Old-time musicians

The congregants lamented that Father Lavoisier was indeed too tired this time.

Telling such a profound secret of the "Trinity" and setting the tone for so many crucial issues, the physical and spiritual consumption must be obvious.

After the trip to the Hedgewell River that night, Father Lavoisier took a full day off for the first time.

It was not until the next dawn that he embarked on the journey of preaching again.

Then many people were surprised to find that some "strange changes" suddenly appeared in the city of St. Perto for some reason.

Although Lavoisier had not yet arrived in St. Perto.

Well, how to say it?

It was that in this city, the previous frenzied "information bombardment" suddenly stopped for some reason!

Early in the morning of the next day, before dawn, many staff members of art venues, servants of many large families, including sanitation workers employed by the municipal government, suddenly appeared in the streets with cleaning tools. What they did was a bit similar, which can be summarized as-

cleaning posters!

Cleaning up performance posters, salon posters, exhibition posters, press conference posters, art talk posters, propaganda slogans, and other posters!

Not all of them were torn down, but at least 70% to 80% of the posters with exaggerated propaganda tone were cleared away in the morning!

Many citizens quietly came forward and asked these cleaners privately.

The citizens were indeed puzzled.

Although the gimmicks of these posters are very intimidating, in fact, in terms of design style, they are still relatively beautiful and fashionable. It seems that they do not affect the image of the city appearance. On the contrary, they seem to have a sense of artistic atmosphere to laymen.

Did the municipal government of San Perto suddenly have any new requirements? Or did the church introduce some red line principles to remove the posters that do not meet the requirements?

Then the answer the citizens received made them even more puzzled.

It was the artists related to the content of these posters who asked to remove them!

They took the initiative to contact the venue, the municipal government and GG company, or simply pulled their own servants out to do the work.

This is strange.

In addition, there are.

Some art venues have received applications from artists to change the name of their concerts or art exhibitions one after another, from a name that "sounds very profound" to a more conventional name.

Some radio stations' programs suddenly asked the publisher to modify some expressions immediately.

Some hotel owners or managers received banquet reservations, but were suddenly notified by customers to cancel them.

There are also many art publications that have opened "ranking sections" and "inventory sections". Suddenly, many artists called and asked to withdraw from the rankings! Don't put yourself in without consent!

After this change continued for a few days, someone sorted it out and found that most of them were religious artists.

But the base size of this part is here. Once they stop bombarding the art circle with information

You have to know that the circle is mutually praised, the momentum is created by each other, the popularity of the list is fought for, and even many people specially invite others to "ask questions" in order to "export their opinions". Now, many academic artists find that there is no point.

Even those who pursued the recent popular works such as "The Rite of Spring", "The Art of Fugue" and "Meditations on Twenty Holy Infants" have gradually sunk from the surface "noisy praise".

In the past few days, some in-depth music reviews or theoretical research articles with high gold content have begun to appear.

At present, the more consistent opinion in the art world is that if you want to choose a work that best represents "modern music in the 10th century of the new calendar", then it must be "The Rite of Spring" - this has nothing to do with whether it may be praised or criticized in the future, because the word "representative" is neutral, and the various controversies and reflections it has caused in modern society are enough to make it a representative.

From "The Art of Fugue" to "Meditations on the Twenty Holy Infants", these two works represent the "summary of the highest peak of the past" and "the rainbow path of theology in the future" of religious music.

There is an interesting metaphor in "Hoffmann Phonograph" that covers the above works at the same time, saying that "on the undried cement ground of modern art, Scheler stepped on a big footprint, and Lavoisier pierced a deep awl".

In short, in these short three or four days, concerts and exhibitions are still held in the city's halls and pavilions every day, and artistic activities are still prosperous and fulfilling, but without unnecessary flattery and slander, pulling circles and ostracism, everyone is more focused on art or art theory itself!

It feels that both creators and appreciators have become pragmatic, and the exaggerated atmosphere of the entire holy city has suddenly dropped to the level of even three or four points of the original!

Many people in Janus attribute it to the miracle of the "episode" of the temporary itinerary of "Riverside Sermon".

"It is true that I intentionally called a halt, but the question is."

"The question is 'Is this a question?'"

That day, Fanning returned to the first stop where "Master Lavoisier" had once appeared in public - the small town of Lepic.

As the sun set, he looked through the stained glass windows of the church attic and watched the young artists he had just talked to walk down the steps in a group, towards the square, and gradually walked away.

"Let's not talk about the weirdness in the other statements for now"

"'Snake' is everywhere? 'Snake' is everywhere?"

It’s time to leave for San Pelto tomorrow.

But since Fan Ning experienced the "interludes" in that temporary schedule,

He suddenly felt that his plan to reach the top of the Harvest Art Festival, the upgrade plan that paid tribute to the "Trinity", seemed to be shrouded in an inexplicable "conspiracy theory"!

Therefore, he completely stopped the "exaggerated activities" that these artists in the seminary - especially modern artists - were keen on.

With the preparation for the sermon that night, it took no effort at all.

However, a certain sense of lack of effort has never been eliminated, so Fan Ning arranged for additional artists to talk.

At the beginning, it was mainly aimed at those who were exploring various modern schools, such as those at the "Lion Forged" level, the "Blade Bearer" level, and later the lower "Groom" level. Many people were called, as well as traditional romantic ones. Had some interviews.

The artists who participated in the conversation were very excited and very willing.

Over the past few days, I have met nearly 50 people. It didn't take long and was very efficient. Each of them covered everything from their background and experience to their thought process, from their creative career to their network of contacts.

But Fan Ning didn't feel like he found any problems.

After all, the authorities are not a vegetarian. Fan Ning knew that several people who were suspected of being infected with "worms" had long been on the shooting list. Looking back now, these people who were shot did indeed use "mysterious chords" Used more blatantly.

As for the artists I have come into contact with now, whether it is their life experience, thoughts, conversation, behavior or creative works, Fan Ning feels that they are quite normal.

Moreover, the term "creative style" is originally a broad and vague concept. Just because a certain composer has a few fourth intervals superimposed in a fragment of his work, it cannot be said that he is spreading "mysterious chords".

Anyway, Fan Ning felt that these things were being arranged, and his thoughts were becoming more and more confusing. He didn't know what he was investigating and what he was guarding against.

The skyline outside the loft of Lebici Church was darkening.

The next moment, a rustling sound sounded.

Fan Ning slowly unfolded a small piece of paper in his hand, held it, and read the light golden spiritual traces on it word by word.

Only he can see and understand neat simplified Chinese.

This is what Fan Ning himself copied from his memory just now.

Because that night at the riverside, my mind was too polluted, plus the pile of colorful sand like the "color blindness test card", the distorted and disordered Guchaniz language, and the viewing distance was too far and too small. font

It was really uncomfortable to read it at the time.

Now alone and quiet, Fanning wrote it again.

He looked at it and suddenly realized that if he was "cutting out words", it seemed that there was indeed something worthy of scrutiny, or even "terrifying to think about"!

Just like the first sentence——

"Why is it called 'I committed suicide first'?"

"According to the usual way of wording, it shouldn't be, 'I have committed suicide,' or just, 'I committed suicide,' right?"