Korean Entertainment: Perfect Cheating Life

There is a saying on the Peninsula, which can describe the status of Four Stars on the Peninsula in one sentence.

"There are three things that people on the Peninsula cannot escape in their lifetime: death, taxes, and four stars."

Any company that is not listed or slightly larger is a chaebol.

Chaebol refers to a giant company that monopolizes the national economy and the majority of national employment. As the head of the chaebol, Si Xing takes care of everything from food, clothing, housing and transportation for the people of the peninsula. From small things like daily necessities and electronics to big things like arms, Si Xing's wealth is not just talk.

The Four Stars are a capital group that monopolizes the peninsula and is composed of the core of the ruling Kim family, the direct descendants of the Kim family, and the collateral descendants of the Kim family.

In the four-star system, the president is the helmsman, at the top of the pyramid, and controls the general direction of the company;

Under the chairman there is a separate secretariat, which is a four-star think tank responsible for assisting the Jin family in consolidating power, centrally managing subsidiaries around the world, and coordinating the interests between the business and the family.

The secretariat is the most powerful intelligence agency on the peninsula. Their initial job is to collect intelligence, analyze information, and provide decision-making basis for corporate development.

However, in addition to collecting intelligence and managing the business, the secretarial office also manages the daily affairs of the Kim family members in all aspects and is only responsible to the Kim family. They provide meticulous services to the Kim family, from food, clothing, housing and transportation to tax planning and wealth inheritance.

Kim So Min's agent Park Eun-jeong is a high-end talent from a four-star secretarial office. She stays with Kim So Min on a daily basis and is responsible for taking care of her daily life, including managing her Kakao company.

It is a waste of her talent to be Kim So Min's agent. With the support of a four-star secretarial office, she can easily handle all of Kim So Min's requests, including strategies against SM company.

Not only that, Park Eun-jeong also made full use of the intelligence function of the secretariat and found out the tricks behind many people in the company.

Park Eun-jeong took the organized information and the artist contract revised by the secretariat, and talked with Lee Soo-man for a whole day, and the two of them re-determined the new company contract.

She met with five members of TVXQ in the company's conference room with Lee Soo-man.

Without Kim So Min present, Park Eun-jeong showed her professional and sharp side. She not only spoke bluntly but also did not give anyone any face.

In the group TVXQ, the families of several members have cooperated with some three-no brands, borrowing the group's fame to promote three-no cosmetics, which is a smear on the entire group's brand.

She pointed out this clause as a warning and added it to the contract, stipulating that artists are not allowed to promote their personal brands in their group or individual capacity, and that any behavior that brings shame to the group will be punished accordingly.

After the warning, she took out a brand new welfare version of the artist contract, which changed from a slave contract to a normal contract, and the difference was more than just a little.

While the health of the artists is guaranteed, their income is also greatly increased.

The price relative to welfare is that once breach of contract, violation of law or other behaviors occur, they will pay a heavy price for their irresponsibility.

Kim So-min had no idea what Park Eun-jung had done specifically, and by the time the contract was fully finalized, it was already near the end of June, and TVXQ, which had signed a new contract, also debuted in the island country in June.

At this time, Kim So-min had already appeared at the Cannes International Film Festival.

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This year, the Cannes Film Festival has postponed its opening date and the official opening ceremony will not be held until May 5.

In order to have a greater chance of being nominated, the production team provided the English version of "Mother" when participating in the selection. The film was nominated for the "Main Competition" in Cannes in April and will premiere at the end of the film festival on May 4.

As one of the main actors, Kim So Min walked on the Cannes red carpet with the entire production team.

Not long after she arrived in France, Pei Xin and her current husband Arthur rushed to France to see her.

Arthur is a designer for a well-known brand. He and Pei Xin met at work and sparks flew. The two got married the year before last.

It was the first time he met Kim So Min, and he liked her very much. He brought several suitcases filled with clothes designed especially for her, and he tried his best to please her.

His flattery was successful, and Kim So-min liked him very much. However, even if he didn't do this, Kim So-min would still like him for Pei Xin.

On the day of walking the red carpet, Kim So-min wore a high-end custom-made white long dress. The fluffy and irregular skirt almost dragged the ground at the back. The skirt was covered with scattered rhinestones, and she wore a small antique crown on her head.

The luxurious dress was designed by Arthur's friend, Dior's head designer John Galliano.

Her dress was too gorgeous and would not look good on any other child, but Kim So Min's manners were always perfect and the dress she wore only highlighted her noble temperament.

The diamonds on her skirt sparkled under the flash lights, and she stood there with her head tilted back, like a real princess.

Song Xuetaizi held Kim Zhaomin's hand. Asia's fashion resources have always been very cruel. Her clothes were high-end Dior clothes borrowed for her by Pei Xin.

The exquisitely designed fairy white dress makes Songxue look elegant and charming.

After the big and the small appeared, they murdered countless films.

This year, no films from the Peninsula and the island country were shortlisted for Category A film festivals. As the only film from the two countries, the entire crew of "Mother" became the talk of the town.

