"No, that's the effect the director wants."

Wen Liang looked up in shock.

"Don't you know?" The stylist looked out and lowered his voice and said, "Think about what Chu Siyi is playing? A vixen! She wants to seduce people, just because she doesn't want to act and her figure can't support her, so she Find a substitute!"

Wen Liang had a bad feeling in her heart, "The next scene will be..."

The stylist nodded, "Yes, it's the scene where Su Miao uses her beauty to seduce people, sucks them dry and then kills them."

Wen Liang: "..."

At that moment, Wen Liang didn't know how complicated it was.

Is it too late for her to refuse now?

The stylist comforted her, "Don't worry, it's not a big deal. The current environment is so strict that it won't be broadcast if it's a little bigger. Let's go, I have to get your hair done."

Wen Liang stood still, put on her down jacket, and went out with the stylist.

Chu Siyi's eyes fell on Wen Liang for a moment, and then glanced at the envious eyes of the makeup artist. She sarcastically thought, Wen Liang has given birth to a child, can it be small? !

The stylist gave Wen Liang the same hairstyle as Chu Siyi.

After leaving the dressing room, a gust of cold wind hit my face. It was okay to say that my upper body was wrapped in a down jacket, but my calves were freezing.

Wen Liang followed Chu Siyi to find the director.

Director Song glanced at the two of them and asked Wen Liang, "Have you read the script?"

Wen Liang, "No."

Director Song gave her his script, and while letting Wen Liang read it, he said, "The plot is very simple. Miss Chu will do the literary and dramatic parts. You just add some close-ups."

Wen Liang read the script.

The plot here is indeed simple. Su Miao was injured and seduced a young Taoist priest in the Taoist temple, draining her energy.

The seduction here includes both verbal teasing and physical display.

Obviously, Wen Liang is responsible for the figure aspect.

The co-starring character is a cannon fodder Taoist priest, which is to set off Su Miao's viciousness.

The cannon fodder Taoist priest is played by an extra, a young man with a decent appearance who has already done his makeup. He came to listen to Director Song's lecture on the play, which was very detailed in terms of facial expressions, body language, camera movements, etc.

After explaining the scene, Chu Siyi checked it out with the little Taoist priest twice, Director Song gave some guidance, and then the filming officially started.

The further back the photo was taken, the tighter Wen Liang's brows furrowed.

Forget about the seduction part in the front, the little Taoist priest was so obsessed with Su Miao that he hugged Su Miao and touched her with both hands. Just when he was about to enjoy the beauty, there was a sudden turn. The little Taoist priest's face turned pale, showing a painful look, and he was desperate to death.

The two had physical contact and were intimate, even showing a close-up of the little Taoist priest's hand rubbing Su Miao's thigh.

Wen Liang struggled again in his heart and told himself that it was nothing to avenge his father.

Okay, if she tolerates it, she will treat it as if she was bitten by a dog!

Nearly an hour later, the scene ended. Director Song waved his hand and motioned for Wen Liang to come forward.

At this moment, the director, set manager, recorder and other on-site staff all looked over.

If Wen Liang is an artist who has been baptized by countless cameras and watched by fans, this scene is nothing.

But she is just an ordinary person. Although she has been on trending searches, she does not want to be exposed to the media.

The gazes had different expressions. Wen Liang couldn't help but push up her skirt, feeling like she was sitting on pins and needles, forgetting even the cold.

Like a puppet on strings, she was directed by Director Song to stand in Chu Siyi's original position, posing with her fingers inadvertently across her chest.

She was the only one in the entire shot.

After several close-ups, Director Song took another shot of Wen Liang approaching step by step, skipping the drama in the middle, and directed the little Taoist priest to step forward and hug Wen Liang.

The little Taoist priest raised his eyes and glanced at Wen Liang, said shyly, then hugged Wen Liang and rubbed his face against the fair skin on her chest, making a kissing feeling, as if he couldn't wait.

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