She dominates the entertainment industry with her disaster system

Xie Jiali, who was also sitting in the theater, had exactly the same idea as her at the moment.

From the beginning to the end of filming, the movie "Reversed Judgement" has been promoted as a crime film. Xie Jiali was not interested in this type of subject matter at first, but when she thought of Su Lingxi as the protagonist, she couldn't help but become curious - with Nicole's looks and temperament, can she really play a criminal murderer? What would it be like if she played the role?

Driven by curiosity, she bought a ticket for the premiere and flew to Cannes alone, wanting to be the first to witness this genre film that was different from all of Su Lingxi's previous works.

Thinking of this, Xie Jiali lowered her head and looked at the watch: ten minutes had passed. The tone of the film was cold and dark, but the rhythm was still very slow. The bloody and gorgeous scenes she imagined did not appear.

Although she could not hide her disappointment, she still looked focused - no matter how the plot goes, at least Nicole's screen image, which is completely different from her previous ones, is very attractive to her - a young and gentle young woman, a very rare role setting among the new generation of young actresses.

Xie Jiali thought that among the younger generation, she had never seen an actor who liked to challenge difficult roles more than Su Lingxi.

Perhaps it is precisely because she loves challenges that she can continuously produce new works and radiate fascinating new charm.

Soon, the family gathering ended, and the loving couple said goodbye hand in hand, and also helped to send Erika Uezono back home.

After a few brief shots of the interior of the car, time came to the next day.

As usual, Erika arrived at the patchwork class run by Ayane on time. At first sight, she noticed Ayane at the door of the classroom and the suitcase next to her.

"You're here." Ayane saw her and smiled slightly, her eyes soft and deep, like a quiet spring, "I want to give it to you for safekeeping temporarily."

Following her line of sight, Erika saw the key in her hand. Some emotion flashed across her eyes, and she asked nervously, "What is this..."

"It's the key to my house." Ayane's attitude remained gentle. "I mentioned to you yesterday that I need to go home and I don't know when I'll be back. After thinking it over, I think it would be more reassuring to give it to you for safekeeping for the time being."

Perhaps because she felt guilty, Erika's tone seemed a little vague when she answered: "Ah, is that so..."

"In that case, I'll keep it for you."

"Thank you." Ayane held her hand, put the key in her palm, and gently closed each of her fingers, "Goodbye."

Ayane was wearing a very elegant white suit. Even with a suitcase in her hand, she still looked graceful and calm. The ends of her hair were lifted up slightly by the wind, leaving a perfect arc in the air, as if she was a butterfly that could fly away with the wind.

Erika looked at her back and couldn't help moving her lips, as if she wanted to say something, but in the end she said nothing.

She just stood expressionlessly in the shadow where the sun couldn't shine, watching the figure leave in silence until it gradually went away.

As light and shadow interweave, the expression on the girl's face appears gloomy and strange at a certain moment.

Su Lingxi heard someone behind her whispering with her companions about this scene. Their voices were very low and they were speaking Italian, so Su Lingxi could not hear clearly.

But she could make a rough guess.

Under the deliberate guidance of the director's camera, some people in the audience have begun to suspect Erika Uezono, who plays the role of an extramarital lover in this "immoral love triangle" - her identity is not recognized, so she turns from love to hate, which seems to fully satisfy the motive of a crime of passion.

As the plot develops, this conjecture becomes more and more credible.

Ayane was not at home, and Erika acted as if she was the hostess of the house. Not only did she stay the night openly, but she also planned with Yoshitaka how to formally confront her teacher.

Xie Jiali felt a little nauseous when she saw the flirtatious and intimate posture of a man and a woman on the screen - she always hated this kind of betrayal of the family.

But soon, the color tone turned from bright to dark, the door of the living room was gently pushed open by a woman, and the camera zoomed in on a pool of black liquid - Xie Jiali's nerves suddenly tensed up.

As if deliberately trying to pique the audience's curiosity, the camera slowly panned upwards, slowly passing over the coffee cup that rolled on the floor, and finally stopped on the familiar, bluish-white face.

Yoshitaka Morikawa is dead.

Because of a cup of coffee.

Although it seems that the only possible case is suicide, the police officer Kishitani always cares about it for some reason and even feels uneasy about it.

So, Kishitani teamed up with Takahashi Toh, known as the "Tokyo Detective", to find out the real truth behind the case. After a series of interrogations and searches, the two accidentally learned about Morikawa Yoshitaka's extramarital affair and the vague relationship between Yoshitaka's ex-wife Junko and Ayane.

Suddenly, all the evidence pointed to Ayane, who had a strong and mysterious motive for committing the crime.

However, what troubled Kishitani was that on the day of the incident, Ayane was in Hokkaido with her good friend Yuan Gang, and had sufficient alibi. Even if they suspected her, there was no reason to list her as a suspect.

At Takahashi Haruka's insistence, the two decided to go to Ayane's private residence in person and test her in an unconventional way.

"We have found out where the murderer poisoned the water - various scientific analyses have proved that the murderer must have poisoned the inside of the water purifier." Looking at Ayane who was wearing daily home clothes, Kishitani lowered his eyes and was silent for a moment, then said bitterly.

"So that's how it is." Ayane's voice was still gentle, her expression leisurely and calm.

Takahashi Yuan was always watching her every micro-expression, but he couldn't catch any mistakes.

"So, have you found any evidence that can prove that the murderer poisoned the water purifier?" The smile on the woman's lips was as gentle as before, but her temperament completely changed with this rhetorical question - Gao Qiaoyuan was sure that he saw a flash of mockery in the woman's eyes.

It was obvious that she was not at all afraid of their arrival.

Gao Qiaoyuan instinctively clenched her fists, her nose twitching rapidly - what was the reason for her to be so fearless? They had already detected the arsenic that the murderer had put in the water purifier a year ago, and now they just needed to prove that the arsenic that was put in during this year had not been washed away by water.

Once they proved that the poison was still potent on the day of the murder, they could issue a warrant for her arrest on the spot.

So, what is her unscrupulous reliance?

Did she feel that all the evidence had been destroyed and that she had achieved a true "perfect crime"?

The detective's expression changed several times, but the audience's attention was completely attracted to the woman opposite him - the beautiful, gentle and generous "good wife and mother" at the beginning of the film, at this moment gave the audience a gloomy and distorted feeling - she was still smiling, but that smile was full of pure malice and a little bit of condescension.

It's like telling everyone through the camera -

Hey, did you see that?

This is a survival game dominated by me.