Interstellar entertainment desert? best producer shot

Not many people in Ouyang Lan's plan could get the opportunity to watch the movie in advance, so he safely borrowed a booth in the Xingzhou offline theater to screen "Farewell My Concubine".

However, unexpectedly, more than 500 people got the opportunity to watch the movie in advance, so he shamelessly borrowed four more booths.

The person in charge of Xingzhou's offline cinema was very polite to Ouyang Lan: "I only borrowed five compartments? You are too polite. It's not a problem if you want to borrow an offline cinema today... Haha, your "Those People of the Tang Dynasty" However, the revenue of Xingzhou’s offline theaters has doubled, and you are willing to sell the copyright to Xingzhou. We are grateful before it is too late..."

After dealing with the compliments from the person in charge of Xingzhou's offline theaters, Ouyang Lan answered a few questions in the borrowed booths and started showing "Farewell My Concubine".

During this production, he spent 200 million yuan to open two new functions in the holographic cabin, so that after the production of his film is completed, the audience can have two more viewing angles to choose from.

Originally, the audience could only watch the movie from the third-person perspective, but after Ouyang Lan opened synaesthesia, the audience had two more perspectives to choose from, Cheng Dieyi and Duan Xiaolou.

However, most people will choose the third perspective for the first time. After all, the perspective of a single character has limitations, but from this character's perspective, plots that would not appear in the third perspective will appear in the single perspective.

This also allowed Ouyang Lan to spend more time on single-person perspective editing in the later stage.

Ouyang Lan will shoot all parts when shooting, but the final product must have some choices, and those parts that were discarded from the third perspective were reasonably used from the perspective of a single character.

Fortunately, Ouyang Lan only bought two synesthetes for this movie. Otherwise, if the perspective of each character had to be produced, he would have spent more than half a year on post-editing.

……

As an old fan of Ouyang Lan, Yang Qi followed her from "The Little Prince" to "Those of the Tang Dynasty". When she learned that the live broadcast room of the Institute of Ancient Drama could answer questions and win the opportunity to watch "Farewell My Concubine" in advance, she endured it. I spent a few nights memorizing all the knowledge about ancient dramas.

The questions in the live broadcast room of the Institute of Ancient Drama can be answered, but it is a bit ridiculously thick, and not everyone is interested, so Ouyang Lan is not worried that many people will get the opportunity to watch the movie in advance.

Although the five hundred people were beyond Ouyang Lan's expectations, Ouyang Lan was very happy.

Even if you memorize it by rote in order to get the chance to watch the movie in advance, the drama culture is slowly being remembered by more and more people.

Even if you just remember it briefly, the purpose of promoting ancient culture is half successful.

The remaining half is to arouse interest and call on more people to join in the inheritance of culture.

Yang Qi swore that she didn't even memorize it for the college entrance examination so seriously. It was worth it that she stayed up many late nights and finally managed to get an early viewing of "Farewell My Concubine".

Because Yang Qi memorized a lot of knowledge about ancient dramas, she knew that "Farewell My Concubine" was a repertoire of Peking Opera in her home country of China.

She has watched the Peking Opera video released by the Institute of Ancient Drama. Well... the colorful colors, the singing voices of different lengths and rhythms, and the enunciation that is not very clear...

To be honest, if Yang Qi didn't think she was Ouyang Lan's true fan, she wouldn't really want to watch such a movie.

When the screening of "Farewell My Concubine" started, she was still afraid of seeing something similar to the video released by the Institute of Ancient Drama.

But fortunately, it was not the case. Yang Qi looked a little relieved.

The story begins with the young Xiaodouzi having his extra finger cut off by his mother and then entering a theater troupe to learn opera.

Yang Qi felt her hand throb when she saw the broken part of her finger.

Then Xiao Douzi was learning opera in the troupe. Only his senior brother Xiao Shitou took more care of him. He was put on by the master to sing "Sifan".

At first, Xiaodouzi refused to sing: "I am a girl, not a boy."

