Live broadcast: My courtyard is a treasure chest

Hello, dear readers. Well, it’s me again, a useless author who always likes to write a preface when writing nonsense. I wrote a book title, introduction and opening that changed the style of the past... Of course, even the cover looks very abnormal, but not yet Give up her preface - so, it seems that the preface is the closest to me.

This article can be said to be something I suddenly planned to write one night, or its outline was even the product of a second, but in fact it is also a thinking and an article with the purpose of popularizing knowledge, grafted on A little bit of an epileptic story came up above.

So when I published the book, I didn’t even tell my editor in advance. During the day, we only talked about other articles that I would write later. Then, without her being prepared, I wrote the opening chapter and sent it out early in the morning.

A big boss said that I participated in an essay contest and engaged in literary tactics. Isn't this bullying? In fact, it’s nothing else. Without the essay collection, I would just focus on this topic. The essay collection can stimulate new thinking, and it makes me more motivated to write the things that I have been writing for a while. I will start immediately and update diligently.

Okay, let’s talk about this ‘epilepsy’ article again. First of all, I have to thank Yunshui Mozhai. The two of us talked a lot when discussing the writing of intangible cultural heritage. We observed many works that seemed to be participating in the intangible cultural heritage essay competition, talked about intangible cultural heritage in our own eyes, and finally The key point is that both of us are deeply discussing online literature and even the broader concept of writing intangible cultural heritage in a literary and artistic work, and how to achieve the core purpose of "disseminating intangible cultural heritage". .

Suddenly, I thought of this idea, and then, the "mental state" unique to college students suddenly came to me. So much so that when she talked to Yunshui Mohe, she was confused - wait a minute? what are you writing?

Yes, because just now the two of us were criticizing that a certain form could not express the core of intangible cultural heritage very well. We were purely using intangible cultural heritage as an 'element'. I was even very emotional and commented from my own perspective. Peers...

Then, it was already one o'clock in the morning, and I thought that Yun Shui Mo Hui's book would be on the shelves today. I asked her to go to bed early, and then I was left alone to figure out whether to open the door.

Secondly, I would like to thank my readers who stayed up early in the morning. After some discussion, they encouraged me by saying, "I think it's still interesting." In this way, they gave me the courage to publish this late-night crazy work...

So what does this book want to express? It’s simple: Intangible cultural heritage is all around us, everywhere.

It is not symbolic, it is not "high buildings cannot be reached", and the protection of intangible cultural heritage is not imposed on anyone. Because when everything disappears in an extreme way, you will find that you can't live without them.

Then this book is just like what I said. Elementally, it is a stew of Internet literary elements, such as system literature, simulators, and Siheyuan (siheyuan literature, not a derivative of fandom, nor the concept of Siheyuan in chronological literature). I'm involved in all the live broadcasts. It doesn't count as any kind of writing. It's just a casual get-together with a little bit of everything, so I don't care whether it's good or bad. Anyway, let's just make do with it.

The point of view is the male protagonist in the third person. After finishing it, I thought that I, a female author, would not be able to write a male protagonist. Moreover, I did not write a female protagonist because the protagonist’s image was not very good at the beginning, so female readers would not think so. Looks disgusting. And after all, the male protagonist shouldn’t be too much of a foil like in my other books, right? I believe that male readers should also be able to find their own cute spots. So everyone can be happy, of course that’s just what I thought.

What more can we talk about? After thinking about it, I think it’s okay to talk about the male protagonist’s character. After all, I think the male protagonist’s character is quite interesting, but you can’t say too much, otherwise there won’t be anything to whet everyone’s appetite…

The male protagonist, in fact, it is combined with the homepage situation of some short video comments that I have really argued about. But, why does the male protagonist still stay in the courtyard like a nail? Why can he be good to his own cat, and what? Over-pursuing these (not to say that the choice of staying home is not possible, or necessarily bad, but that the male protagonist is a bit arrogant in the early stage) is a basis for why the male protagonist can change in the later period.

I have always believed that if a person is completely flat in his heart and has no justice or good side at all, it is absolutely impossible for him to be transformed directly because of one thing. Moreover, the family environment and education will always determine and affect a person's life, even if the general situation changes, the details will be revealed.

As for the heroine... the heroine is still our good baby character. As for the other things, there seems to be no suspense if we talk too much.

Above all, the most important thing is that the plot of this chaotic stew may sometimes not be logically consistent, so I don’t plan to write it long to avoid exposing the instability of my worldview in this book. Of course, I don’t rule out the possibility that I might find a logical and self-consistent point for myself and write it longer because the data is really good, or I simply have a lot of ideas.

After all, this is the first time I have written such a somewhat "idiotic" article, and some of the settings should indeed be considered relatively new, so I am definitely not sure about them. So: anytime you have suggestions, you can always ask questions, you can always share your ideas...

In addition, if you think there is anything inappropriate, you can scold me. Don’t scold other people and don’t scold intangible cultural heritage. It’s not the Holy Mother. I set up a character for myself. The main reason is that if the writing is bad, then it must be my problem alone!

What I can do is to try to be as logical and self-consistent as possible. I may make minor repairs at any time to avoid pitfalls, but I don’t rule out discontinuing updates. Please be patient... There is nothing I can do if I don’t be patient. When I can’t write, the author is actually the most anxious first. Own.

Well, I hope this story can help more people have an understanding of what is intangible cultural heritage, and discuss what we would have without intangible cultural heritage. Yes, the introduction has added a few dozen words...

All in all, this book can be regarded as a slightly outside of my comfort zone (because it is a discussion of intangible cultural heritage after all). It is good and bad. If you don’t like it, just quit. In fact, I am quite glass-hearted, so don’t read it. I've done everything for you. In fact, it would be best if you don't even scold me!

Thank you to everyone who endured the trouble and read all this nonsense!

2023年12月29日（2024年01月02日修改）

Ciliansheng

Yu Jing