Korean Entertainment: Perfect Cheating Life

Luo Zaimin was sure that this time, he played this piece of music with the most concentration and care.

Unfortunately, despite his efforts, Kim So-min thought his skills were still crude and immature.

She would not be complacent because of her excellence, nor would she belittle others because of her excellence. She would just responsibly correct his mistakes, adjust his posture, and make his playing style more standard.

"Did you play this piece during the previous assessment?"

Kim So-min remembered that a child had played this piece of music during the monthly assessment, but she forgot whether that child was Luo Jae-min.

After all, normally she wouldn't remember the face of a passerby.

"Yes, it's me."

Luo Zaimin admitted it generously.

Now she was surprised: "It's been so long, you're still playing it, do you like this song very much?"

As soon as she said this, she suddenly remembered that Luo Zaimin had just said that he only knew this one song, so she quickly changed her words: "The song you chose is indeed beautiful."

"I like it, but I don't particularly like it..."

Luo Zaimin has played this piece for so many years that it is really difficult to describe his feelings about this piano piece.

He was more curious about Kim So-min's preferences: "Does Nuna have any favorite songs?"

"Of course." Kim So-min answered without hesitation, "My favorite now is "The Street Where the Wind Lives."

Speaking of this song, she immediately became interested, her fingers gently rested on the keys, and played this moving song smoothly.

"The Street Where the Wind Lives" tells a love story that ended before it even began. The lovers in the song deeply miss each other in the remaining days, but can no longer get a response from each other.

The reason why Kim So-min likes this song is that teacher Yu Yongzhen once said that her singing and songwriting lacked some emotion, so she began to like listening to music with rich emotions, and this song happened to convey this emotion perfectly.

After she finished playing the piece, she said a little disappointedly: "This piece was originally a duet of the erhu and piano. The sound of the erhu is more distinctive. If it is changed to a piano solo, it will lose some of its original soul."

They were getting a little close, and Luo Zaimin's wildly beating heart and the blush spreading to his ears were more obvious at this moment.

He finally tried in a low voice: "Can Nuna teach me? We can play this piece together."

The piano piece "The Street Where the Wind Lives" is often played by a man and a woman together, that is, by couples.

After all, four-hand piano playing often creates an ambiguous atmosphere.

Beautiful, wealthy and powerful girls never lack flatterers, let alone a public favorite like Kim So Min.

She looked at Luo Zaimin nonchalantly, her long eyelashes drooping and then rising, her clear eyes cold as ice, as if she was examining something.

Luo Zaimin even stopped breathing involuntarily.

She stared at him quietly for a moment, then said calmly, "Okay."

---

There is a clear division of labor in four-hand piano playing: the leading soloist and the collaborative secondary player.

The main performer is undoubtedly Kim So-min on the right. She starts by pressing the keys and controls the main melody with ease.

Luo Zaimin stared at the music score and pressed the piano keys following Kim So-min's rhythm.

As the assistant performer, all Luo Zaimin could do was to follow Kim So-min's instructions and cooperate with her to the best of his ability.

The tacit understanding between performers is the key to a successful performance, but during the performance, there will inevitably be moments when the hands or arms of the two people collide.

Their hands moved closer and farther away following the melody, over and over again.

Although this was not Luo Zaimin's original intention, it subtly catered to the little joy in his heart.

The sounds of the music produced by the two are also very different, and can reflect the personality of the performer.

The left position is responsible for assistance, and the right position is responsible for leadership;

The timbre of the left position is deep and steady, while the timbre of the right position is unrestrained and bright.

Kim So-min led him in playing as a guide whose skills far surpassed his own. Logically, they should have been able to play beautiful music.

——Kim So-min’s idea was very beautiful, but unfortunately, the result of their first collaboration was a mess.

There was so little tacit understanding between the two of them that they stepped on each other's feet several times when pedaling.

There were countless mistakes, big and small, in the performance.

Jin Zhaomin listened to the messy music they played and was amused by the weird tune: "What is this——"

There was a hint of helplessness inadvertently in the tail end of her voice. When she turned around, she saw Luo Zaimin was actually smiling sweetly.

This made her very unhappy.

She frowned and got angry: "What are you laughing at?"

He was laughing at himself for finding the opportunity.

Luo Zaimin was one step closer to the person he longed for.

For perfectionist Kim So-min, everything must be done to the best of his ability, which is great for him.

The young man smiled and said, "We have to work hard to improve our tacit understanding in the future, Nuna."