My Magic Age

The Royal School of Magic's Inscription Society has always been known as the "cradle of talented inscription masters" by the magic world. Since the establishment of the Royal School of Magic, many excellent inscription masters have come out of the school.

Although the Royal School of Magic's Inscription Society is a well-known old club, I was still surprised that the Inscription Society was able to get a place at this winter inscription exhibition. I looked at it with a new eye.

I even thought that I had underestimated the members of the Inscription Society before.

Speaking of which, my feud with Senior Ivan, the vice president of the Inscription Society, can be traced back to the beginning of last semester.

At that time, Yekis scholars were looking for magic assistants who were good at inscription.

Someone recommended Ivan to Yekis scholars. The recommender also valued Ivan's solid basic skills in inscription, but my appearance shattered Senior Ivan's wish to be an assistant at the Imperial Capital Magic Academy.

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I became a magic assistant to the Yekis scholar, and was therefore excluded by the Inscription Society of the Royal School of Magic.

Later, I joined Lucia's "Sword and Rose Club", which is the largest club in the Royal School of Magic.

Unfortunately, the Sword and Rose Club was automatically disbanded at the beginning of the school year because of the departure of the core figure Lucia.

Originally, Lucia wanted me to be the president of the "Sword and Rose Club". When the club was disbanded, Noah and I were trapped in the Vashki plane and could not get back to the academy in time. When we came back, the "Sword and Rose Club" had already ceased to exist.

I didn't expect Nick and Brunanlun to know Ivan. I was a little surprised to see Nick at the inscription exhibition.

Actually, I can understand Nick's mood when he left the Rune Plate Workshop. At that time, Mithril returned to the magic market, which meant that the Mithril Rune Plate had no market prospects. There was nothing wrong with him choosing a new way out. I just felt that out of courtesy, he should at least say hello to me before leaving, and he shouldn't take all the technicians in the workshop with him.

Standing under a street lamp at the entrance of Hall 38, I looked up curiously at this Atlantis-style lamp post. The top of the lamp post had an umbrella-shaped awning, and the wick made of moonstone powder emitted a cold white light, which was obviously much brighter than the light emitted by the lamp posts on the street. At first, I thought it was because the silver foil inside the lampshade reflected the light. Later, I found that the layer of the lampshade inside was not silver foil, but a layer of Mithril, which seemed not to be completely Mithril.

Facing the light, I saw very light magic lines on the mithril coating. I carefully distinguished whether the magic pattern array engraved on the inside of the lampshade was "twilight illumination" or "light control".

At this time, I heard Nick instructing the painters in the exhibition hall to be careful when painting the walls and not to dirty the marble floor, otherwise the floor cleaning work would be the responsibility of these painters.

My eyes fell on Nick, and he subconsciously turned his head to look at the door and happened to see me standing under the lamppost.

The moment he saw me, his face flushed slightly, and he immediately avoided my eyes and looked away, as if he was a little guilty and didn't dare to look at me.

The scene was a little awkward, so I didn't stay at the door of Hall 38 any longer, and walked towards the next exhibition hall, but I was just thinking about the umbrella cover with the magic pattern array: Is this a "street lamp with energy saving as the theme"?

As moonstone mines become less and less, wicks made of moonstone powder mixed with magic crystal fragments have become the mainstream trend of street lamps in recent years. However, street lamps with moonstone wicks are difficult to match with inscription literature. It is estimated that only the magic pattern array on the lampshade was thought up by the students of the Inscription Literature Society.

At this time, Alia's figure appeared at the end of the corridor. She was wearing a moon-white mermaid-patterned long skirt that outlined her plump and graceful curves. It was hard to imagine how her slender waist supported her proud upper body. The 'V'-shaped neckline exposed a large area of ​​white skin on her chest. Her golden long hair was piled high, revealing her swan-like elegant snow-white neck. The cold and arrogant aristocratic temperament on her showed a dignified and beautiful style.

She stood in the corridor with her hands on her chest, waving at me from a distance, looking at me with a smile.

I ran over quickly, panting slightly, and asked her, "What can I do for you, beautiful lady?"

Alia smiled and said to me, "It's very impolite to stand outside other exhibition halls at this time. People will mistakenly think that you are secretly imitating their ideas!"

