Turnaround Life: The Rebirth Elegy of the Wealthy Wife

Spring mountain seclusion, long-lasting friendship

Outside the bustle and bustle of Tokyo, there is an antique teahouse, quietly lying in the river of time, as if isolated from the world. Here, a dialogue across time and space is about to take place, revealing a dusty historical secret.

The night is as dark as ink, and the moonlight is as light as water, gently sprinkled on the roof of the teahouse, covering this ancient building with a layer of mysterious silver gauze. Inside the teahouse, the charcoal fire is slightly jumping, making crackling sounds, which forms a sharp contrast with the tranquility outside. The fragrance of tea rises and permeates the entire space, as if it can cleanse people's minds of distracting thoughts.

Tang Wenwan sat at one side of the tea room, her face dignified and elegant, her eyes sparkling with wisdom. Her heart was full of doubts, but more of curiosity about the unknown. She picked up the teacup and took a sip gently. The fragrance of the tea seemed to instantly penetrate her taste buds and reach the depths of her soul.

Opposite her sat a man in traditional kimono, with a gaunt face and deep eyes, as if hiding endless stories. He was Fujiwara Ichiro, who claimed to be a descendant of the Fujiwara family, the real author of "Spring Mountain Hermitage". To him, this painting was not only a work of art, but also a secret passed down from generation to generation in the family.

"Ms. Tang, thank you for meeting me." Fujiwara Ichiro's voice was deep and magnetic, and every word seemed to contain a great force. He opened his mouth slowly, slowly unfolding a piece of dusty history.

Tang Wenwan remained calm, but her heart was in turmoil. She knew that "Spring Mountain Recluse" was not only a symbol of Sino-Japanese friendship, but also carried a profound historical significance. Now, the appearance of this mysterious figure has undoubtedly added a bit of mystery to this period of history.

"Mr. Fujiwara, you said that this painting is the family's secret treasure. Can you explain it in more detail?" There was a barely perceptible tremor in Tang Wenwan's voice as she tried to get more information from Fujiwara Ichiro.

Fujiwara Ichiro nodded slightly, took out a yellowed ancient book from his bosom, and gently placed it on the coffee table. The cover of the ancient book was already mottled, but the handwriting on it was still clearly legible. He gently opened the ancient book, pointed to the words on it and said: "This is the genealogy of our Fujiwara family, and a detailed record of "Spring Mountain Hermitage". There is an ancient secret hidden in the painting, an oath about treasure and peace. In order to protect this secret, my ancestors did not hesitate to incorporate it into the painting, hoping that one day, it can be solved by someone with a destiny."

Tang Wenwan took the ancient book and opened it carefully. It was written in ancient Chinese characters and kana, recording the history and secrets of the Fujiwara family. She read it carefully, and gradually became clear in her mind, but at the same time she felt unprecedented confusion. If this secret is really as Fujiwara Ichiro said, then it will have a huge impact on the existing historical cognition.

Seeing Tang Wenwan's doubts, Fujiwara Ichiro continued, "Ms. Tang, I understand your concerns. But please believe that this secret is not intended to undermine the relationship between the two countries, but to allow us to have a deeper understanding of each other's culture and history. The secret hidden in the painting by my ancestors is actually a fable about peace and cooperation. It tells us that only by mutual understanding and respect can we create a future together."

Tang Wenwan was moved when she heard this. She realized that perhaps the revelation of this secret was not entirely a bad thing. It could become a new opportunity for the people of the two countries to find more resonance and connection points in the process of jointly exploring history. So she decided to cooperate with Fujiwara Ichiro to jointly uncover the secret behind "Spring Mountain Hermitage".

The two began to study ancient books and paintings in depth, looking for clues. The painting "Spring Mountain Hermitage" seemed like an endless maze, with deep meaning hidden in every detail. They carefully savored the mountains, rivers, people, and plants in the painting, trying to find the secret cleverly hidden by their ancestors.

As time went by, they gradually discovered that the landscape in the painting was not randomly painted, but arranged according to an ancient layout. The undulating mountains and the gurgling water seemed to form a huge symbol. The characters in the painting were wearing ancient costumes, standing or sitting, playing the zither or drinking tea, and their expressions and movements revealed an indescribable harmony and tranquility.

Fujiwara Ichiro pointed to a detail in the painting and said, "Ms. Tang, look here. The fan in this person's hand has a cherry blossom painted on it. On the other side, the person playing the zither has a crane with its wings spread out, ready to fly. Cherry blossoms and cranes are the symbols of Japan and China, respectively. In this way, my ancestors skillfully integrated the cultures of the two countries."

Tang Wenwan suddenly understood what was going on. She carefully examined the details in the painting and indeed found many similar symbols and metaphors. She couldn't help but exclaimed: "It's amazing! This painting is not only a work of art, but also a cultural bridge that closely connects China and Japan."

During the research, they also found some clues about the treasure. It turned out that the ancestors of the Fujiwara family hid a secret about the treasure in the painting. This treasure was not gold or silver, but an ancient book that recorded the history of friendly exchanges between China and Japan. This ancient book not only recorded the trade and cultural exchanges between the two countries, but also recorded many little-known historical events and stories of people.

In order to find this ancient book, Tang Wenwan and Fujiwara Ichiro began to travel between China and Japan. They visited historians, artists...