My singer girlfriend is super fierce.

At the ceremony, the atmosphere was already extremely warm because of Ye Zhiqiu's singing.

Netizens in the live broadcast room could only vent their uncontrollable excitement by constantly swiping the screen with bullet comments.

"Awesome!"

"I'm so impressed!"

"My mom asked me why I was kneeling to watch TV!"

"Have you noticed that the lyrics of this song don't mention Wukong in every sentence, but they are always about Wukong. Awesome!"

"From the word 'Buddha', I listened to it with my scalp tingling the whole time!"

"I thought it was mediocre at the beginning, but I didn't expect it to be directly enshrined in the end!"

"If you sing like this, I have to watch "The Return of the Great Sage"."

[This stick will make you disappear into ashes~~~~~]

The performance of the whole song came to the end in the last line of the lyrics with Ye Zhiqiu's prolonged tone.

At this time, the picture on the big screen behind the stage changed again.

In the blazing fire, a piece of golden characters with dragons and phoenixes slowly emerged.

"Great Sage, where are you going?"

"Step on the South Sky and shatter the sky."

"What if you never come back..."

"Then I will never come back!"

This extremely exciting speech completely pushed the atmosphere to a climax.

"It's so exciting!"

"Okay, okay, this is how we play, right?"

"I'll buy it, I can't buy this movie ticket!"

"This is the Monkey King I expect in my mind!"

"The Return of the Great Sage is a must-see!"

At this time, in the classroom of Huahai Animation Academy, a group of students were also clapping vigorously.

On the stage, teacher Gu Weiwen's face flushed slightly, and it was obvious that he was touched by the song just now.

As the singing ended, the entire award ceremony was also coming to an end. Gu Weiwen took a deep breath, looked around the students in the audience, and asked: "This song is the theme song of the second animated film of 'The Autumn of Light', The Return of the Great Sage."

"I want to ask, what do you think after listening to it?"

The students in the audience spoke enthusiastically.

"Explosion!"

"The most exciting theme song of an animated film in history!"

"Just for this song, I must go to the cinema to support "The Return of the Great Sage"!"

Gu Weiwen smiled and said, "Actually, I feel the same as you do."

"I remember when I was a child, I admired Sun Wukong the most. I would stay in front of the TV every day, waiting for the "Journey to the West" to be broadcast that day. I naively thought that as long as I turned the hour hand of the old clock at home to that time, the show would start."

"Then, because I adjusted the hour hand randomly, my grandmother misread the time and prepared dinner early."

The students in the audience laughed, and Gu Weiwen continued, "This is My memory of Sun Wukong is that in our time, there was no Superman or Batman. The Monkey King was the superhero in our hearts. ”

At this point, Gu Weiwen suddenly said: "Classmates, do you know? In fact, the cartoon about the Monkey King Sun Wukong was produced in our country 60 years ago and shocked the world. ”

"The cartoon "Havoc in Heaven" was born in the 1960s and is the first color cartoon in China. The achievements of this work are still an insurmountable peak in the history of Chinese animation."

"This cartoon caused a huge response as soon as it was released. Not only did the domestic box office rise steadily, but as an animation The picture won the second "Baika Award." "

"And the film has been exported, distributed and screened to 44 countries and regions around the world, and has participated in 18 international film festivals held in 14 countries and regions, and has won many awards. When it was released in the United States, there was a sentence on the promotional poster: This is a great movie from China."

At this time, a student raised his hand and asked: "But, Teacher Gu, wasn't the domestic animation production technology still very backward at that time? How did you do this?"

Gu Weiwen smiled and said: "Indeed, such an achievement is extremely incredible even today, not to mention the conditions at the time. "

"But I Our predecessors did it, relying on a kind of almost obsessive persistence and pursuit of art. "

"There were no computers at that time, and everything was hand-drawn. According to the production technology at that time, a 10-minute animation required 9,000 to 10,000 original drawings, which shows the intensity of the work at that time. But one by one, one frame by one, one detail by one detail, an unprecedented masterpiece was finally formed slowly, and it took 2 years to hand-draw it alone. "

"In order to make the work more expressive in terms of technology and thought, the directors at that time almost traveled all over the country. They visited folk artists and Peking opera actors who performed monkey shows for advice; in order to designThe film also absorbed elements from Dunhuang murals, Yongle Palace murals, folk New Year paintings, temple art and even Indian paintings, and integrated them into the film..."

Under Gu Weiwen's narration, the students listened attentively and were moved.

Yes, the predecessors at that time did not have the convenient conditions of "asking Baidu if you don't understand" and "staying at home to see everything in the world", and the difficulty of creation was much higher than today.

Gu Weiwen sighed and said: "Many people ask, now that the conditions are good, why can't we shoot works like "Havoc in Heaven"? I think one of the reasons may be this meticulous attitude towards art. "

"For various reasons, our country's animation industry has fallen behind and is now in a catching-up position, but fortunately, we can see that the gap is narrowing step by step. The most surprising thing is that from the works of the studio "Shiguangzhiqiu", we even saw the hope of catching up. ”

“But only one ‘Shiguangzhiqiu’ is not enough. The development and prosperity of an industry cannot and should not be pinned on one studio. It requires more passionate and professional scholars to devote themselves to this cause, and the market needs to give more support to excellent Chinese animation works. Only in this way can a good ecological cycle be formed. ”

At this time, Gu Weiwen himself was also a little moved, and his voice was slightly hoarse: "To borrow a sentence from Director Wan of "Havoc in Heaven" at the time, 'To make the Chinese animation industry have infinite vitality, it must take root in the soil of its own national tradition.' ”

“As a teacher, I hope that the backbone of the country's animation industry in the future will come out of our classroom, and on this road, 'Shiguangzhiqiu' has been in the forefront and pointed out the direction for us. ”

“So, for the works of this studio, what reason do we have not to support it? ”