A leisurely life that begins with the possession of a game character

(This chapter does not advance the plot, so you can skip it)

"Look at Zhang Hu. Did he not do things whenever he wanted? Sometimes, when you do business under someone else's name, even if the other party does not admit it, as long as you really have a relationship and you have managed the relationship well, many risks will be eliminated invisibly." Tian Qingyong said while smiling and pointing at Zhang Hu who had just arrived.

"Why did Zhang Hu suffer such a big setback in the city later? Because he felt that everything was earned by himself. He felt that you played no role in the process, and he thought that his reputation was more important than anyone else's. In fact, if I didn't say anything and you didn't say anything, Zhang Hu would have been buried."

"It's not that serious. He was just too greedy at the beginning." Zhang Lan said with a smile.

Zhang Hu sat down next to him and said, "Hey, Zhang Lan, you don't have to give me face. I already understand what's going on here. In fact, when people reach a certain age, they just need to do what they can do well. If they are not gifted, they should not think about moving out of their comfort zone easily."

Everyone has his own foundation for life. No matter how hard it gets, it is best not to act rashly on this foundation.

The deeper you expand your foundation, the better; the next step is to extend other paths outward.

To give a most common example, those stars and actors in the entertainment industry who can remain popular for a long time must have one most distinctive characteristic.

In addition, anyone who can remain popular for decades must have a foundation and basic professional ability that is far beyond that of similar actors.

For example, Liu Laogen’s group of people have strong comprehensive abilities, including strong observation, imitation and creativity.

Liu Laogen can even act out the gaits of people of different identities. When he plays a construction worker, he walks with small steps, looks down at the road, and rarely looks up. But when such a person walks on the flat ground of the main road, and when he is in a good mood, he swings his arms widely, looks up, and walks with a hopping motion. When talking to people, he raises his hands to the level of his shoulders, lowers his head and bends over, appearing very humble.

When playing the role of a village cadre, he looks straight ahead, swings his hands slightly, walks with larger strides, and keeps his hands below his chest when talking to people. When flattering someone superior, he also lowers his head and bends his waist, stretches out his right hand early, and quickly shakes hands. After shaking hands with his right hand, his left hand immediately follows, and both hands hold the other person's right hand. He lowers his head, but stretches it forward. His face is filled with a warm smile, and he keeps saying nice things.

When bullying, the body is naturally straight, not angry, but when teaching someone a lesson, the chin is tightened, looking down at the other person. The hands are naturally behind the back, and the belly is protruding.

When playing the role of someone with a relatively high status, one will naturally stretch out their arms and wave them forward, using hand movements to allow themselves to occupy a larger space to demonstrate their social status.

When he plays the role of a person who has just returned from a journey of more than 10 miles, he will take the initiative to pick up a broom to sweep his trouser legs. When he sits, he will naturally support the table with his elbows and lean against the table. He really looks like a tired person who has walked a long way.

He played a rather cowardly man, sitting on a small stool, shorter than others, with his head lowered, his legs together, and his hands clasped between his thighs. This sitting posture is not aggressive at all, and sometimes one would subconsciously ignore the person sitting next to him.

When playing a rough and rude man who is angry and about to lose his temper, he would lift his right foot and step on the kang, facing the person he is angry with sideways, chewing food in big mouthfuls.

Watching him do these movements was like watching my own family, without any feeling of disharmony or unnaturalness.

The best actors are the best liars.

Let’s not talk about how he learned the move of stepping on an empty stool three times in a row.

Liu Laogen’s performance as a blind man eating is the best in China.

You still need to learn to play the role of a blind person. I have watched the blind people played by those who are from the academic school and the experience school for so many years. I used to think they were pretty good. But after watching Liu Laogen play the blind person, I felt that the other actors' performances were nothing. They were all for fun!

The clothes Liu Laogen wore when performing skits were really what people of that income, age, and class would wear. A character with a monthly salary of 5,000 yuan wouldn't wear a coat worth 100,000 yuan.

In terms of creative ability, Liu Laogen is surrounded by playwrights who came from the countryside and have really worked in the fields to grow crops, vegetables, and carry manure, doing all the hard, tiring and dirty work.

Let’s look at Liu Laogen’s apprentice, the most famous one at that time. Looking back at the skits in which he and Liu Laogen appeared together, he was really teaching skills and giving them to me, but I just couldn’t catch up and digest them.

Although the apprentice introduced himself as coming from the countryside. You can say that he is a farmer, but he definitely did not do the work of a farmer. Even if he had helped his family with farm work, he only helped a little bit. He did whatever his family asked him to do. He did not have the subjective initiative to run a family in the countryside.

When he opened his eyes at dawn, he had to think about how many mouths to feed, how many chickens, ducks and piglets to raise, where to cut grass for the pigs, how much water to carry, and so on. What day would it be in a few days, how many eggs were left, how much money was left at home, whether to kill a chicken, whether to take someone to see a doctor, whether to buy medicine. Whether to buy meat today, how much money was left for the children's tuition, he was calculating in his mind.

He doesn't have the worries and awareness of being a farmer, so he can't play a farmer well. He is a city person.

In the skit on the Spring Festival Gala, Liu Laogen gave him the role of a waiter, because Liu Laogen's style is to play farmers or migrant workers, the bottom of society.

The lowest class of people in the city are waiters and street sweepers. The garbage collectors are not from the city, but from the countryside.

However, no matter how much medicine the master gives to his apprentice, the apprentice is not that kind of person at heart, and the result is that they are incompatible.

It can be seen from the roles played by the later disciples that most of them have a certain social status.

Sometimes there is no way to teach a stupid person. If the master feeds the food into the apprentice's mouth, the apprentice will overturn the table.

The master gave him a chance to play a sissy role, because there were not many people in this field. After all the competition, it was a few people from the Northeast, who made him famous overnight.

Many of Liu Laogen's disciples have taken this path, and the group has occupied this acting path. In this way, even if someone quits, this acting path is still controlled by Liu Laogen's disciples.

As a result, the apprentice became famous by performing on the Spring Festival Gala with the guidance of his master. After becoming famous, he began to abandon the path chosen for him by his master and chose to change his personality into another one.

Even though he was given the road to heaven, he could not let go of his identity and past experiences and refused to play the lowest role.