Post-shadow Development Plan

Those of you who haven't seen "Madoka" are simply too out of date.

To some extent, film propaganda is really not that different from brainwashing and preaching.

"It's a great movie."

From the very beginning, the show host gave a definition to the movie "Madoka".

"It was produced by a crew that was bold and innovative, but at the same time worked hard. The success of "Madoka" is definitely a team's common victory."

"There may be no concept in saying this, let's take a look at some specific figures. After all, data is the best explanation."

Cooperating with the behind-the-scenes images of various parts of the film, the program introduced a series of data in the form of narration.

These data are definitely information that can stimulate the audience's viewing performance.

"During the shooting of the film, a total of more than 600 professional electronic storage cassettes were consumed, which is equivalent to a traditional 142 million feet of film."

"1500 motion capture suits, 650 actor costumes, and more than 400 magical girl weapons of various models."

"372 on-camera actors, 60 motion capture stuntmen, more than 1400 behind-the-scenes staff, and 560 computer stunt personnel."

"In the movie, the scenes with CG special effects occupy 80% of the time of the whole film, and the pictures with full CG effects are as many as 60%."

No matter from which point of view, Qiye feels that "Madoka" should be the largest and most expensive single film production so far.

Despite the number of actors, "Madoka" may not be able to compare with war epic movies such as "Lord of the Rings" or "Kingdom of Heaven".

After all, "Madoka", which lacks a huge war scene, doesn't need so many group performances.

But in terms of post-production and the use of special effects, "Madoka" is undoubtedly better than any other movie.

One can imagine the complexity of making such a film.

Without a team that has been established for many years and cooperated tacitly, coupled with Qiye's own dedication, how could it be possible to complete such a huge production as "Xiaoyuan"?

Therefore, when the North American box office of "Madoka" broke through [-] million US dollars without any suspense on Monday, no one was surprised.

Even James Cameron took it for granted.

As a director who witnessed the creation of "Little Dodo", Cameron would feel strange if the film hadn't broken through the $1 million North American box office.

He stood in the conference room of the Fox Building, looking out at Century City in Beverly Hills through the glass windows.

The face that was no longer young looked unusually calm, as if the numbers behind Jim Ganopoulos had nothing to do with him.

$1240 million, this is the number that "Little Dodo" got on Monday.

Breaking tens of millions on weekdays.

What this achievement represents, but anyone who knows something about North American movies can't know.

The 3D version of the movie is definitely the biggest contributor to this achievement.

In order to experience the 3D version of "Madoka", many viewers took time off work to watch the movie.

But even so, most of the 3D screening halls in the United States are still sold out.

Stimulated by such a favorable market, all theater chains put aside their reserve and began to upgrade and renovate their theaters one after another.

Fortunately, the upgrade of ordinary 3D theaters does not need to be as complicated as that of IMAX theaters.

As long as you update the playback equipment and buy a batch of 3D glasses, you will be fine.

The rising box office of "Little Circle" has put a lot of pressure on Fox.

"James, the situation is not good for us." Jim said worriedly.

"Actually, the current situation is not too bad for us."

Cameron comforted Jim Ganopoulos on the other side of the sofa: "The better the 3D version of "Little Circle" sells, the faster the theater will be converted to 3D equipment."

"In this way, when our "Avatar" is released, the number of 3D theaters will increase."

Jim sat there, he said nothing, but his face was not very good-looking.

Cameron's relief didn't do much for Jim.

After all, the two people look at the problem from completely different angles.

After all, Cameron is also a co-producer of "Little Circle".

And he is still the kind of producer who gets a small amount of dividends.

The more "Little Circle" earns, Cameron can actually get a lot of money.

Although the amount of money was far less than that earned by Jiufeng and Qiye, it was still a huge sum of money for a director.

Therefore, Cameron himself is indifferent to the matter of which movie has the higher box office between "Avatar" and "Madoka".

Anyway, it's all about making money, which movie doesn't make money?

As long as the films I make can achieve the effects I want, as long as 3D technology can bring new changes to the film market.

Cameron doesn't care which movie can become the highest in history.

After all, the data is there, isn't it just for people to break?

But this box office win or loss is completely different for Fox.