The group gods who retired to fish in Genshin Impact

(His grandma’s! I finished writing the second chapter yesterday and forgot to post it. I just saw it. In order not to affect my perfect attendance this month, I merged yesterday’s second chapter into chapter 1367, and today’s chapter 1368 as well. Two in one.

In addition, the previous chapter mentioned some people who are currently looking for inconsistencies in Genshin Impact's plot and some unreasonable aspects.

In recent years, the pace of plot changes about Mi Huyou has become more and more intense, and some places are indeed inconsistent with some previous stories, including the characters themselves.

So some people have been considering various plots and branches, including some details.

And we did find some strange places.

But it’s not entirely a bug in the plot. It feels more like a planning error.

The first is Funina’s backstory.

There is nothing wrong with the content of Funina's background story, but if you read all her background stories in succession, it feels rather fragmented.

If you have read the backstory of Wendy Zhongli, you will find that the first half of the backstory of these two gods is about their human lives.

Then use some special features in a certain background story in the middle to elicit their true identities.

Then the second half is about some of their stories as gods and some interesting things that happened after playing humans or in their past.

There is a transition in the middle, and this transition is usually based on some unknown things about them.

The background story of General Raiden is described based on Raiden's life as the main line.

It basically covers the big and small things that happened in Lei’s life from the past to the present and the changes in her will.

Although each background story is also a separate story, her overall content can be connected.

Because General Raiden has not concealed his identity as a god, her background story is also from the perspective of a god, so she does not describe the human part of life.

Nacida's background story is also from the perspective of the gods, and because of the main line of the Xumi version, many parts of Nacida's background story have two versions.

Although there is not much difference between the two versions, there is indeed a certain difference.

But it is also from the perspective of a god, telling the story of the 500 years since Nasida was born to her liberation, and the story of how she took over the identity of King Daci Tree after deleting it with her own hands.

On the whole, Nasida's story can be connected, and the whole story is in the same tune, which is relatively coherent and harmonious.

But Funina's story is different from the above four.

Although Funina is no longer the Water Goddess, she is still the Water Goddess in the official setting.

Funina's backstory is very fragmented. The first half of her chapter also tells about Fonina's acting career and her status and life as a big star in Fontaine.

Then there was a sudden change, without any excess, and directly and inexplicably came a paragraph about Funina's mental state and her thoughts when she acted as her real name every day.

Before she could realize what Fu Nina had experienced while playing the role of a god, the next part suddenly changed.

When she became Funina, she had already experienced the main plot of the Fontaine version and had been abdicated for some time.

It can be said to be very fragmented. The first half is still describing Funina's daily life, but the overall story is coherent and can be connected.

The next two paragraphs are just like they were added suddenly and cannot be connected. The entire background story is divided into three parts.

Even if I have done the main plot of Fontaine, and look at Fu Nina's background story, I still feel that her background story is a bit inexplicable.

There is no transition or foreshadowing at the turning point of Fu Nina's backstory. It just tells you suddenly that Fu Nina played the role of a god, and then Fu Nina retired.

If you look at the background stories of Wendy, Zhongli, Thunderbolt General, Nasida and Funina together, this sense of fragmentation will be even more obvious.

You will find that the stories of the first four characters are still very coherent, but Funina's story is very bad, and the turning point is very blunt, without any foreshadowing or excess, it just turned around.

It's just like you were walking on a country road one second and suddenly ran onto the highway the next second.

The turning point is very blunt and abrupt, and there is not even a single line of foreshadowing and transition regarding the changes in thoughts and mentality in the background stories of the previous four gods.

The context of the story is completely unclear.

Even the background story of Villette has a sentence that describes that Villette is not a real human being, but a water dragon.

Use this as a twist and transition to let people know more about the character information in the character's backstory.

There is no background story for Funina at all. It is directly based on Funina's acting career to show players how popular Funina is as a Fontaine star, her power and status.

Then before you realize how powerful Fu Nina's power is, the story immediately following her suddenly becomes Fu Nina's tired performance.

Then this paragraph was not expressed clearly, and the next paragraph suddenly changed to Funina having retired. She is not the water god, and she no longer lives in Momang Palace. She rents an apartment by herself.

The turning point is very abrupt and abrupt, without any transition or foreshadowing.

Wendy's background story tells the story of Wendy, the bard's life in the human world, and uses a long-standing legend to pave the way for Wendy's identity, and then later reveals that he is the God of Wind and what happened before he became the God of Wind. .

The background story of the old man is that the old man does not carry any money in his daily life and likes to pay on credit. No matter where he goes, even if it is just for a meal, he does not bring any money with him. It makes people feel that it is a miracle that this man does not starve to death.

Then, this story was used as a foreshadowing, with an excessive twist, leading to the conclusion that the old man would indeed not die of hunger because he was a god.

Needless to say, the background story of General Raiden is directly based on the real-name perspective, completely revealing the past of Raiden Movie. At the same time, the background story also tells the several blows that Raiden Movie has experienced.

And what kind of impact the deaths of close friends and relatives had on Lei Qian, turning her into a god who later became paranoid in pursuit of eternity.

There are two versions of Nacida's backstory, so I won't go into too much detail, but it is also revealed in Nacida's background story that even during her imprisonment, Nacida still did not give up and insisted on helping the Sumeru people in her own way.

Their stories all have foreshadowing and transitions, or a complete story telling of the character's past or present.

Even Villette’s backstory is the same.

There is no transition at all in Fu Nina's backstory. There is no twist or foreshadowing to reveal that Fu Nina is actually a person playing the role of a god. There is also no twist or foreshadowing to explain why Fu Nina suddenly retired.

What's more important is that the psychological and ideological description that is crucial in the background story of a god-level character is completely absent from Funina.

After Funina accepted Fukalos' request, she didn't mention a word about how she changed her mind and how she managed to surpass the public through her performance and understanding of life in these five hundred years.