King of Special Effects

Yi Yang felt a little relieved to be able to touch the emotions of the audience. At this moment, he felt that as long as there were only a few audiences who recognized the hard work of the crew, the box office of the movie was not that important.

The plot continued, with many Jiang Xin's action scenes mixed in. These actions were basically set by Huang Yang and others according to the environment of the scene. Now it seems that their amateur martial arts instructors are no worse than professional ones.

The scene of the Han army attacking the city made many viewers dumbfounded. Although they didn't know what the battle was like in history, after Yi Yang's film modification, this tactical attack became a visual enjoyment.

While paying attention to the scene effect, the crew also started from the practical tactics as much as possible, and there is no lack of common sense and reasonableness amidst the shock.

The completion of the siege campaign is the scene of crossing the Tianshan Mountains.

After this battle, the Che division surrendered again, and several generals of the Han army continued to rescue Shule City north of the Tianshan Mountains. The two thousand soldiers given to him began to cross the snow-covered Tianshan Mountains to Shule City.

This scene can be said to push Jiang Xin's acting skills to a small climax in the whole film. Yi Yang really didn't realize that his acting skills could reach this level during filming.

Although the scene of crossing the Tianshan Mountains was completed in the studio, Yi Yang, who was in charge of the post-processing, climbed from Tianshan Mountains for the special effects production. The photos and videos of the real scenes of Tianshan Mountains were full of a 16G USB flash drive. .

Coupled with the perfect special effects of Book of Changes, this scene of two thousand people crossing the Tianshan Mountain has no flaws at all.

Even the march of 2,000 people has close-up shots, and everyone is vivid, no matter in expression or movement, they are no different from real people, and they can stand the consideration of the audience.

From the audience's point of view, these shots were all shot by real people, but those who participated in the shooting of these scenes knew that there were only a few dozen people in the group performances in the studio that day. Not more than a hundred.

This is the reason why Yang Hong of Hornets Studio made Yi Yang's special effects so convincing. He participated in the editing of the original material of the whole movie, and he knows exactly what all the original shots of this movie look like.

The movie has been played for nearly a hundred minutes. At this time, the defenders of Shule City and the reinforcements who came to save them converged.

At this moment, the remaining number of defenders is only 26 people, but the 2,000 reinforcements led by Fan Qiang arrived at Shule City to attack the Xiongnu army.

In this scene, Duan Yihong took the most shots. He is a veteran of the show, so there is no need to talk about the performance of various emotions.

The same is true for some other actors under Yi Yang's guidance and a little processing in the later stage.

attack!

Geng Gong, in ragged clothes, roared at the Xiongnu camp with a Han knife that had several gaps in his hand.

Being under siege for such a long time, eating all the food and poverty, but cooking armor and crossbows, eating their tendons and leather, every defender is full of this depression. Now that the reinforcements have arrived, the sense of joy is beyond human comprehension.

In the plot, among the 2,000 soldiers played by Jiang Xin, there are only a few hundred cavalry. Facing the large group of Hun cavalry, they all press down without hesitation.

The twenty-six defenders in the city rushed out under the leadership of Geng Gong and joined the Han army team who came to rescue.

After getting the horses, the twenty-six people showed the courage to attack that had been suppressed for a long time, and followed Jiang Xin to attack and kill the countless Xiongnu cavalry.

Coupled with the cooperation of more than a thousand infantry attacking methods, the besieging Xiongnu army was smashed into pieces.

A long shot at this time is a shot of Jiang Xin running from a distance, and then using a horseback assassination technique to kill a landing Hun general.

This shot did not use a stand-in, it was also shot on real location, that is to say, for this shot, Jiang Xin fell off the horse and got eleven stitches on his arm.

The thread on Jiang Xin's arm had not been removed when the last shot was taken.

Yi Yang could tell from the reaction of the little girl next to him that this shot was shot successfully.

As the plot progresses, after defeating the Xiongnu army, Geng Gong took the remaining 26 people and returned home with the reinforcements.

But on the way back, it is also dangerous. There are dangerous roads in the Tianshan Mountains ravaged by heavy snow, and the Huns chasing soldiers full of hatred.

Everyone stood and retreated all the way, and when they got under the Yumen Gate, there were only thirteen people in ragged clothes left in the Shule City defenders.

When the majestic Yumen Pass appeared in front of his eyes, the thirteen soldiers who had been expressionless for a long time finally showed the long-lost joy, and then wept.

The scenes of this scene are mainly shown on Duan Yihong, first happy and then crying, and then a very complicated emotional expression, neither joy nor sorrow, the specific mood of Geng Gong at that time can only be left to the audience. To guess.

The movie is coming to an end here, and Zheng Zhong, the guard of Yumen Pass, personally bathes and changes clothes for them. After the end, they head east and return to Luoyang, the capital, under the watchful eyes of thousands of Han soldiers at Yumen Pass.

At the end of the movie, one of the emperor's guards in the Luoyang Palace read out Zhonglang General Zheng Zhong's petition for Geng Gong's thirteen people.

Gong defended the lonely city with a single soldier. When the Xiongnu had tens of thousands of people, they were exhausted for months and years. They dug mountains for wells and boiled crossbows for food. They died from ten thousand deaths and had no hope of life. Hundreds of ugly captives were killed and wounded. With thousands of plans, the soldiers are all loyal and brave, and they are not ashamed of the great man. The integrity and righteousness of respect have never been seen in ancient and modern times. It is appropriate to show your honor and be a strong general.

Amidst the sound, the camera zoomed up to reveal the whole picture of Luoyang, the capital of the Han Dynasty. The prelude to Jiangshan Fengyue sounded, and the movie ended.

The whole movie, while presenting visual effects that shocked the audience, also showed a strong sense of responsibility for the family and country of a general of the Han Dynasty.

The words don't be ashamed of the big man are the central idea of ​​the whole film, and the sturdy folk customs of the Han Dynasty are also shown through the war scenes.

Zi Heights shows the cruelty of war in the era of hot weapons, while Titan shows the cruelty of war in the era of cold weapons.

For example, in the movie, the defenders led by Geng Gong put poison on the arrows, so that the wounds of the Hun soldiers injured by the arrows rotted and could not be recovered. The screams in the Hun barracks all night are the best interpretation of the cruelty of war. .

In another scene, Geng Gong killed the Hun envoys on the top of the city wall in front of tens of thousands of Hun troops and roasted their flesh with fire.

This paragraph was written by Ling Lan with a big bracket to enclose the content of the text.

Because she herself didn't know whether this passage was written to help or harm the protagonist, but in the end, after repeated discussions between Yi Yang and Jiang Zhihe, she decided to use this part of the plot.

Looking at it now, there is nothing wrong with it.

In that case, not only is there nothing wrong with this shot, but it can add a bit of passion to the protagonist.