Post-shadow Development Plan

Sugiyama sat on the swing in the park, and Nanaya stood beside him leaning on a pole.

"Tell me, what do you want to ask?" Qiye asked calmly.

Sugiyama looked at the tall buildings with flashing lights in the distance, and said softly: "After eating, I read the script again, and I found that the role of Emiya Shirou is more complicated than I thought."

"You finally understand." Qiye chuckled.

"Ah."

Sugiyama nodded slowly: "I have caused trouble for everyone these few days."

"It's nothing, not only you, but other people also need to use these shots to hone their acting skills."

Qiye tightened her coat tightly, the evening wind at this season already had a bit of chill.

"Director, I know I'm not good at acting, but I can't figure out what's wrong, can you tell me?"

Sugiyama asked anxiously, he was really anxious now.

I ng so many times today, although no one said anything, many staff members already showed a hint of impatience on their faces.

Sugiyama doesn't want to be a burden to the crew, he wants to make a change.

This is why he took the initiative to seek help from Qiye.

Qiye said: "You are the protagonist of this movie, so the role you play is the most complicated and the most varied."

"Um……"

Sugiyama nodded slightly, he listened carefully to Qiye's explanation.

"Don't be so nervous, I won't deduct your salary."

Seeing Sugiyama's expression like a student in class, Qiye suddenly felt that this guy was a little cute.

Since the actor took the initiative to find himself, his attitude is worthy of praise.

Facing the obedient baby who is eager to learn, Qiye will of course give enough guidance.

"Although Emiya Shiro's character curve is a bit complicated, my film is not an art film, but a commercial film. So in terms of character curve, my script still follows the simplest three-act drama structure."

Seeing the confused expression on Sugiyama's face, he could only explain it more carefully.

He picked up a tree branch that had been discarded by the sandpit, which was probably broken off by some naughty kid from the green belt beside it during the day.

Qiye roughly drew a vertical line on the bunker with a branch: "The so-called three-act play is the simplest and best narrative method. It can be summed up in one sentence-the protagonist learns the truth from lies."

"Then, Sugiyama." Nanaya looked at Sugiyama who was squatting by the sandpit with her, "What do you think Emiya Shirou's lies are?"

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pS1: Since the next chapter has a lot of PS content, part of the content will be put into this chapter PS.

There will be more content about the concept of the script in the next chapter, and the proper noun Mijiang has been framed with [ ] symbols.

Because there are many explanations of the content concept, this chapter is not considered to be updated, so let’s pretend that there is no update today. _(:з」∠)_

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pS2: The part about Emiya Shiro in the next chapter belongs to Mi-chan’s own interpretation. If you have your own ideas, you can leave a message, but please don’t quarrel and swear, such comments will be deleted by Mi-chan. _

Chapter 215 Emiya Shirou's [ghost], [lie] and [desire]

The concept of a three-act play basically has a general understanding for anyone who knows Hollywood movies.

But in fact, it is different from the three-act play that many people think is based on the plot as a turning point.

From the perspective of the concept of the script, the basis for the division of the three acts of the three-act play is actually divided by the progression and transition of the characters.

Take, for example, the most commonly used positive character curve story in Hollywood, the three-act "learn [fact] from [lie]" story.

The three acts are "Adventure Calling", "Challenged" and finally "Metamorphosis into a New Man".

These three major stages are all divided around the protagonist's state.

Combining the above two points, it should be clear that, as the protagonist of the story, he must have believed some kind of [lie] when he appeared on the stage.

The reason why Hollywood screenwriters do this is because it is easier to describe a flawed protagonist than a perfect protagonist, because you only need to grasp his shortcomings.

So in movies, we often see that the protagonist is flawed when he appears on the stage.

It doesn't mean that the protagonist is a cripple with missing organs, but that he will lack some things compared to a perfect person in the general impression, and he will make up for it in the next story.

And what the protagonist lacks corresponds to the protagonist's [lie].

This [lie] is not what everyone calls a lie in a realistic sense, but refers to the protagonist's false beliefs or beliefs about the society or the world.

"So, what do you think Emiya Shirou's [lie] is?" Nanaya looked at Sugiyama, hoping he could give herself an answer.

"Um..."

Sugiyama's eyes were full of confusion, he had a little idea, but he didn't know how to express it.

Nanaya looked at the sky, where a night shift airliner was flying over the city.

"Let's put it that way."

Qiye scratched her head.