When the apocalypse comes, bring your handsome men to build infrastructure.

In fact, the longest novel I wrote before was only a little over 100 chapters long, and it was mainly a post article, not a serious material novel at all.

In the past, most of the things I wrote were written at the beginning and then thrown away. It was really not easy to persist in finishing.

Because of the previous situation, I developed a bad habit of not making good outlines and detailed outlines. After the excitement of repeatedly revising the first 10 words passed, this article became a running account.

A reader said that my writing immediately became boring after I found my best friend.

I think the first wave of abandonment of my articles should have been during that time.

In fact, when I looked back and read it, I also felt that this article was really boring. I should have mentioned most of the plot in one go. I never have the courage to cut out those messy things. I just come out one after another.

I was thinking about the difference between this plot and the previous plot in the Buddhist temple. Now that I think about it, it’s just the feeling of freedom.

When she first arrived at the base, the heroine was very passive. Although I didn't mean it, she did lose the initiative.

I think this is a situation that should be avoided for a good article.

So is the character setting.

I only went through the small settings of the specific characters once in my mind, but in such a long article, it is very taboo not to write down the specific settings of the characters. Many characters who were originally intended to be important supporting roles only appeared once, and then completely disappeared later. It was reduced to a background board and never appeared again.

There are many of them that I have forgotten about their characters and existence, and I can recall a little about Ling Xiao, a fraudster with outstanding personality (but she was added on a whim, in order to lead to the plot of Xia Keluosi later. But I This was found to be too far removed from the outline, and the Charcolos line was scrapped.)

I always add people on a whim, which is not a good thing. The characters that were supposed to be created are not well formed in the outline, and the characters that are added on a whim are still not well formed.

The interaction between the protagonist and his dear subordinates is also written down where he suddenly thought of it. The specific task interaction and what to say between them are not well grasped at all.

Only Shui Yubei, a relatively special character, left a deeper impression, making him the one with the most expressive and intimate personality among the male protagonists.

I think it’s not a big problem that people have preferences, but the problem is that he is the only male protagonist with a relatively distinctive personality. As more characters are added in the later period, his characteristics are also marginalized. The emotional line of the aftermath should have been the strongest one, but I just wrote it as plain water, and the initial foreshadowing was in vain.

I think this should be the reason why I don’t have a thorough understanding of the characters’ personalities, so I just come up with them one by one.

I always want both, which leads to the writing becoming more and more streamlined. The original outline is not detailed, but I have to add inexplicable characters and unnecessary plots inexplicably.

I always want to write some lofty characters, but in fact my writing skills and thinking are not enough to support me in writing such characters.

After writing it, I felt a strong sense of self-loathing. I always felt that writing like this made me feel a little ashamed of the readers who had always supported me.

But I don't know how to change it, how to get out of this annoying mood.

I summarized the reasons why I thought I didn’t write it well.

1: The biggest problem is probably that I don’t read enough: the upper limit of the characters in the plot depends on the author, and the upper limit of the plot also depends on the author, and I happen to be an author who doesn’t read much and has little life experience.

2: Make an outline and detailed outline: But I was lazy at the beginning of the preparation, and the outline was all messed up at the end. I did not explain the climax of the plot, but explained it directly in one sentence, relying entirely on free expression.

But my freedom of expression was completely inadequate. I always added characters and plots randomly, not once or twice. Some of the skills I added randomly even led to inconsistencies. I just cared about what I enjoyed at the time and didn't think about the future at all.

3: No character cards are written: the characters are written wherever they come to mind. The final result of not writing character cards is that when the same character is wanted to be written later, the personality of the character is forgotten, and either the writing fails or the character is completely marginalized. People. (After all, I have always written PO articles before, with just a few characters, and my brain still remembers them. Once I enter a drama with many characters, it will be completely impossible.)

4: It’s time to give up, it’s time to get. You can’t have both, there must always be a balance.

5: Since it is a happy article, the protagonist should be strong and happy, and should avoid situations where he is suppressed by others, unless he wants to write about resistance.

This summary is my summary of the article I wrote and the articles I read from others. It may have some reference value, although I feel that many of it is based on what others say is bad.

_(:3ゝ∠)_……

I feel a little distracted.

Finally, I am really grateful for reading this not-so-excellent article of mine.

Thank you for your continued support, thank you very much! ! !