Rebirth of the Seventh Peak: Conquering a World Ruled by the Fifth

"Come on, fellow Taoists, pull fast and follow my steps closely."

The composer never stopped talking, and many spectators from outside were attracted by the way he was explaining and restraining the opponent at the same time.

After smashing the board at the container, the composer moved to the wooden box nearby.

There are two boards at the wooden box. Although these two boards are not very long, they can easily be blocked by the supervisor.

But thanks to the fact that the wooden box itself is tall enough to block the supervisor's field of vision, the survivors here also have a certain amount of room for negotiation and containment.

The composer went straight between the box and the two boards, followed by the crybaby.

"Still chasing me, I'll block you here."

"Waiting for the will-o'-the-wisp. He is waiting for the will-o'-the-wisp, and he is also looking for the location of the will-o'-the-wisp."

As the composer finished speaking, a will-o'-the-wisp happened to fly near the composer.

Crybaby took this opportunity and immediately rushed towards the composer with a flaming gun.

The terrain here is narrow now, and the distance between the two is relatively close, so if he gets angry, it seems that he will definitely be killed.

But unexpectedly, the composer successfully dodged the will-o'-the-wisp with a flexible reverse spiral move.

The Crybaby used the acceleration brought by the will-o'-the-wisp to quickly close the distance between the two, and then immediately swung a knife.

The composer said proudly: "This fire is hidden, hehe, even if you take a single blow, the entity can't be hit, just stick to it and go around it."

The composer moved in the opposite direction and slipped under the Crybaby's raised hand, successfully dodging another physical knife attack.

Of course, with the current position and posture, you can avoid the first day but not the fifteenth.

Before entering the board, the composer was hit by the crybaby again.

"Don't panic after taking a knife! Fellow Daoist, come, go, go back and follow me closely."

It is actually quite profitable for the composer to eat the physical knife instead of the will-o'-the-wisp.

Moreover, to get to this point now, the time spent in this wave is actually almost enough. The two external motors have been repaired, and the progress of the third machine has exceeded 80%.

At the same time, the patient who had finished repairing the motor suddenly walked up to the composer and began to follow him all the way.

"Master, you are so great. I admire you so much."

"No need to follow me, go ahead, fellow Taoist, go quickly."

It was obvious that the patient had been completely conquered by the composer's personal charm and had turned into a little fan.

Even though the composer quickly asked him to leave, the patient still stuck to the composer like a dog-skin plaster.

The patient helped the composer to put down all the boards behind him, which seemed to help the composer reduce the time it took to put down the boards.

In fact, the composer lost his room for bargaining and was stuck here.

The composer's tone gradually became irritable: "What are you always doing here? Go and fix the machine. I'm trying to hide from the devil."

This is often the case in this game. Once the survivors gain a big enough advantage, one of the teammates may start to become arrogant.

Then they make actions like not repairing the machine, running along ineffectively, or even giving away the rhythm for free.

Sure enough, the thing the composer least wanted to see happened.

The crybaby's will-o'-the-wisp directly hit the patient, and now both of them are still stuck at a weak point.

"This board is a lie. Turn it over. Don't turn it over. Turn it over!"

The composer repeated his old trick and began to make fake moves back and forth in front of the short board to deceive the opponent.

But the crybaby had some experience and was not easily fooled this time.

After a round of bargaining, the composer flipped over and passed, but the crybaby successfully predicted the composer's thoughts and successfully knocked him down with one blow.

To be honest, the cooldown of the composer's new skill was about to end. If the patient hadn't come to keep him company, he would probably have been able to continue using the skill to transfer points and hold the opponent back for a while.

"No, patient, what on earth are you doing here? Can't you just fix the machine?"

"Well, Taoist priest, I just want to help you carry the knife."

The patient's tone was slightly self-blaming, which made the composer embarrassed to say anything more.

But to be honest, this patient made the composer a little upset.

After the Crybaby knocked the composer down, he hung him on the nearby carnival chair.

It was not until this moment that the patient finally decided to leave and go to repair the motor.

The main reason is that this game does not involve risking one's life, otherwise the patient would just be fooling around like this.

Judging from the current progress of the motor, unless the composer can do a good job, there is a high possibility that he will fall short and fail to win the four-player door battle.

It is actually quite difficult for survivors to ensure victory.

The crybaby is different from the previous recorder. He has a certain statement when he is on the guard chair.

At this moment, Crybaby planted another pine tree next to the chair.

The number of will-o'-the-wisp floating nearby suddenly increased a lot.

Like many supervisors with strong chair-guarding abilities, Crybaby can use the will-o'-the-wisp to guard the chair with two swords, making it impossible for the survivors to save anyone.

The afterswing after pulling the will-o'-the-wisp is short, so Crybaby can quickly connect with the physical knife.

The most important thing for the survivor to save the crybaby is to avoid the will-o'-the-wisp in front of the chair, otherwise he will not be able to save the person and the crybaby will have a great advantage.

It is very risky for an undertaker to save a crybaby. After a few simple exchanges, Yang Tian decided to save this person himself.

After all, the novelist’s metaphorical substitution can effectively prevent the crybaby’s interception.

[Road to Rest] Robbie actively summons the roots of the pine trees, which grow rapidly from under his feet to form a road to rest.

Robbie can also consume a branch to make the Road of Rest grow forward with the branch. When the Road of Rest reaches the end, a Rest Pine will grow at the end.

A large part of Crybaby's ability to control the situation comes from this skill.

At the same time, with the assistance of the wanted notice and the color change of the will-o'-the-wisp, the Crybaby can effectively determine the approximate location of the rescuer, and then use the Road of Rest to intercept him.

Sure enough, a road to rest was paved precisely in the direction of Yang Tian.

At this moment, with three violent crybabies, with the assistance of this perfect Path of Rest, even if the ghost fire fails to hit the target, the high movement speed of the Path of Rest can be used to quickly return to defense.

Yang Tian acted decisively and used metaphor to change positions to get closer to the composer at the moment when the crybaby raised his knife.

The Crybaby wanted to use the will-o'-the-wisp to quickly add to the attack, but found that the will-o'-the-wisp in front of him just passed by, and there was no will-o'-the-wisp to pull in his field of vision.

A powerful crybaby, in addition to having a high hit rate with his will-o'-the-wisp fire, must also pay attention to the locations of the surrounding will-o'-the-wisp fires at all times to ensure that there is fire to pull at critical moments.

Obviously, this crybaby pulls fire at random. He pulls it whenever there is a ghost fire in front of him, and he doesn't calculate the time when the ghost fire will arrive.

But after all, with the auxiliary acceleration of the Path of Rest, it is certainly impossible for a novelist to save people without getting hurt.