He stubbornly sang this line into: "I am a man, not a girl."

Neither the beating nor the opportunity to appear in the theater troupe could change him. He stubbornly sang the wrong text.

But after senior brother Xiao Shitou snatched Master's cigarette pole to punish him, he thought deeply and changed his tune and sang, "I am a girl, not a man."

Since then, Xiaodouzi has completely lost her original personality in exchange for the role of "Yu Ji" and the stage name Cheng Dieyi.

Art itself does not need to rely on power, but in the powerful context of the times, art can only survive under power.

In the end, Cheng Dieyi sacrificed his soul for his master and senior brother, and compromised for the future of the troupe and the senior brother who took good care of him.

Cheng Dieyi and his senior brother Xiao Shitou, whose stage name is Duan Xiaolou, have become famous since then. However, times have changed and things are unpredictable.

Sweeping by the tide of the times, Cheng Dieyi and Duan Xiaolou, as famous actors in Peking Opera, have attracted much attention and are stuck in the quagmire.

When Duan Xiaolou, who was married to Juxian, had a conflict with the soldiers, the chaos caused Juxian to miscarry, and then soldiers arrested Cheng Dieyi for treason.

Cheng Dieyi, who was rescued by Duan Xiaolou with all his strength, encountered many setbacks. Finally, he was encouraged by Duan Xiaolou and his wife, but he was framed by Xiaosi, a kindly adopted child.

Xiao Si replaced Cheng Dieyi as Yu Ji and performed with Duan Xiaolou. Duan Xiaolou, who originally planned to stop the performance, finally performed for the sake of the overall situation. Cheng Dieyi broke off diplomatic relations with Duan Xiaolou sadly.

A few years later, Duan Xiaolou was framed by his mistress. The mistress wanted to force Duan Xiaolou to frame Cheng Dieyi, but Duan Xiaolou refused, but Cheng Dieyi, who cared about Duan Xiaolou, threw himself into the trap. Duan Xiaolou In order to protect Juxian, he had no choice but to frame Cheng Dieyi.

Cheng Dieyi, who was in pain, resented Juxian and caused many troubles. As a result, Duan Xiaolou was forced to draw a clear line with Juxian, and Juxian committed suicide in despair.

At the end of the film, Duan Xiaolou and Cheng Dieyi performed on stage for the last time after all the changes in the world. After Cheng Dieyi once again sang: "I am a man, not a girl", she understood that she seemed to have been living in the world forever. In the play, he finally committed suicide with a sword and fell into the arms of his senior brother, ending his acting career and tragic life.

After the video ended, Yang Qi sat in a daze.

This movie is not 100% tear-jerking like "Those in the Tang Dynasty", but Cheng Dieyi's tragic life makes people unable to calm down for a long time.

After watching the film, I felt a sense of loss.

She seemed to understand, but she seemed not to understand the movie at all.

The joys and sorrows of the little characters are intertwined with the development of the big background of the history of the home star China, and are vividly displayed in an intertwined manner.

The description of Peking Opera in the movie is not as boring as the video from the Institute of Ancient Drama. Instead, it shows the art of traditional culture through delicate depictions.

The thinking and understanding of the living conditions and human nature of the little people of that era are also almost perfect.

Each metaphor and symbol is uniquely used, reflected through the performance of different characters and the changes of the times.

Yang Qi slowly took off her holographic helmet. As a true fan of Ouyang Lan, she didn't even notice that Ouyang Lan was standing on the stage at this moment.

Ouyang Lan could probably understand that these viewers would not be able to relax for a while after watching the movie, so he said no more nonsense: "...Thank you everyone for participating in this early viewing. If you feel good, please go to the theater after the release to support it."

When Yang Qi walked out of the theater in despair, she realized that the faces of the people around her had a look of loss.

She felt a little sad afterwards, even though she didn't feel this way when she just watched the movie.

But at this moment, she suddenly and unconsciously sighed deeply at Cheng Dieyi's tragic life.