The media from both countries were always on the front line in Cannes, reporting breaking news back home. The reports and photos made the people of both countries so excited that they couldn't sleep at night.

Kim So-min's first appearance on the Cannes red carpet not only set a new record for the lowest age of actors in Cannes, but also grabbed headlines on social media in both the peninsula and the island country.

Everyone in the crew was nervous.

Only Kim So-min, because of her ignorance, is fearless. She travels happily every day and takes beautiful photos in a skirt. She can also learn French according to the surrounding environment and brush up her French skill level.

They stayed in France for more than ten days until the last day of the film festival, when the cinema held the premiere of "Mother".

At the premiere, Kim So-min sat in the well-deserved C position because of her small age and stature.

The people sitting around her are all well-known figures in the film and film critic circles of various countries.

After everyone was seated, the lights in the theater went out and the movie began.

Shunji Iwai's film-making style is mainly fresh and rich and delicate emotions. In the movie "Mother", he fully demonstrated his talents.

The film begins mainly from Nao's perspective. As a teacher, Nao meets a strange little girl student named Reinan.

The girl was wearing the most ordinary Japanese school uniform, with her hair loose. She looked lively and cute like an angel, but she was an extremely strange "angel".

Nao didn't like her at first. She didn't like her "crazy" childish talk, and she didn't like it even more when Liannan said she was losing her hair and gave her a woolen hat to cover her hair.

Half of the plot of this film belongs to Liannan. The combination of Kim So-min's face and perfect acting skills can soften the audience's hearts as soon as she appears on the big screen - no matter how mean a person is, he would not have the heart to say harsh words to such a beautiful child.

The camera captured Kim So Min's greatest characteristics, bringing out his innocence and fragility to the fullest through the big screen.

Shunji Iwai's films have a very good sense of rhythm. The relationships between several pairs of mothers and daughters in the main plot of the film and the depiction of life details are all very good, and the plot is well-organized.

The gloomy and soothing images are full of Japanese aesthetics, and combined with delicate lens language, they gradually reveal a moving story world to the audience.

After spending some time together, Nao discovered the reason why Reinan was weird.

Liannan is a poor child. She often says "strange" words because she often has hallucinations due to malnutrition, and the wounds on her body are caused by domestic violence from her biological mother and stepfather.

Liannan was beaten by her mother because her biological mother's remarriage partner put lipstick on her.

The little child was put into a garbage bag and thrown near the trash can like garbage, and was picked up by Nao and taken home.

Liannan held back tears and asked Nao with the newspaper she had kept for a long time, "Liannan wants to go to an orphanage. Can an orphanage take in a seven-year-old child?"

The audience in the venue had tears in their eyes, and soft sobbing sounds were heard from time to time in the audience.

This is just the beginning of the story. There is more than just pity in Liannan’s life. She is also a super kind and optimistic child.

She chased the migratory birds in the sky, calling their names, hoping that they would take her away with them.

Nao was moved by her. Liannan made her feel maternal love and she wanted to be Liannan's mother.

So, Nao gave Reinan a new name, and the journey of "abducting" her began.

Lian Nan recovered quickly from the injuries she suffered under Nao's gentle care.

She opened her innocent eyes, smiled sweetly at the camera, and spoke of her happy things in her childish voice.

At this moment, the audience seemed to have transformed into Nao and felt happy. No one could refuse such a lively and lovely daughter.

She said in a baby voice: When you are unhappy, think about the things you like.

The back seat of the bicycle, the long ramp, Xiaoling eating melon seeds, the clouds in the night sky;

There is also cream soda, which is ice cream and can be drunk;

Liannan likes aqua blue;

She also liked the way her mother hung out the clothes to dry;

Finally, with bright eyes, she said loudly and proudly: "Lian Nan really likes Nao to be her mother."

"oh my god!"

The audience choked up collectively: How can there be such a cute child——!

How could her mother have the heart to hurt such a daughter!

The audience's emotions cannot affect the development of the plot.

While interacting with Reinan, Nao also healed the scars in her heart.

Unfortunately, migratory birds flying south are always forced to separate.

The story takes a sharp turn when Reinan’s biological mother sues Nao for abduction.

Nao was captured in the pouring rain, and Renan lost her mother again.

While in prison, Nao is still concerned about whether Renan is doing well.

Lian Nan didn't know Nao's situation. She held the phone and cried to Nao, "I miss my mother so much."

"Mom, please kidnap me again."

This sentence is tear-jerking, and the tears shed by the mother and daughter in the movie completely opened the audience's tear glands.

The crying sounds in the cinema became louder.

Pei Xin burst into tears, and Arthur started crying too.

The lady sitting next to them had a bob haircut and was wearing sunglasses so her expression couldn't be seen clearly, but her eyes were red under the lenses.

The film ends with a sad ending.

Lian Nan’s story has ended, but the story of the little actor who played Lian Nan has not ended.

This heartwarming, healing family film stands out among the special effects, violence and horror films with its fresh and delicate style.

In particular, Kim So-min, who performed extremely well in the drama, successfully captured the hearts of all the audience and became everyone's "daughter".

After the premiere, "Mother" became famous.