Post-shadow Development Plan

If you want to, a few people can get together to discuss the setting of Xingyue for a whole afternoon, and the topic will not be repetitive.

But it is not easy to gather so many people in society now.

But it doesn't matter, the Internet can help everyone solve the small shortcomings of not having a discussion partner around them.

Because she was influenced by the era of the Internet for All in her previous life, Qiye is well aware of the importance of the Internet.

So he has always regarded the Internet as an important propaganda position.

Plus the movies he shoots are teen favorite genres.

And the biggest group that the Internet can affect happens to be teenagers.

So when the comparison between himself and Spielberg appeared on the Internet, Qiye was not surprised that he had an almost one-sided advantage.

After all, Spielberg's golden age is too far away from these young people.

Although these young people have seen old-school boutique movies such as "Jurassic Park".

But there is still a big difference between watching it afterwards and watching it when it is released.

It's hard to feel the madness of the whole people when the movie is released, if you don't experience it yourself.

For these teenagers, "Jurassic Park" can only be regarded as a relatively good movie, but Fate is their love.

This age gap is the key factor for Qiye to gain praise on the Internet.

For the same reason, those who can represent the opinions of traditional media.

For them, the "Jurassic Park" and "Raiders of the Lost Ark" series are the most precious memories of their childhood.

And the imprint of childhood is the key element that can make people blindly worship.

Why do Showa Tokusho fans always think that Heisei’s Kamen Rider and Ultraman are not good enough, or even lack the original taste of the work?

It's not because the Heisei series is not good enough, but those old fans only remember the good Showa series, so that they ignore the excellence of the Heisei series.

It's just that this kind of situation is reflected in social comments, and it will become a question of the right to speak.

According to the traditional social situation, the people who generally have the right to speak are usually 40-60-year-old social backbones.

Their likes and dislikes of a certain thing can almost represent the views of the whole society on this thing.

This is why "A Chinese Journey to the West" received a lot of criticism when it was first released.

Because those who hold the voice of society think this movie is garbage, so it is garbage.

And what about those who love the film?

They can only hold back until they themselves have become the backbone of society, have the right to speak, and then rehabilitate their favorite works.

So we can often see some works that were previously spurned by the mainstream become a generation of classics ten or decades later.

It's not because no one understood the beauty of this work when it was created, but because those who liked it at that time couldn't tell the society the advantages of these works.

When "The Legend of the Rainbow Cat and Blue Rabbit" was first broadcast, Douban's score was only 3.8.

This is because the adults who held the mainstream discourse power on Douban at that time believed that this cartoon was full of "shallowness and vulgarity", "instigating puppy love", and "advocating violence".

So even though the kids at the time liked the animation very much, it was still useless.

The final result is that this animated drama was suspended halfway when it premiered, and the evaluations of all parties also fell to the bottom.

But when the old and the new are replaced, the children of that year have become the mainstream of Douban and even society.

When they had the right to speak, the TV series was overturned.

Douban's score also climbed from 3.8 to a high score of 9.5.

The work is still the same work, but the people who rated it are no longer the same people as before.

This kind of rating modification of film and television works can be said to be a microcosm of social iteration.

It stands to reason that the debate between the two directors, Qiye and Spielberg, who is better and who is worse, is actually nothing to argue about.

Because those who have the right to speak are on Spiebel's side, such a debate should not have happened at all.

Young people who like Seven Nights, apart from saying "Director Kiryu is awesome" to each other, can't change the evaluation of mainstream society.

However, this time the situation is quite different from before.

Young people in the first decade of the 21st century are undoubtedly lucky, because they are the only generation that has a part of the right to speak at a young age.

The network has developed rapidly after entering the 21st century, and its influence is also increasing day by day.

But the people who occupy the right to speak on the Internet are not those traditional social backbones, but young people in society.

The reason is also very simple. These backbones of society are too slow to accept new things, and these young people take advantage of the loopholes.

In fact, the debate over which is better between Qiye and Spiber also started to spread on the Internet, and finally fermented in traditional media.

On the other hand, teenagers are full of various unstable factors and rebellious psychology.

When the mainstream media slanders what they like, they will do everything possible to justify what they like.

Even some young people who have a good sense of "Raiders of the Lost Ark 4" have become resistant to it because of the disdainful attitude towards Fate in various traditional media.

All of a sudden, all kinds of monsters and monsters appeared on the film and television section of the Internet, all kinds of gods fought, and show operations emerged endlessly.