Personality V: I will save everything

The next person to arrive was Valletta,

Sure enough, as everyone guessed, she wore the dress, or performance costume, that she wore on the stage that day.

"You're so beautiful, Sister Valletta!" Mike said happily, clapping his hands.

Why is it that despite having so many different styles of costumes, people can still easily identify the one that Violetta wore when she first appeared on stage?

The reason is that on that day alone, the performance costume worn by Violetta was a long skirt, not the usual short skirt.

For ballet dancers, when they dance gracefully on the stage, in order to avoid being hindered by long skirts in their movements, and also to fully show off their long and slender legs, they often unanimously choose short skirts as their performance costumes.

However, only in certain particularly carefully choreographed performances will the dancers make the exception and wear long skirts to perform on stage.

Moreover, the designs of such long skirts are usually unique and made of extremely light, thin and transparent materials, so as not to cause any obstruction or interference to the audience's visual experience.

But what is striking is that the only thing that is different is the long dress that Violetta wore when she first stepped onto the stage and danced.

It was a true, out-and-out long skirt, long enough to completely cover the wearer's legs.

You know, at that time, Violetta was still feeling uneasy in her heart. She had no idea whether the audience could accept her appearance of having no hands and legs.

Because of this, she finally decided to wear gloves and the long dress to cover up.

However, the reality clearly shows that people's love for Valletta is not just limited to her appearance, but comes from her superb and superb acting skills as well as her unyielding heart and indomitable spirit.

People did not show any disgust or aversion towards Valletta's incomplete and abnormally deformed body.

On the contrary, under the emotional description of some reporters, this unique deformity has become a unique beauty that is charming, flawed but fascinating.

Just like the Venus de Milo.

"And the owner of the manor also helped me design this dress a little bit~" Violetta said excitedly, her beautiful face filled with a joyful smile.

Before she finished her words, she began to spin lightly on the spot like a dancing butterfly.

As she turned gracefully, Violetta's hands quietly reached to the hem of her skirt and gently touched the mechanism hidden therein.

There was only a slight sound, and as if magic had come, the gorgeous and long skirt that originally hung to the ground underwent a miraculous change in an instant.

Just like a curtain slowly opening on the stage, the long hem was skillfully removed by Valletta, and the whole movement was as natural and smooth as flowing water.

In the blink of an eye, the long skirt transformed into a short skirt commonly worn by ballet dancers.

This short skirt is exquisite and smart, perfectly showing the slender lines of Valletta's long and slender legs, making her look more graceful and charming.

"Wow!" Norton couldn't help but exclaim, his eyes full of amazement, "This design is simply ingenious!" He praised from the bottom of his heart.

Violetta smiled and handed the layer of fabric she had taken off to Norton, who took it carefully. As he began to help Violetta put the fabric back on the skirt, he was able to observe the unique and charming design of the skirt more closely and carefully.

It turns out that the most eye-catching part of the whole skirt is the bustle and the connection between the skirt and the waist.

Normally, an ordinary bustle might just consist of a few simple skeleton frames, but this is quite different.

The designer first carefully crafted it according to the basic shape of a traditional ballet tutu, and then cleverly widened and reinforced the skirt slightly to make it stronger and more supportive.

Finally, a layer of finely processed, gorgeous fabric is wrapped around the outside.

In this way, from the outside, it looks like an elegant and flowing long skirt.

However, once the outer layer of fabric is gently removed, it instantly returns to its lively and agile ballet skirt appearance. This transformation is truly amazing.

As for the connection between the waist and the crinoline of the skirt, it shows the manor owner's unique ingenuity.

He carefully created a unique double-layer design, which not only does not look heavy, but also serves as a hidden secret mechanism.

This clever design allows the outer layer of fabric to be tucked effortlessly into the small space reserved between the two layers.

This way, you can easily maintain the look of an elegant long gown or instantly transform it into a tutu.

It was indeed a very thoughtful design by the owner of the manor, and what about the ballet performance at that time?

"Mistakes create classics."

There were even reports about how Violetta's fall not only cost her her position as the leading actress in ballet for the rest of her life, but also made almost everyone pay more attention to people with disabilities.

In the situation at that time, people with disabilities were not taken seriously. They might even lose all their jobs or even their opportunities to show up in public. "People like them should just stay at home" was almost the consensus of everyone at that time.

But at that time, Violetta broke everyone's cognition. She danced on the heads of those discriminators and told them loudly that even if they were disabled, they should have their own stage.

Although it takes time to change people's perceptions, at least now when disabled people walk on the street, no one will throw stones at them.

By the way, although Norton felt... uh, what did Miss Qi Eleven say?

Oh, right!

"Dong Shi imitates Pin."

