Post-shadow Development Plan

This answer obviously exceeded everyone's expectations, and there was even a sound of surprise in the auditorium.

Zhang Guoshi was astonished, he never thought it would be such an answer.

Although it sounds like you are talking about a technical gap, you can still feel the difference if you savor it carefully.

The host was also very curious, and he hurriedly asked, "Isn't it somewhere else?"

[Of course, but those things are hard to say. 】

Actors and directors are too offending.

Most of the students at the scene are their own audience.

Saying they can't do it, isn't it a slap in the face?

As for auditing...

Qiye doesn't want her films to be unable to enter the Celestial Dynasty in the future.

Qiye didn't want to go too far, so she quickly added: "Actually, it's not just the movie circle of China, it's the same for all movie circles including Japan."

"Many people say that Hollywood is powerful because it has abundant funds. But in my opinion, the biggest difference between Hollywood and other countries' film industries is not funds, nor directors, actors or scripts, but the maturity of the entire film industry."

"Is Director Kiryu trying to talk about special effects technology for movies?"

the host asked.

Qiye shook her head slightly: "There is a part, but it's not the core. I'm talking about the entire production system."

"Can you be specific?"

The national teacher frowned and asked, he was a little surprised that the other party didn't follow the routine.

Originally, when Kiryu Qiye said other answers, he was going to argue with his own arguments to protect the face of the Chinese filmmakers.

But the other party's answer made him not know how to refute it now.

Although everyone has been saying that Hollywood's film industry is awesome, everyone has never thought about the gap in the industrial system on their side.

Qiye thought for a while and replied: "I have made films in Japan, and I have also communicated with filmmakers from other countries in Hollywood. I found that film circles outside of Hollywood are always very superstitious about the role of directors and actors. For serving The way of transformation is not particularly important."

"Isn't it supposed to be so?"

"No." Qiye shook her head, "There is a very famous saying in Hollywood: No one is irreplaceable, including actors and directors."

Qiye calmly said something that shocked everyone.

The concept of the director is outdated and can be changed slowly;

The actor is not strong enough, you can continue to dig;

The audience has no desire to watch movies and can be cultivated slowly.

But these are not as important as the industrial system, because this is the cornerstone of the entire film industry.

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pS1: "Big Man" is really a very magical and prophetic movie.

Although Director Feng's mouth is really stinky, he has to admit that he is still very capable as a director.

Of course, his stinky mouth also added a lot of jokes to the movie circle.

If there is no Director Feng, then our film industry will be much boring. ╮(╯▽╰)╭

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pS2: The re-screening series has added a batch of new lists, and Pixar's "Coco" and "Reunion" tetralogy will be re-released in China.

I don't know if there is an IMAX version of the re-screening, but Mi Jiang is looking forward to it.

I really hope that the movie theaters will open sooner rather than later. _(:з」∠)_

Chapter 698

No one is irreplaceable, this answer makes all filmmakers feel absurd.

Those actors are okay to say, although the big stars also feel that they are very important.

But if you really want to say that someone can replace them, it is not and cannot be accepted.

After all, in reality, there are too many examples of actors being replaced due to various reasons.

But directors can't see it that way at all.

What is a director?

Let Qiye answer this question, and he will answer that the director is just reconciling the existence of the crew.

You must know that whether it is Zhizhi, Four Seasons, or the directors hired by Marvel Movies, their power is quite limited.

In the simplest example, only one and a half directors of the Jiufeng series have the final editing rights.

One is Nanaya, and half is Peter Jackson-this is one of the conditions for him to agree to direct "Hundred Years' War with Evil Dragons".

Other directors only have the right to edit suggestions, but not the right to make decisions.

Of course, Jiufeng's restrictions on the director's authority are not limited to this one, and there are restrictions of one kind or another in other aspects.