"Will they mistakenly think that I am secretly learning their ideas for decorating the exhibition hall?" I said in surprise.

Alia nodded slightly and said to me with a smile, "Of course, we are competitors after all!"

In front of outsiders, Alia and I will deliberately keep some distance. But Alia always remembers to tease me with her charming eyes, and I can only pretend not to see it and not respond.

The original things in the exhibition hall are being dismantled one by one. Betty directed a group of waiters to move all the chairs in the exhibition hall to the warehouse. The hall has become much more spacious. The original way of the inscription master standing on the podium to explain the design to everyone has been changed by Alia into a platform for free communication. Everyone stood in the exhibition hall, admiring the design of the Yerkes scholars while communicating freely.

The waiters brought in some very stylish mahogany furniture. The shiny patina on the furniture made them look very old. Twenty-two table lamps were placed on the furniture. Some of the furniture was arranged like a certain part of the castle. In a corner of the gorgeous room, several painters were painting floor-to-ceiling glass windows on the wall. Through the glass windows, one could see the beautiful night view of the imperial capital.

The other wall has been painted with a layer of white paint, and six charcoal braziers are lit in the room. Even if you are wearing a single piece of clothing or shirtless, you will not feel cold. The main function of these braziers is to make those who are painted on the wall The fuel on the paint dried as quickly as possible, and several painters were preparing palettes. Aaliya took out the sketches one by one, and explained to the painters patiently, asking them to understand what she wanted to paint. What.

The artistic atmosphere in the Green Empire is far less intense than that of the Silver Moon Elf's Buenos City. Some nobles will only put on an exquisite dress when they are promoted to a noble title, and have a painter paint a portrait of them, which will be hung in the palace. on the corridor wall. They are more willing to buy oil paintings that have become works of art, rather than buying a worthless oil painting and waiting for them to increase in value. There are many ways to make your wallet bigger, and buying a painting is definitely not a good way.

Painters cherish this rare opportunity to make money and paint on walls and floors with enthusiasm.

The exhibition hall arranged by Alia is beginning to show results. Twenty-two copper table lamps are hidden in every corner of the No. 49 exhibition hall. It feels like hide and seek with the visitors. The artistic copper table lamps and simple The furniture and the castles in the paintings blend together, making people feel like they are in a huge palace.

Alia and I stayed up all night with these painters in the exhibition hall. Scholar Yerkes arrived in the morning. When the sky got slightly brighter, he got up from the bed and took a magic caravan to the headquarters of the Inscription Guild. Here, when he walked into Exhibition Hall No. 49, he looked at the layout inside the exhibition hall with a look of shock.

After everything was arranged, Aaliya stood in the exhibition hall and stretched herself. She ordered Betty to dismiss the painters and take the waiters in the manor to leave the headquarters building of the Inscription Union before dawn. I sent her to the magic caravan on the street. Go up and say to her: "Go back and have a good sleep."

Alia climbed into the magic caravan, opened the window and waved to me.

And I could only rub my sore eyes, yawn, and watch the magic caravan drifting away on the snowy street.

At this moment, the sun shines brightly from the snow-capped Mazzaro Mountains, making me squint my eyes.

Ying Li knew that I would be busy these two days for the Yerkes scholar's inscription display, so she lent me her magic caravan. The magic caravan had been parked on the street. Catalina carried a paper bag and walked through it. Arrogant Tower Square walked up to me, shook the paper bag in front of me, and said to me: "Let's get rid of these food first, and sleep in the magic caravan for a while before the inscription display begins."

…

The messy footsteps and voices outside the carriage woke me up from my sleep.

The leather boots made a unique "crunch" sound when stepping on the snow, and some people were talking about some of the outstanding inscription designs at the exhibition in the past two days.

The carriage was as warm as spring. I picked up the blanket that had fallen off the soft leather sofa and covered it with Katarina. She lay lazily on the sofa, opened her beautiful ruby-like eyes and glanced at me, stretched out her white arms to hook her. Holding my neck, I leaned over and pinched her white face, and said softly to her: "You can sleep for a while longer. I'll go see how Yerkes's preparations are going."

Catalina nodded slightly, and I leaned over and kissed her on her fair forehead. Then I put on my magic robe, opened the carriage door and jumped out of the magic caravan lightly.

