New Show Time

He still has the maddened old middle school second-year-old tone.

"Oh, 'get out of the way'... This is really difficult. Because you haven't met any of the conditions for getting out of the way."

"You mean...conditions?" Joan of Arc was stunned.

There was no need for Weston to talk nonsense with the opponent, and he was going to concretize a sword and stab it directly into the opponent's spiritual core.

【Concrete Fantasy】

But this time... the material transformation was not successfully started, nor was the simulation started.

"interesting."

Shakespeare secretly glanced at Joan of Arc and Weston, and smiled brightly: "That's right, you don't have the conditions to let us 'get out of the way'."

As he spoke, he picked up the pen in his hand and wrote words in the air. The words emerged in the air and moved.

"Condition 1, a matter of mood. Just like the saying [There is no monster more terrifying than an ungrateful person], I am accepting the salary of Lord Shiro. Besides, in terms of fashion, even if I am present to deal with you, I have the confidence to win No. .[-]—so we definitely don't want to be monsters without intelligence."

Compared with the attire of the Atalanta huntress present, Weston's Juggernaut costume that never changes, and Joan of Arc's rustic breastplate, perhaps only Frankenstein in a wedding dress can compare with Shakespeare's aristocratic costume Let's see who is more fashionable!

"Condition two, the problem of entertainment. [The pupils of the poet are turned by the grace of heaven, looking around from the sky to the earth, from the earth to the sky], my pupils are in good condition! It is simply a creator who has received inspiration. In other words, the moment I meet you now, I am extremely happy."

"There is also the third final condition, the problem of combat power. Our combat power is more desperate than you imagined. Although you rushed here, you still haven't caught up with the best time. No, I'm afraid no matter what No matter how hard you try to catch up, you can’t catch up with the speed at which inspiration and ideas emerge, just like Achilles racing a tortoise. Since you haven’t caught up, you’re going to die here—”

The last word 'death' came out of Shakespeare's mouth, quite surprising.Joan had had enough of this nonsense, and stared at each other with stern eyes.

It is always strange and inexplicable to be said so suddenly.It's like a wet hand touching your neck in winter, or being stabbed in the heart by a sharp needle.

"Then Caster, what exactly is the death you brought me?"

Shakespeare raised his arms high in dramatic motion, holding the book he had tucked under his arm.

"Of course it's my Noble Phantasm. "The time for the show is approaching, so here's a thunderous applause (First Folio)", so let me explain to you, Joan of Arc, Sword Master, in fact, this Noble Phantasm—— "

Before he could finish speaking, Joan rushed over.

"Sorry, I'm not interested in listening to your nonsense here!"

Galloping like a bullet, Joan pointed the spear tip of the Holy Banner at Shakespeare in front of her.Since it is a hostile existence, how could it be possible for him to successfully release the treasure!

"Oh, this is really dangerous!" Shakespeare took a few steps back, avoiding Joan's blow.

"How is it possible!?" Joan of Arc looked shocked.

No, more accurately speaking, not avoiding.It's a feeling of 'can't shoot'.

"I'm the 'observer' and 'recorder' of the story here. As the heroine of the story, I can't hit me." Shakespeare smiled playfully.

But the next moment, Weston was also dispatched.

Before reaching Shakespeare, he punched him straight through Shakespeare's stomach.

"Am I a 'role' too?" Weston revealed a playful expression.He is no stranger to this kind of power.The so-called [Settings]

"That's right, Juggernaut, you are also the main character to set off the protagonist."

"This is the story of Amakusa Shiro Tokisada, the story of Joan of Arc, and the story of the Juggernaut. Whether it is the Assyrian queen with poisonous flowers, or the artificial life body longing for Adam, the rebellious knight longing for love, Even including myself, all other surviving people are just supporting roles here at this moment."

Five hundred words of content were temporarily interspersed in this story, which did not affect the original huge scale at all. It can be said to be ridiculously huge.Shakespeare was trembling with excitement at this moment.

Because—this story is enough to turn the whole world upside down.

All the human beings in the world, they don't know that their fate has been decided in this hanging garden at this moment, they are probably still sleeping leisurely, right?

That's something that can't be helped, they are not opponents at all.

Human beings simply cannot match the persistence of a saint who has only focused on one thing for more than 60 years.

The protagonist of the story wants to show that he wants to save the world and exert his power!

If you don't want to be saved, you can only use a stronger force to defeat him!And those who have this right.There are only the 'saint who has taken a different path' and the 'villain who was the protagonist's old enemy from the beginning'

Chapter 210 Eight First Folio

"The First Folio?" Joan said to herself.

That's what the other party called his Noble Phantasm's ability just now, and it's the same name as the collection of works published by Shakespeare after his death.

They can't attack Shakespeare at this moment, so there is no doubt that his Noble Phantasm is about the ability of a writer.

Shakespeare is just a writer, and does not have any physical combat power, and magic is in line with Caster's class of modern magic or magic of the age of gods.If it is a writer-type heroic spirit, most of them have the ability to visualize the things in the story.

Then his Noble Phantasm, combined with his previous sentence 'Our power is far beyond your imagination'... Summon the heroic spirits in the story, such as the invincible Macbeth, Hamlet, perhaps Richard III from historical dramas, or There is no problem in choosing from among the Fairy King Oberyn and the three witches.

Perhaps now that the opponent has summoned them, the ability to restrain them from attacking here is the ability of a certain character in the opponent's work to hide in the dark.

Another possibility is karma or a world-changing Noble Phantasm, a gun that reverses karma with the legend that it must stab the heart. The field here may also be a certain concept of "unhitable" obtained by the opponent.To be honest, Joan of Arc's current situation is more in line with the current category.

There is also a category that can rewrite the world.This point is similar to Weston's "imaginary concretization", but Shakespeare, as a writer and poet, should pay more attention to logic and interesting stories.

The most difficult thing is naturally the world-changing Noble Phantasm, which is easy to summon. No matter what kind of hero it is, it is only a fictional existence in his works. As long as you realize this, it is not difficult to break it.

However, causal change is a technique that is not in the same dimension as summoning.That is to deceive time, space or the world itself, there is no 'impossibility' of such a change.

Therefore, Joan rushed forward before, and before the opponent's Noble Phantasm was activated and changed 'something', she had planned to prevent the opponent from launching it.There is no other way.

However, unexpectedly, it still failed!