joe big
Chapter 42
Chapter 41
After Qiao Qiu got the script, he flipped through it roughly, and secretly heaved a sigh of relief.
He really didn't know how to play against Zhou Shuyao, because Zhou Shuyao's performance was really not as good as a rock, so he could only keep lowering Qiao Qiu's performance level.
Although it is not appropriate to say this, Qiao Qiu feels that "Swordsman" is mainly about the tit-for-tat confrontation between Nie Yun and Han Fang. The setting of the heroine itself is dispensable, and it is nothing more than adding a touch of warmth to the cruel Warring States background. , take care of the audience who like to watch emotional dramas.But Zhou Shuyao's performance made this warmth disappear, it's better to get rid of it.
Of course, Qiao Qiu didn't expect that this was the result of the pressure from all parties. He was just in a happy mood. It was the authorities who were fascinated and the bystanders clear.
After receiving the script, most people understand one thing.
——It was an extremely large, powerful pressure that made it impossible to breathe.
Yao Qing had to bow his head.
As for Yao Qing, it wasn't really in such a difficult situation.He knew Zhou Shuyao's performance clearly.Even if there is no external force, the script should have been changed long ago.As Yao Qing said, the warmth of "Swordsman" is not reflected in the relationship between men and women at all.He had thought about this for a long time, so he asked screenwriter Sun to write many scripts in advance, one of which had almost no emotional scenes.
The moving part of "Swordsman" lies in its grasp of human nature.The most prominent thing is the family relationship between Nie Yun and his mother and sister.
Also like what Qiao Qiu said, he doesn't understand Nie Yun's feelings for his mother and his sister.
Therefore, the filming of the relationship between Nie Yun and his mother and sister was the second most difficult scene to film besides the scene with Zhou Shuyao.After filming in the bamboo forest, the crew rushed to the next filming location non-stop. The location was in the wild savannah to film the scene where Nie Yun was taken into exile as a child.
Li Shang's working time is too precious, so the filming process is to shoot the scenes with his participation first, and then slowly fill in other scenes after filming.This childhood exile was originally at the beginning of "Swordsman", but because only Qiao Qiu and extras were needed, it was delayed until now.
Jiang Zhanxin went to the bamboo forest filming location to find Qiao Qiu, stayed for one day, and flew to the next filming location with the crew the next night.Qiao Qiu originally thought that Jiang Zhanxin would go back one day to see him, so he held Jiang Zhanxin's hand at the airport, reluctantly.
—I don't want you to go.
This sentence kept spinning in the throat, but there was no way to say it.Qiao Qiu worried that it would affect Jiang Zhanxin's work.
Because the relationship between the "Swordsman" crew is relatively complicated, Qiao Qiu is not willing to join in. Most of the impressions left on the "Swordsman" crew are "calm and restrained", which seems to be a true inheritance of Jiang Zhanxin's character.It's hard to imagine Qiao Qiu in such a clingy situation after seeing his brother. The passing staff all laughed when they looked at them.
Jiang Zhanxin has been busy for so many days just to spend more time with Qiao Qiu. In fact, Jiang Zhanxin will go wherever the crew goes and follow Qiao Qiu all the way.But he didn't tell him clearly, Jiang Zhanxin knew that Qiao Qiu had misunderstood, and wanted Qiao Qiu to cling to him for a while longer.He followed Qiao Qiu to the VIP passage, and then stopped.
Sometimes Jiang Zhan was impatient and wondered whether to force Qiao Qiu, and asked him exactly what was going on in Qiao Qiu's mind.But no matter how much preparation he had made before, when he saw this person, all his thoughts disappeared without a trace in his mind.Facing Qiao Qiu, Jiang Zhanxin looked like a young boy, with ease, ease of handling, and calmness. These adjectives that were often used on him suddenly became useless.For those he loves, Jiang Zhanxin is also an ordinary person.
Qiao Qiu looked at Jiang Zhanxin with his mouth pursed, his right hand tightly clutching the corner of his clothes, his eye circles were a little red, and the muscles around his throat were tense. If he hadn't tried his best to endure, he would have burst into tears.
Jiang Zhan looked at Qiao Qiu gently, leaned up to touch his neck affectionately, and asked after a while, "Little Qiao..."
"..."
"...will you let me accompany you?"
His voice was low and deep, as if the air was shaking, Qiao Qiu nodded with red eyes, and put his arms around Jiang Zhanxin's neck.
Qiao Qiu is taller than Jiang Zhanxin, so when hugging like this, Jiang Zhanxin can just rest his chin on Qiao Qiu's shoulder.
This is the most common way of hugging among lovers. Jiang Zhanxin put his arms around Qiao Qiu's thin waist and quietly closed his eyes.
Assistant Song next to him just finished checking in his luggage, holding the DSLR that he borrowed from others, saw Qiao Qiu and Jiang Zhanxin, and walked over with a smile.
"What's going on? Qiao Qiu, are you unhappy?"
Qiao Qiu choked his throat, shook his head and said nothing.
"Let's take a photo of the two of you." Assistant Song knelt on the ground on one knee, "Both brothers are so tall."
