She dominates the entertainment industry with her disaster system

The news that Su Lingxi brought back was like a powerful stimulant, and the main creators of the crew couldn't help but become excited.

——Even if it’s still uncertain who will win the final trophy, at least their chances of winning the prize have increased, right?

The attitude of jury members towards different crews is often a weather vane in the eyes of reporters, and the gossip in film festivals is never a secret.

Within half a day, the news that the Chinese film "The Rose Thorn" might have a chance to win the Silver Bear Award spread like wildfire and spread throughout the small circle of German film critics.

This also led to the press conference and premiere of "The Rose Thorn" held in the next two days being very lively. Many reporters, media and film critics came to find out what magic this Chinese-language film has that could win the favor of this year's jury.

"A Chinese girl who is not even 21 years old, God! She really doesn't look like the type of person who can play the role of a socialite." British film critic Peter Bradshaw looked up and down at the girl in a white dress on the stage and commented scathingly: "She is too thin, not plump enough, and her fake smile is particularly annoying."

The tall and thin man sitting next to him pushed up his glasses and said, "But Director Fujita seems to be very supportive of this movie."

"Of course, because he is an Asian director, and Asians have a unique sense of solidarity, and it has always been like this." Pitt shrugged disapprovingly and sat casually.

The tall, thin man shook his head. "You are not fair to Director Fujita."

"Hey, Wolkoff, I'm just telling you the truth, can't you accept it?" Pete muttered in dissatisfaction.

The tall and thin man, Volkov Faspenser, frowned slightly and reminded, "Faspenser."

He was not used to being addressed by his first name in such situations.

Pete pursed his lips, but before he could say anything, the light music from the movie opening began to play.

Lin Hua watched with interest the bright colors on the screen: bright yellow, dark green, indigo... every stroke was applied just right, bringing people's thoughts back to the port city of the last century.

With an inexplicable expectation in her heart, she sat up straighter without realizing it, and browsed the opening empty shots full of beautiful imagery in a more serious manner.

"Master Li, do you want to see your aunt?"

"It's nothing important. I just accompanied her to Repulse Bay to play in the water."

This is another frame of multi-layered composition.

In the movie, there is a beautiful but slightly worldly-wise girl, the shadowed foyer behind her, and a corner of the garden bathed in sunlight on the far left of the camera - the whole picture is composed of at least three layers, each with its own story, and the light is blended just right, as if even the light is deliberately favoring this beautiful girl.

It is obvious that Tang Wanhua's mastery of lighting techniques has improved a lot compared to the previous two years.

Lin Hua watched the movie frame by frame without blinking, thinking silently in his heart.

I just don’t know if Su Lingxi’s acting skills will have a breakthrough in this film.

Just as this thought flashed through Lin Hua's mind, the camera raised up and made a circle, quickly zooming in on the wide horse farm, and finally freezing at a medium shot distance on the profiles of two ladies, one in front and one behind, with similar expressions.

At first glance, their expressions are very similar, but a careful glance will reveal the difference: the former has an upright posture, her riding posture is skillful and neat, and the bright rays of light fall mostly on her; the latter is more beautiful, but her temperament is much more timid, and her whole body is always shrouded in the shadow of the former. You can tell at a glance that she is a little girl who cannot move freely.

At this moment, the camera gave a close-up of Ge Cailing's eyes - the timidity and caution of living under someone else's roof were perfectly displayed in it, and the audience could naturally feel her sense of embarrassment from the inside out.

Wolkov Fasspenser looked down at his watch: only ten minutes had passed since the main film began, the plot was not obvious, and there were only three main characters, but he did not feel bored.

Because the heroine's performance is very tense.

This tension does not only exist when she is acting opposite other people. Even when there is only her in the shot, it is difficult for him to divert his attention - in fact, every detail of her eyes, eyebrows and even tiny body movements is very "dramatic".

As soon as she appears, the audience can't help but speculate on her current mood and state, and interpret various information through observation.

"Her performance is very convincing, isn't it?" Pitt noticed the change in his sitting posture and joked, "It only takes a few shots to convince the audience of her identity, and the sense of immersion in the movie has been significantly improved."

Being able to convince the audience to believe in a role requires a certain level of acting depth. If the acting is too thin, the audience will feel less and less immersed in the play, and the viewing experience will be very poor.

Faspenser nodded in agreement, his eyes still fixed on the screen.

Before coming to the premiere, he deliberately read the German translation of "The Thorn of the Rose" to understand the basic plot.

Admittedly, he was very curious about how the director could capture the playful and complex descriptions in the book using film language.

If it is too straightforward, it will lose the charm of traditional Chinese implicit beauty; if it is too pretentious, it will probably be accused of "showing off" in the eyes of insiders.

After ten minutes, the plot of the movie begins to speed up: Ge Cailing's life in Sir Chen's house gradually changes from being dependent on others. Mrs. Chen uses one dance after another and one gorgeous dress after another to seduce her heart... The camera moves up, accompanied by fast and intense tap dance music, and the champagne-colored pleated silk skirt spins rapidly, almost shaking the skirt into a flower that is about to fly...

The girl on the dance floor seemed to be enjoying the moment of being the focus of the crowd. She had black hair, fair skin, slightly raised red lips, fluttering dance skirt, and her eyes were full of charm.

She doesn't look like a female student who accidentally strayed into a den of ecstasy, but rather a veteran who has stood firm in the world of romance!

Obviously, Ge Cailing's excellent performance in this scene shook Peter Bradshaw's initial thoughts: "Is this really performed by the woman standing on the stage just now? God, this is simply unreasonable - I mean, how could she suddenly become so charming?"