Qianwumei Also Wants To Be a Cartoonist

As a person in the art world, you can have no money and works that are popular with readers, but you can’t be unqualified, and you still want to be famous in the art world?

That is dreaming.

And those who are in the art world, how can they enjoy themselves without fame?

Even if you are acting as a brick-and-mortar beast, you have to make a name for yourself before you can fool the general public. If you become an authority in the art world, you will be awesome. You can play anywhere, criticize other people's works if you have something to do, if they don't dare to refute anything, you have to accept it with an open mind...

As for those commercial works, these authorities in the art world can express their disdain unscrupulously. It is just a popular work to please the public, and it is also worthy of talking about art?

Get out of our noble art palace with the things of the lower Liba people, how can ordinary people understand Yangchun Baixue casually? In that case, why do we need artists like us?

Therefore, for a certain period of time, Serious Moments, like Starry Night, became the object of many self-proclaimed art appreciation masters, symbolist painting analysts and poetry analyzers, as if If they don't, they will be behind the trend in the art world.

In fact, Ou He already had a Editor-in-Chief Comment on This Time magazine, but he still only commented on this poem. As for An Yi's painting that matched the poem, he was I haven't figured it out yet, and he really doesn't know much about painting, so he won't expose his shortcomings.

Ou He told the editors last time that this symbolist poem is undoubtedly about a person's life. Crying, laughing, walking and death can summarize a person's life. In Comments, he continued to elaborate on his understanding of this symbolist philosophical poem.

'Without reason' is undoubtedly a key word that runs through the whole poem, that is, it runs through the whole life, and it runs through all the crying, crying, laughing, life and death in the whole life. For no reason is fate, a fate that people cannot get rid of. Fate Manipulating a person is as free as the wind is playing with a leaf. We came to this world without our permission, and fate brought us forcibly; in which detail of time is our ultimate death hidden, We can't grasp it, all love, hate, love and hatred come unexpectedly on different scales of life, like snowflakes.

We are all crying for no reason, laughing for no reason, living for no reason, dying for no reason, and then looking back at our life, how can we not feel desolate and desolate! Therefore, this rigid formal structure hides and corresponds to the author's unchanging and indescribable emotion towards fate.

...

this short poem,

It seems simple and simple, but there is such a major theme hidden in it: all of us human beings are controlled by a mysterious giant hand in the vast universe and time and space, crying, laughing, living and dying for no reason. Fate hangs over every sentient person like a net of heaven and earth. So, how can this eternal moment not cause fear in people's hearts, multiply the desolation and helplessness of life, and thus feel the profound seriousness of life tragedy?

This poem is actually a very philosophical poem, full of existential absurdity and alienation, a kind of spiritual anxiety and a questioning of the ultimate meaning.

Ou He’s comments totaled more than 5,000 words. Ordinary readers who didn’t understand this symbolist philosophical poem, as long as they read his comments carefully, they would suddenly realize that this poem was written like that Life without reason and unpredictable changes.

And no matter how a person spends his life, his ending is doomed, that is death, and this is the ultimate fate that everyone cannot escape.

When Lu Yizhe was flipping through this magazine, he didn't read Ou He's comments, nor did he read poetry, but directly admired An Yi's symbolist painting - A Serious Moment

The tone of this painting is dark, very heavy, depressing, and mysterious. Some of the patterns in it are very three-dimensional and exquisite. When Lu Yizhe saw these patterns, he felt his eyes light up and he grasped something. This cubist painting method is very interesting, and the most important thing is that the patterns themselves also have that kind of rational and sublime feeling, which undoubtedly suits Lu Yizhe's appetite.

In addition to these patterns, there is another place that is particularly eye-catching. It looks like a human being but not a human, and a beast that is not a beast, but it is framed in those exquisite, three-dimensional patterns similar to containers...

When Lu Yizhe saw this image, he was once again shocked by An Yi's imagination. He even felt that An Yi's brain must have received information from another world, otherwise how could he draw such an unbelievable image? But it does look like that, and it's not a random drawing.

In fact, judging from this painting alone, Lu Yizhe naturally couldn't understand what it was expressing. It seemed to be as unpredictable as fate, but he didn't need to understand the connotation of the painting. Appreciating this painting in terms of technique, style, etc., I feel that it is definitely another masterpiece, but because it is too self-conscious and subjective, its audience is destined to be small.

Lu Yizhe finally saw the poem that matched the painting, and naturally he didn't know what to do. He searched for this poem on the Internet, only to find that it is also very popular in Douban, a place where young artists gather. People with a bit of literary literacy have interpreted this poem one after another.

He looked at it casually, and felt that the interpretations of netizens were no worse than those who claimed to be artists. A Douban netizen nicknamed Phantom in the Dark Night wrote a long comment that was no less than Ouhe's. The first paragraph summarizes his understanding of the poem——

Repeatedly reading Teacher An An's Serious Moments, my heart seems to be hit by something heavy—maybe it is not someone standing somewhere, but Teacher An An is standing somewhere looking at herself. At this moment, her fate has changed. became the fate of mankind. There is not only a heavy sadness and joy in the poem, but also compassion for all living beings. When the poet thinks of human suffering, life and death, he can't help feeling pity and anxiety. Strange people, laughter or tears, walking or dying, somewhere. Although he is, for no reason, falling flowers have no intention; but I am, tossing and turning, flowing water with love. The two words for no reason and somewhere express the confusion of life, people seem to be in a thick fog; from laughing to crying to death, the poet watches all these clearly, but is powerless; heavy pain , the gap and indifference that cannot be surpassed. Grief is shocking.

...

Many people are worried about Teacher An An's mental state because of this poem. They feel that Teacher An An seems to be in a world of great mental pressure all the time. Otherwise, how could he write such a heavy poem?