For an actor, Qiao Qiu's height is a bit too tall, and the actors who played with him worked very hard. In order to accommodate him, they had to step on higher heels.
Jiang Zhanxin's height is at an appropriate level.However, of course no one dared to ask Jiang Zhanxin to be an actor.
Qiao Qiu put down his hand around Jiang Zhanxin's neck, and said with some emotion: "Brother, let's take a photo together."
The two have lived together for five years, and there are many photos, but not many group photos.
Jiang Zhan thought for a while, then said 'huh', walked to Qiao Qiu's side, and stood shoulder to shoulder with him.
Qiao Qiu felt that such a posture was a bit silly, so he walked behind Jiang Zhanxin, put his hands on Jiang Zhanxin's shoulders, bent slightly, and rested his chin on his arms, and their faces were pressed together one after the other.
Such a coquettish posture is really not suitable for these two tall boys.But Qiao Qiu's appearance is very clean and sweet, with big eyes, which is nothing out of the ordinary.
Assistant Song didn't say anything, "Kaka" kept taking pictures, Qiao Qiu's eye circles were still red, he didn't know what to think, he felt very uncomfortable, couldn't help but lower his head, his nose was sore.
Jiang Zhanxin heard his sniffling sound, turned his face away slightly, and rubbed the bridge of his nose against Qiao Qiu's cheek to comfort him.
After Assistant Song finished taking the photo, the three of them walked into the VIP channel together. Qiao Qiu said to Jiang Zhanxin, "Brother... just send it here."
Jiang Zhanxin looked up at Qiao Qiu, paused, and said:
"I'll go with you."
"...?" Qiao Qiu was taken aback.
"Let's go." Jiang Zhanxin took Qiao Qiu's wrist, "I'll go wherever you go. I won't let you be alone in the future."
"..." Qiao Qiu took two steps, and gradually came to his senses, chasing after Jiang Zhan and asked, "Brother, are you not going back to work?"
"No more work." Jiang Zhanxin looked at Qiao Qiu seriously, seeing the obvious joy on the boy's face.
Qiao Qiu laughed out of tears, and asked repeatedly: "Really?"
Jiang Zhanxin took his hand, said 'hmm', with sincere eyes, and whispered: "It's true."
Jiang Zhanxin did what he said.
Except for Qiao Qiu filming, the two are together almost all the time.
Jiang Zhanxin also saw Qiao Qiu's state at work.
He didn't know how Qiao Qiu acted, he just thought it was realistic.I have always heard the director praise him.
Qiao Qiu put on the crew's costume, the deep clothes that were connected into one piece, and the hard armor. The make-up artist's skillful hands, according to the study of Qiao Qiu's face shape, insisted on dressing him like a fifteen or sixteen-year-old boy.
Qiao Qiu's character, Nie Yun, caught up with the national conscription, and all the young people in the village were arrested as coolies.The first scene is about the parting between Nie Yun's mother and Nie Yun. His mother told him to escape quickly to avoid conscription.
The elderly mother had a total of four sons. The three eldest sons all died due to years of war, and only the youngest son, Nie Yun, remained.The mother with handicapped legs hurriedly took out the only three cakes in the house from the pot, put them all in Nie Yun's hands, and then pushed him out of the house quickly and forcefully. She pushed her son so hard that he almost fell down. The thin woman seemed to have exhausted all the strength in her body. After pushing this, she knelt on the ground.
She couldn't stop crying.
Nie Yun stared blankly at his mother, the pancake in his hand was so hot that he didn't even have time to say goodbye, and didn't look back at his mother, and ran away with the four teenagers from the same village.
The village was full of shouting and crying.Nie Yun and the people from the same village hid in a large wheat field that was erected temporarily.
The three cameras were chasing Qiao Qiu at the same time, not even missing the sound of his breathing, filming the boy's performance in all directions without blind spots.
Qiao Qiu tightly grasped the cake in his hand, his palm was as red as blood from being scalded, even so, he still grasped it firmly.He didn't have a sad expression, only panic. He ran like a frightened wild deer, forming a huge contrast with his heartbroken mother.
Through the monitor, Yao Qing looked at Qiao Qiu's expression and stroked his chin thoughtfully.
Before filming, Yao Qing once gave Qiao Qiu a general idea, hoping that he would show panic, and add a little sadness, the sadness of being forced to leave home and wander around.
Qiao Qiu nodded in agreement at the time, but in fact, during the actual performance, Qiao Qiu completely forgot Yao Qing's instructions.
It seems to be too scared.
In addition to being frightened, what impressed people was the three cakes he was holding tightly in his hand.
Without any prompts, anyone can see that Nie Yun attaches great importance to these three cakes.It can be said that he did not feel sad when he left home, and even felt happy because of these three hot and sweet pancakes.
Yao Qing finds this kind of performance very different from the script very interesting.
"There can be a comparison here." Screenwriter Sun said to Yao Qing on the phone, "The longing for leaving home before, the arrogance of young people who don't know how to feel sad, and the longing for their mother and hometown after being bullied by the outside world. very good."
