Qianwumei Also Wants To Be a Cartoonist

Chapter 68 Teacher, I like drawing!

For a talented painter of An Yi's level, she has already mastered basic or advanced, simple or difficult painting skills. The paintings she draws casually may take decades for others to achieve, but An Yi's pursuit of painting has never stopped.

It is obvious that the talent in painting has already surpassed the imagination of ordinary people, but she also worked extremely hard, and Master Xu Liyong's extremely severe spurs and blows made An Yi's superb skills in painting!

It is said that mortals can catch up with geniuses through diligence, but why do geniuses put in more effort than mortals?

Such a genius, even a mortal can't catch up with him in his lifetime!

The story of the tortoise and the hare is an interesting story, but if the hare insists on going to bed after running, the tortoise will never catch up with the hare.

In the field of art, whether it is painting or music, there are always only a few geniuses who can really shine.

Countless things about Huazhu flashed through An Yi's mind at this moment——

To draw bamboo, first draw the pole. When drawing a pole, pay attention to the longer bamboo joints in the middle part and the shorter bamboo joints at the upper and lower ends. The brush and ink are heavy when puncturing the nodes, and the strokes are like calligraphy. Don't repeat them completely, and pay attention to the changes in thickness, dryness and wetness.

When adding branches to the main bamboo pole, don't just add one side, so as to avoid the center of gravity of the picture being unbalanced. Branchlets are shaped like magpie claws. And the style of painting will change accordingly when it rains bamboo.

The brush used to draw bamboo is like the brush used to write calligraphy. When painting bamboo roots and trunks, use the regular script brushwork, which is steady and strong through the back of the paper; when painting small branches, use cursive script brushwork, which is smooth and coherent.

If there are several or dozens of bamboos in a picture, attention should be paid to each bamboo and the bamboo joints, not on a horizontal line. When painting bamboo poles, there should be changes in brush and ink. Through the thickness of the bamboo poles, the thickness of the ink, the dryness and wetness, etc., the relationship between reality and reality and the sense of space are created.

To draw bamboo leaves, you need to...

To draw the top or branch tip of bamboo, you need to...

Painting Hsinchu...

Painting Bamboo...

Painting rain bamboo...

The leaf grouping technique of two silkworms reaching the head is...

The group leaf painting technique of the word fen is...

The leaf grouping technique of Four Fish is...

The leaf grouping technique of Gao Fei Gu Yan is...

Bamboo painting pays attention to composition and the relationship between gathering and dispersing. The layout of bamboo leaves in a painting is mixed and scattered, so it cannot be treated evenly. Where to get together, where to disperse, and where to leave blank, you should consider and plan before painting, this is called with a plan in mind!

In the short time An Yi got the paintbrush, all the accumulated experience and various skills of painting bamboo in the past came to him!

But relying on these alone, the Chinese paintings related to bamboo can only be evaluated as garbage by the strict and harsh teacher Xu Liyong, because a painting drawn with perfect skills is just a painting after all. A dead thing!

Only when the painting is infused with energy and spirit, as well as the author's own perception of life and the world, will it have charm, and it will truly become a masterpiece handed down from generation to generation!

Therefore, masterpieces that are truly passed down forever are really rare, and fakes, even if they are fake enough, can never reach the height of the original, precisely because they do not have the spirit of the original author!

The poem said: Articles are made by nature, and they can be obtained by chance. It is pure and flawless, so there is no need for artificiality. Look at the ancient Yi utensils, they are both ingenious and clumsy. The Han Dynasty was the most recent and the pre-Qin period, and it is solid and pure. What is the Hu Department, Haozhu miscellaneous sorrow. After Kui no longer works, who will wait for thousands of years?

Not only articles, famous paintings are also accidentally acquired by wonderful hands. If An Yi hadn't encountered the lowest and most difficult experience in her life, she would not be able to understand the spirit of the Bamboo and Stone Picture she is about to paint, even if she is very fond of it. Mr. Zheng Xie and Zheng Banqiao, a famous calligrapher and painter in the Qing Dynasty and one of the Eight Eccentrics of Yangzhou, are already very familiar with the song Bamboo and Stone, and have recited it over and over again.