The air outside is fresh and cold, and the cold north wind completely wakes me up. Feeling the strong water element in winter, I feel that I can do anything at this time.

The inscription exhibition officially started on the third day. The door of the inscription union headquarters was crowded with people. Some magicians and nobles poured into the exhibition hall from the door. I stood at the door and happened to see Nick standing on the steps at the door. It was as if he was coming up to get some air. His eyes were filled with red bloodshot eyes. He had not slept all night, which made him look unconceivably tired.

He didn't expect to see me at the door, and subconsciously gave me a slight salute. The words were stuck in his throat, as if someone had suddenly pinched his throat, and he held it back all of a sudden. I raised my head and looked at him With a slightly embarrassed face, he greeted him and asked him lightly: "How have you been lately?"

"Not bad!" Nick looked a little embarrassed.

"Do you know Ivan?" I stood side by side with him on the steps, looking at the free market under the Tower of Pride across the street.

He was slightly flustered, hesitated, and then said: "His Royal Highness Little Charlie opened a magic workshop in the imperial capital and asked me to be the manager. Magician Ivan and Magician Diego are both friends of His Highness Little Charlie. , His Highness Little Charlie heard that they were participating in the Winter Inscription Exhibition, so he called me over to help! "

His Royal Highness Little Charlie in Nick's mouth is not Prince Charlie, the first heir to the Green Empire, but the most beloved son of His Royal Highness Crown Prince Charles. He is called 'Little Charlie' by the nobles in the imperial capital. Unexpectedly, Nick would fall in love with this person. A member of the royal family.

At this time, a familiar figure squeezed out of the crowd in the Inscription Union headquarters building. Brennan walked out of the building and didn't notice me. He said loudly to Nick: "Nick, so you are here. There are still many things waiting for us to deal with in Charlie's workshop. We must go back now... eh!"

At this time, Brennan suddenly saw me and held back the words that were about to come out. He looked at me with vigilance and looked at Nick with an inquiring look, but didn't speak to me.

I felt that Brennan looked a little guilty standing in front of me. Since everyone was so uncomfortable standing together, I looked at him with a smile, passed by him directly, and walked into the exhibition hall of the Inscription Union headquarters building with the crowd.

When I passed the first floor hall, I saw the magic pattern structures displayed in the glass covers, surrounded by inscriptionists wearing magic robes. They almost put their faces on the glass covers, carefully observing the magic pattern arrays on each leather product of the "Demon Snake Fang". While watching, they discussed with each other. It seems that the enhanced version of the "Primary Agility Magic Pattern Structure" of the Yekis Scholar has brought a great impact to the inscriptionists.

I thought to myself: They just don't know the "reduced demand" companion magic pattern, otherwise the doubts in my heart will be solved.

Walking up the stairs to the second floor, I happened to see some noble lords gathered at the door of the 38th exhibition hall where the Inscription Society is located. At this time, I saw Ivan and Diego standing under the lamppost at the door of the exhibition hall, introducing the street lamp to several noble figures, so I also stopped outside and listened to them explain the design concept of this street lamp.

After listening to a few sentences, I gradually understood it. As Shirley Newman said, the design concept that Ivan and Diego gave to this street lamp is "energy saving".

The wick of this street lamp is made of moonstone powder, but the proportion of moonstone powder added is reduced, and the magic crystal fragments are increased, which greatly reduces the consumption of moonstone. The problem that follows is that the brightness of this street lamp is insufficient, so the magic students of Mingwen Society added the magic pattern array of "light control" on the umbrella-shaped lamp cap, and added a gem base on the top of the umbrella cap, on which a magic crystal fragment is placed. In this way, the brightness of the street lamp with "light control" is just better than that of the traditional moonstone wick street lamp.

The design of the magic students in Mingwen Society has reduced the consumption of moonstone in each street lamp, but the problem that follows is that the consumption of magic crystal fragments has increased. If you calculate it carefully, this street lamp has not saved anything.

So the noble lord who stood in front of Ivan and listened to Ivan's detailed explanation of the function of the street lamp finally said to Ivan: "If I plan to build a new town, I will definitely consider the street lamp you designed, but based on your explanation, I don't think it is necessary to replace the street lamps in the existing town..."