Pawn Crossing the River
Chapter 37: Access to the secluded world
The four directions above and below are the universe, and the past and present are the universe.
The great witches of the ancient witch sect had two special skills. One was the "Art of the Universe", which corresponded to space, and the other was the "Art of the Universe", which corresponded to time. The "Gong Candle Staff" was the masterpiece of the great witches.
No matter how powerful the Five Innate Masters are, they cannot ignore the torrent of time. In essence, it is precisely because of the passage of time that Taiyi becomes Taichu, Taichu becomes Taishi, Taishi becomes Taisu, and finally Taisu. Su became Tai Chi.
Today's human world has entered the Tai Chi period, from being materialless to being tangible and material.
Therefore, the aftermath of "Taiyi Method" has also been frozen.
Wu Luo, as the caster, was the first to break free from the freeze. She raised a hand again, calling to her sisters, asking them to lend her strength.
This is Wu Luo's special skill - "Spiritual Art"!
The magical powers of the eleven witches are not unique, but each has its own strengths. Although Wu Luo can use "the art of the universe" and "the art of the universe", he is best at the "art of the spirit".
In other words, the other ten great witches can also use "spiritual arts", but they are far less proficient than Wu Luo.
"Spirit art" is also called "spiritual art". Its original intention is to communicate with the dead. However, after continuous development, various mysteries have emerged, which can be divided into two parts. "Tong" means "tongyou", which corresponds to "the netherworld". "Ling" means "soul", which corresponds to the soul.
Wu Luo relies on this method to create the Kingdom of God in the human world. Anyone who believes in Wu Luo can enter Wu Luo's Kingdom of God through the bridge built by "spiritual art" in their sleep. This is the second application. At this time, Wu Luo used the first method.
Communicating with the underworld, looking for the marks left by the dead in the underworld, was used by me for a short time.
Most of the people who can leave a mark on the world are immortals. They have been "otherworldly" during their lifetime. Even if they die, some indelible essence will still remain and will not dissipate. The principle is similar to that of the earth. The Qi goes back and eventually turns into an invisible mark that exists for a long time.
In a sense, the mark they left is just a law, or authority, without any memory or consciousness. It is like someone drawing a formation on the ground. It has no power or consciousness in itself, but As long as earth energy is injected into it, it will operate according to the established rules and then function.
These marks could not ascend and were rejected by the human world, so they gradually sank into the netherworld, just like after death, the soul returns to heaven and the soul returns to earth.
What Wu Luo is looking for are these traces recorded by heaven and earth, and then communicate with the netherworld to make them manifest briefly in the human world.
The power of the dead does not come from their lifetime, but from the underworld.
This is "tongyou".
The only disadvantage of this method is that after the mark sinks into the netherworld, it is very difficult to find it. You must be very familiar with the owner of the mark and have a very deep relationship, or there is some kind of "bond", in order to find it in the boundless netherworld. To find the location of the mark, Wu Luo could only look for the marks of the sisters, but it was impossible to find the mark of the Taoist Immortal.
In addition, immortals who have not completely died and people who have ascended will not leave any marks.
Among the eleven witches, Wu Xian and Wu Yang are still alive, and together with Wu Luo himself, there are still eight great witches to choose from.
Following Wu Luo's shout, at the same time as the "Art of the Universe" ended, a great witch slowly appeared, with white hair as silver as snow, and dressed in white clothes, with a pale complexion. Accompanying her was the endless wind and snow. , turning this place into a world of ice and snow, and she herself is integrated with the entire world of ice and snow.
This is the shamanic appearance of the eleven witches.
I saw the shaman with lowered eyebrows and lowered eyes, with a pair of plain hands clasped in front of his chest, like a Bodhisattva folding his hands. The treasure is solemn and inviolable. She walked barefoot on countless ice and snow, and wherever she landed, a snow-white lotus would grow. After she walked far away, it would gradually become transparent and fade away.
As the wizard moves forward, the cold air is everywhere, and everything is frozen.
The "Ice Technique" controlled by Wu Xiang himself was better than Wu Luo, and the aftermath of the second "Taiyi Technique" was swept away. Although Hunlun's power is terrifying and can dissolve almost everything, the amount is too small. After a certain amount of ice-cold aura is eliminated, it is completely exhausted and dissipated.
Master Landa did not panic. A black lamp appeared in his hand. The light was as dim as a bean, and even the lamp continued to swallow up the surrounding light. The closer he got to the black lamp, the dimmer the light became.
Because of this, after Master Lan Da took out the black lamp, instead of being illuminated, his face was completely hidden in the dark shadows.
There are three lanterns in the Taoist Gate, namely: "Eight Views Lamp", "Guizang Lamp" and "Tongyou Lamp". The three lamps are all fairy objects, each with its own magical function.
The "Guizang Lamp" can illuminate the future. Since ancient times, God's will has been difficult to understand, so this lamp corresponds to the sky and is called the "Sky Lamp".
The "Eight Views Lamp" can record the eight kinds of magical powers of immortals other than the person holding the lantern, borrowing the power of everyone and the power of others. Therefore, this lantern corresponds to people and is called the "human lantern".