But Thousands of blows are still strong,

Could it be possible that Ren Er, East, West, North, South Wind could be written by an author who has never suffered a blow and has been successful in his life? Can you feel the feeling of being thousands of blows?

And Teacher Xu Liyong's scolding of An Yi stimulated An Yi even more. In his memory, when Xu Liyong first accepted An Yi as his student, he didn't know how kind and friendly he was, as if he had discovered a peerless treasure, but That period of time was really too short, so short that it could be completely ignored during the long-term painting learning process.

But that short warm memory has always been remembered by An Yi. She always felt that as long as she satisfied the teacher, she would definitely be treated with such a kind attitude again.

But even after An Yi exhausted herself to meet Xu Liyong's request, she would not get any praise, and would only say not bad!, and the next request would be even higher, but this also made An Yi full of motivation and enthusiasm. Goal, keep going up and up!

During this process, she also developed a deep affection for her teacher, because she found that her painting level has been improving rapidly, reaching a level that ordinary people can hardly imagine, just like what she said before Jiang Zimo's traditional Chinese painting, It's just her elementary school level, and that's telling the truth.

Until Xu Liyong told An Yi not to learn painting from him anymore, and told her to get out, An Yi was suffering the biggest blow in her life at that time—the accidental death of her parents, and then she lost the lighthouse in painting, she was in a daze Well, she has nothing but her brother, she even thinks that her painting is really bad, as Xu Liyong said, There is no aura, garbage, waste, she also feels that she has reached a bottleneck...

An Yi, who knows nothing but painting, never knew that she would participate in the calligraphy and painting newcomer competition held every year in every city, and then step by step win the national painting award, and even finally won the three traditional fine arts. The laurels of the world, she always feels that she is still too bad at painting, not enough.

Meeting Teacher Xu again today, An Yi felt a kind of joy from the bottom of her heart, but she was hit by the teacher again. She felt very wronged for some reason, and her eyes turned red all of a sudden. The teacher gave up, is it true that she can't gain a foothold in the field of art painting?

At this time, when she was pouring her soul into painting the Bamboo and Stone Picture, she suddenly thought, since the teacher looked down on her so much and thought she was a waste, why did she still carry the commercial illustrations she drew for the magazine with her? She also deliberately cut it out and kept it with her. It's really inexplicable. She can be sure that it was a coincidence that she met the teacher today...

Could it be that……

While An Yi was painting, her mouth was pursed and her serious expression of disobedience and stubbornness gradually changed. The corners of her mouth curved slightly, showing a dazzling and beautiful smile, and her writing became more and more serious. Smoothness, an extremely open-minded and optimistic mood, has also been integrated into this Chinese painting that is more and more likely to become a masterpiece handed down from generation to generation!

Some painting appreciators couldn't sit still anymore. They all stood up, with shocked expressions in their eyes, looking at An Yi who was getting more and more relaxed, and his painting posture was becoming more and more elegant and confident, they all felt dazzled Yes, because it is clearly a top painting master who is painting!

incredible!

I really can't believe it!

How old is she, and how did she cultivate this kind of master temperament?

Only Xu Liyong still tilted his head, folded his hands on his chest, and had a rigid expression on his face, as if he was never satisfied with An Yi!

But at this time, An Yi's mind recalled the scene when he saw Xu Liyong for the first time. He tilted his head, bent down, and handed the paintbrush to An Yi. With a soft smile on his face, he just said to the young girl: Do you like drawing?

Well, I like drawing very much!

Okay, follow me.

Now that she meets the teacher again, she really wants to say to the teacher: Teacher, I really really really like painting!

She felt like Mitsui Shou in Slam Dunk, kneeling in front of Coach Anxi and saying I want to play basketball.

However, she conveys what she wants to say through such a traditional Chinese painting that has returned to the field of artistic painting.

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