Live broadcast: Ancient people accompany me to make up lessons

[After introducing myself, Xiaoxiao stopped caring about the live broadcast. He opened the book and read it intently.

I quickly flipped through the inner pages and table of contents, and the opening chapter was "Qinyuanchun·Changsha"

A poem spans two pages. The first page has the person's handwriting on it, the second page also has the time when the lyrics were composed, and there are small-print annotations at the bottom of both sides.

The textbook that I haven’t touched in three years is so familiar to Xiaoxiao.

Early morning is suitable for early reading. She took a look, closed her eyes and recited aloud. Then she took out a blank Chinese text book, opened it, and started writing silently. 】

With everyone's expectations, as soon as the book was opened, the table of contents and unit prefaces were quickly flipped through. Before everyone could regret it, they followed the anchor and saw this article.

People who studied after the Qin and Han Dynasties immediately focused their attention on the calligraphy above.

Li Shimin's eyes lit up and he praised: "Good calligraphy!"

Changsun Wuji also nodded and praised: "Open and close, the clouds flow smoothly, and there are two kings of grace. What a good calligraphy."

Fang Xuanling praised: "The writing is good and the writing is good. But this doesn't seem to be poetry?"

Ci is very prosperous, and people in the Song Dynasty were filled with admiration when they looked at this poem.

Su Shi, who was 58 years old and was appointed magistrate of Dingzhou, laughed and clapped his hands. He felt that the author's writing was in line with his temper, and his high-spirited words were even more majestic and powerful.

Looking at his words and words, it can be seen that he is an ambitious man with a broad mind.

Wu Zhou, Shangguan Wan'er sharpened the ink, Wu Zetian picked up the pen and fell silent on the white paper.

In the Ming Dynasty, Zhu Yuanzhang, who was self-taught, could also understand the heroic spirit of this poem. He read it once and felt that it was well written. However, when he read the middle two sentences, he read it a few more times.

"Oh dear lord, who domains the fate of this world……"

The Central Plains land that was once dominated by the Meng Yuan barbarians was finally taken back by their Ming Dynasty.

In the Qing Dynasty, Kangxi's face changed when he saw this kind of word. As a dynasty of ethnic minorities, he was particularly concerned about the uneasy content in it.

Official script had only just appeared, let alone cursive script or the Qin and Han Dynasties, which had not yet become a system. Their focus was on the content of the words.

It's not an article or a poem, but everyone thinks it's very heroic when I read it. Looking at Tian Tian's pride when he closed his eyes and recited it, it's even more wonderful to read this poem.

It's just that except for Kangxi and his sons, everyone in all the dynasties didn't quite understand what the numbers like 1 in small letters on the text were. Until I looked down, the corresponding numbers had relevant explanations.

On the one hand, they think it is very convenient, but on the other hand, they are also confused about what "Manjiang, Manjiang" means. Man, all over’, does such a simple thing still need special explanation?

"The warlords and bureaucrats of the past were treated like dirt", "Wanhuhou" originally refers to the feudal lords of ten thousand households in the city, but here it refers to the big warlords and big bureaucrats."

Forget about other simple comments. Looking at the explanation of "The Marquis of Ten Thousand Households in the Year of Dung", my mind was spinning so fast that I realized something was wrong.

Words like warlord and bureaucrat, coupled with this annotation, are obviously not complimentary.

The author of this poem seems to be living in a troubled time? But how can one write such heroic words about prosperity in troubled times?

If the appearance and content of the book were just amazing, then the pen and paper taken out from behind made them even more curious.

The blue book has a blue cover with "Chinese Text" written on it, and "Grade, Name, Teacher, School" underneath, with a thin horizontal bar trailing behind it.

Xiaoxiao turned away the pen, pointed the sharp metal pen tip towards the book, and quickly slid his wrist, and the four beautiful hard-pen characters "Zhuge Xiaoxiao" were written on the horizontal line behind the "name".

She admired her handwriting and sighed: "Fortunately, elves also use pens. At least I didn't forget how to write my name."

Her names were all written down, and since she hadn’t written for a long time, she just filled them all in.

Grade: Grade 1, Grade 2. Teacher: Zhang Huiwen. School: Nancheng Hengwen Middle School.

After she finished writing, she opened it and began to write down carefully one stroke at a time on the grid paper.

Different from respecting the heavenly book, Ying Zheng began to realize the value of these after watching the girl in the sky take out a blank book and write on it. After she turned the page, the snow-white and light paper and the instantly drying material were visible to the naked eye. The handwriting shocked him even more.

He first asked his eldest son Fusu what he thought.

The 25-year-old prince, who was crowned an adult and participated in political affairs, said without hesitation: "The immortals teach, and the literature is used to convey the Tao. The things that contain the literature should also be the Tao taught by the immortals."

Ying Zheng was very satisfied and directly called his all-powerful tool, Prime Minister Li Si, and asked him to arrange for someone to see if they could learn to make the "book" on it, and the pen, which the immortal had, they also wanted to see Can you get it out?

Compared with the Qin Dynasty, which was still lacking in material, Liu Che didn't quite understand it when he looked at it, but after thinking about it, he thought it might be paper.

"The immortal's paper and pen are indeed extraordinary!"

But looking at what she wrote, why are there people studying in heaven, teachers, and schools? What is this class?

With that in mind, he also approached the young master and asked them to try to make a piece of paper as white as the sky that would not break when he wrote on it.

After all, there was no concept of good paper before, but now everything is in front of you. If you don't follow suit, you will be a disgrace to the immortals.

"Sure enough, I am the emperor favored by God!" The young emperor was full of confidence.

In the Eastern Han Dynasty, Empress Dowager Deng, who also received new paper from Cai Lun, took a pen and wrote a word. Seeing that the words were smudged and could not be dried instantly, she sent someone to summon Cai Lun to ask if the soft paper could be used. As hard as the sky.

Everyone in the Zhenguan Dynasty was more curious about what was on the paper. The words written by the anchor were obviously different from the original ones, so the words and lines on it should have been there from the beginning. The printing was still poor and the people who mainly relied on hand copying were very curious. How do you achieve uniform size and neatness? Is it really still a fairy thing?

Li Shimin looked at the pen in the anchor's hand. It had a black reflective mirror surface that could be used to write as soon as it was opened. It did not appear that water would always come out when dipping ink. There was also a silver-white metal pen tip with the same mirror surface.

"My dear friends, the pen wielded by this goddess is truly extraordinary."

If this was outside, it would be so convenient to take it out and write at any time.

In the Ming Dynasty, Zhu Yuanzhang also pointed to the notebook and said: "This looks like it was printed."

Xu Da also asked curiously: "Can printing be so beautiful?"

Even though printing technology has made great progress from the Tang Dynasty to the Song Dynasty, and then from the Song Dynasty to the Ming Dynasty, the printed books, no matter the paper, text, pictures, or colors, cannot be compared with those produced by the anchor in the sky.

Li Shanchang stroked his beard: "In the past, printing was poor and engraving was time-consuming and laborious. They were all used to print Buddhist scriptures. Now printing is much better than before."

During the Qing Dynasty, Kangxi and several princes had never seen a pen, but they recognized that the way the Heavenly Woman held the pen looked very Western, and her reading and writing habits from left to right were also very similar.