The "Tongyou Lamp" can briefly summon the projections of the dead, including those fallen immortals, from the netherworld. The higher the level of cultivation of the person holding the lamp, the longer the projection can exist. There are nine secluded places underground, so this lamp corresponds to the ground and is called "ground lamp".
The immortal object held by Master Landa is the "Tongyou Lamp".
Master Lan Da was seen blowing into the light of Yidou. The light was swaying like a candle in the wind and seemed to be extinguished at any time. The light became dimmer and dimmer. With this black lamp as the center, it formed a strange scene. Outside is the divine realm of Wu Luo and the ice and snow world of Wu Xiang. The light is bright and there is no abnormality at all. Then there is a whirlpool-like circular space in which there is only deep darkness. But in the middle of the darkness, a light shines again. It's a very small area, as if the rabbit doesn't eat the grass beside the nest.
At a glance, Master Landa's entire body was hidden in the darkness, with only the hand holding the lamp illuminated.
The light cast a shadow.
Then the shadow quickly solidified, outlining its true appearance.
Dressed in purple, with a golden crown on his head and a jade belt around his waist, he looked like a prince in the world.
There is no doubt that this is a fallen immortal, and he is well-known within the Taoist sect. His surname is Song, his given name is Zheng, and his given name is Zhengguan. He was respectfully called "Zhenggong" when he was alive. He is not only the master of the Western Taoist sect, Moreover, he was Tantaiyun's husband, who once joined forces with Zhengyi's Feitianshi to launch a rebellion, and eventually died at the hands of Xuansheng.
Of course Master Lan Da was not familiar with Song Zheng, a Taoist senior, but he used the power of immortals to find the mark, so he could not generalize.
After the master of the West Dao Sect appeared, he didn't see any movement. Talismans condensed one after another around him, blended into the surrounding void, and disappeared.
Then Song Zheng's figure began to grow, but in the blink of an eye, he was already twenty feet tall, like a giant standing tall on the sky and the earth. Because Wu Luo had already expanded his divine domain and extended the space, such a huge Song Zheng was not limited by the underground hall and was still expanding. His body passed through the vast ice and snow, Lan Da Zhenren, and the blood lake like light and shadow, and became It was even bigger than the statue of the Blood-clothed Bodhisattva that Wu Luo was living in, and then he reached out to grab the Wu Xiang.
At the same time, the talismans previously buried by Song Zheng appeared one after another around the witch prime minister, emitting brilliance and intertwining vertically and horizontally, like a birdcage, trapping the witch prime minister in it.
Song Zheng raised the "birdcage" in front of his eyes and looked at the shaman in the cage with a huge pupil comparable to the sun and the moon.
Then dark fire burst out from Song Zheng's eyes, turning into magic knives, slashing at the witch prime minister from different directions, making it impossible for the witch prime minister to hide and escape.
At this moment, endless cold air emitted from the whole body of the witch prime minister, instantly freezing the "birdcage" into an ice lump. Various fine textures appeared on its surface, which were different from the Taoist talismans. They seemed to be the totems of the witch sect, making Xuan The ice is indestructible, allowing the magic sword to return in vain.
At this moment, Wu Luo's divine realm underwent a subtle change. Under the main color of red, a touch of black and white appeared.
Then the black and white colors continued to expand and gradually separated. The upper part was gray and white, like a gloomy sky, and the lower part was gray and black, like the barren and dead earth.
But in the desolate, dead atmosphere, a white lotus actually bloomed.
The white lotus grew bigger and bigger, eventually like a palace, and then slowly bloomed, turning into a lotus platform.
A huge figure sitting on a lotus platform gradually became clear.
The white-robed Buddha sits on a lotus platform, echoing the blood-robed Bodhisattva in the blood lake.
The strange thing is that this white-robed Buddha used some kind of magical power to appear silently. Even if Master Landa had the cultivation of an immortal, he could not notice his arrival at the first time.
The Buddha picked up the flower and smiled, a flower with uncertain glory grew between his fingers, and then pointed towards Master Landa.
Master Lan Da, who had his back turned to the Buddha in white, had his heart broken instantly and his face turned blood red.
At the same time, a large talisman shadow appeared at the feet of Master Lan Da. In the center was an eye composed of the sun and the moon, black and white intertwined, as deep as the starry sky.
Master Lan Da suddenly turned his head and looked at the Buddha in white, shocked and angry: "Master Siming?"
The Buddha in white slowly opened his eyes. There was a blazing day in his left eye, and a quiet black moon hanging high in his right eye.
Wu Luo waved his fifth arm and grabbed Master Lan Da: "Lan Hexu, you can stay here today."
On the line between life and death, Master Lan Da did not hesitate at all. He stretched out his fingers, and a black spot as big as a grain of rice jumped out from his palm. Then the black spot quickly enlarged, and in the blink of an eye it was already the size of a chicken, like a whirlpool, the bottom of which was not visible. , madly devouring all the light around it.
This is the third level of "Taiyi Method".
Master Lan Da directly pressed the "chicken" in his hand towards the ground under his feet.
A circle of dark ripples visible to the naked eye instantly swept across a radius of hundreds of feet. The speed was so fast that there was no room for dodge.
After the Hunlun aura passed by, Wu Luo's divine realm and Lord Siming's talismans all turned into nothingness.
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