It seems that Violetta's fall also fell on the inspiration of those stage playwrights.

Let’s put it this way, for a long time, there were always some unintentional or intentional “mistakes” added into stage plays by those people.

Although some of them are embarrassing to watch, some of them also add another layer of color to the stage play, but it always makes people feel that it looks a bit like a crude imitation.

Especially those who saw Valletta’s ballet performance in person that day.

Their evaluation of this is even more tricky.

"We have seen a true miracle that day. Even if those people want to imitate miracles in the future, we will know that they are fake."

Although that incident made Violetta famous, to be honest, she still felt a little guilty towards Frederick. After all, that was his debut performance. Violetta always felt that she stole his limelight, although Frederick never felt that way.

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Oh, everyone is here as soon as they are told to.

The next person to come was actually Frederick.

But he was not the only one coming, there were several survivors following him.

It turns out that’s because the supervisors’ meal time had long passed and it was the survivors’ turn.

But from the beginning, they noticed that no supervisor came out.

They go in and question the regulators themselves?

They don't have the courage to do so. If they really do that, they will become the "after-dinner entertainment" of the regulators.

So just wait outside?

That didn't seem to be a good idea. After all, they still needed to eat. Although the damn game was temporarily stopped, none of them knew if it would suddenly start again when they thought they had calmed down. They didn't dare to take the risk and could only try their best to conserve their strength.

This led to the current situation, where many survivors were standing at the door of the restaurant, but none of them dared to go in, because none of them wanted to be the first to stick their heads out.

It was not until Frederick's arrival that they were given a little confidence.

After all, I don’t know if the consensus among all the survivors and supervisors comes from people in another world. For some reason, everyone unanimously ignores their behavior of not following the "rules".

They didn't belong to this world in the first place. At first, our curiosity about them and the desire to have some fun in their originally boring lives made them almost subconsciously ignore some of their seemingly suicidal behaviors.

Most of the supervisors are bystanders, watching their actions, and there are a few supervisors who are completely...how to say it......trapped themselves in it.

The most obvious person among them is the factory director. His change is so obvious. The monster with bandages all over his face has turned into a normal person.

And he was completely away from here. He could leave, he could leave anytime he wanted, but for some reason he didn't do that, he chose to stay here.

If the Red Butterfly in the Supervisor chose to stay here, it was because her daughter, the dancer, was still here and she couldn't leave............

Then the factory manager would have no reason at all, because the survivors had already discovered that the gardener could also leave here, and both he and his daughter could leave.

There was no one else here who had any connection with them before coming to the manor. They could leave at any time, but for some reason they chose to stay, to stay in this hell.

Of course, they're not the only two people caught up in this, although it's not usually so... Well, it's pretty obvious, it's the Joker.

Although he basically spoke in a veiled manner every time he spoke to Joke and Natasha from another world, every time Joke and Natasha were together, the Joker would always hide in a corner and watch silently.

The most obvious ones are probably these three. The other survivors haven't noticed it yet because there is basically no communication between the supervisor and the survivors. They will notice the changes in these three because the changes are too obvious.

.................................................. ...................

Okay, back to the topic.

At least now, when Frederick arrives, the survivors can follow him into the restaurant.

I don’t know why such a thing has been agreed upon, but――

If there are people from another world present, then the supervisors and the survivors would seem to be reluctantly trying to suppress their nausea and reach a brief, false peace.

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But after entering the door, the survivors were confused.

Is that... the gardener? Or is she from another world?

Almost all the survivors believed that it was a gardener from another world. After all, the gardener here usually looked dirty, always covered her head with her gardener's hat and lowered her head. From time to time, she would laugh crazily or twice, and she even mistook a scarecrow for her lover, which made people unwilling to approach her.

Look at the gardener in the restaurant now... She is wearing a white dress that shouldn't be here, and is decorated with bright flowers that also shouldn't be here. She looks lively and cheerful as well as bright and generous.

"Who...are you?" the perfumer couldn't help but ask.

She was not sure whether the people in the other world had different names from those here. Isn’t the most obvious difference between Natasha and Margaretha?

But in fact, what the perfumer never expected was...

Before the gardener could say anything, Mike helped her explain, "Our 'gardener' is called Lisa, a lovely girl. But I'm sorry, this is not our Lisa. She is your gardener, Emma Woods."

At this time, the gardener also felt that this was an opportunity for the survivors here to get to know the manor owner from another world again.

Although the time they spent together was short, the experience of playing games in this hell for many years, as well as his own experience in an orphanage and a mental hospital, allowed the gardener to judge whether a person had ill intentions towards him.

After all, if she didn't have this skill, she would have been dead long ago.

The gardener can guarantee with certainty that the owner of the manor in the other world does not have it.