Yao Qing also felt that this kind of contradiction had its own characteristics, so except for the obvious mistakes, he simply did not talk to Qiao Qiu about the rest, and let him develop it himself.
Qiao Qiu only felt that the performance was becoming more and more unrestrained, but this unrestrained state often brought him more pressure.Because he doesn't know what he's doing.No one told him.
I took one after another, and it went smoothly.
After Qiao Qiu got the script, he flipped through it roughly, and secretly heaved a sigh of relief.
He really didn't know how to play against Zhou Shuyao, because Zhou Shuyao's performance was really not as good as a rock, so he could only keep lowering Qiao Qiu's performance level.
Although it is not appropriate to say this, Qiao Qiu feels that "Swordsman" is mainly about the tit-for-tat confrontation between Nie Yun and Han Fang. The setting of the heroine itself is dispensable, and it is nothing more than adding a touch of warmth to the cruel Warring States background. , take care of the audience who like to watch emotional dramas.But Zhou Shuyao's performance made this warmth disappear, it's better to get rid of it.
Of course, Qiao Qiu didn't expect that this was the result of the pressure from all parties. He was just in a happy mood. It was the authorities who were fascinated and the bystanders clear.
After receiving the script, most people understand one thing.
——It was an extremely large, powerful pressure that made it impossible to breathe.
Yao Qing had to bow his head.
As for Yao Qing, it wasn't really in such a difficult situation.He knew Zhou Shuyao's performance clearly.Even if there is no external force, the script should have been changed long ago.As Yao Qing said, the warmth of "Swordsman" is not reflected in the relationship between men and women at all.He had thought about this for a long time, so he asked screenwriter Sun to write many scripts in advance, one of which had almost no emotional scenes.
The moving part of "Swordsman" lies in its grasp of human nature.The most prominent thing is the family relationship between Nie Yun and his mother and sister.
Also like what Qiao Qiu said, he doesn't understand Nie Yun's feelings for his mother and his sister.
Therefore, the filming of the relationship between Nie Yun and his mother and sister was the second most difficult scene to film besides the scene with Zhou Shuyao.After filming in the bamboo forest, the crew rushed to the next filming location non-stop. The location was in the wild savannah to film the scene where Nie Yun was taken into exile as a child.
Li Shang's working time is too precious, so the filming process is to shoot the scenes with his participation first, and then slowly fill in other scenes after filming.This childhood exile was originally at the beginning of "Swordsman", but because only Qiao Qiu and extras were needed, it was delayed until now.
Jiang Zhanxin went to the bamboo forest filming location to find Qiao Qiu, stayed for one day, and flew to the next filming location with the crew the next night.Qiao Qiu originally thought that Jiang Zhanxin would go back one day to see him, so he held Jiang Zhanxin's hand at the airport, reluctantly.
—I don't want you to go.
This sentence kept spinning in the throat, but there was no way to say it.Qiao Qiu worried that it would affect Jiang Zhanxin's work.
Because the relationship between the "Swordsman" crew is relatively complicated, Qiao Qiu is not willing to join in. Most of the impressions left on the "Swordsman" crew are "calm and restrained", which seems to be a true inheritance of Jiang Zhanxin's character.It's hard to imagine Qiao Qiu in such a clingy situation after seeing his brother. The passing staff all laughed when they looked at them.
Jiang Zhanxin has been busy for so many days just to spend more time with Qiao Qiu. In fact, Jiang Zhanxin will go wherever the crew goes and follow Qiao Qiu all the way.But he didn't tell him clearly, Jiang Zhanxin knew that Qiao Qiu had misunderstood, and wanted Qiao Qiu to cling to him for a while longer.He followed Qiao Qiu to the VIP passage, and then stopped.
Sometimes Jiang Zhan was impatient and wondered whether to force Qiao Qiu, and asked him exactly what was going on in Qiao Qiu's mind.But no matter how much preparation he had made before, when he saw this person, all his thoughts disappeared without a trace in his mind.Facing Qiao Qiu, Jiang Zhanxin looked like a young boy, with ease, ease of handling, and calmness. These adjectives that were often used on him suddenly became useless.For those he loves, Jiang Zhanxin is also an ordinary person.
Qiao Qiu looked at Jiang Zhanxin with his mouth pursed, his right hand tightly clutching the corner of his clothes, his eye circles were a little red, and the muscles around his throat were tense. If he hadn't tried his best to endure, he would have burst into tears.
Jiang Zhan looked at Qiao Qiu gently, leaned up to touch his neck affectionately, and asked after a while, "Little Qiao..."
"..."
"...will you let me accompany you?"
His voice was low and deep, as if the air was shaking, Qiao Qiu nodded with red eyes, and put his arms around Jiang Zhanxin's neck.
Qiao Qiu is taller than Jiang Zhanxin, so when hugging like this, Jiang Zhanxin can just rest his chin on Qiao Qiu's shoulder.
This is the most common way of hugging among lovers. Jiang Zhanxin put his arms around Qiao Qiu's thin waist and quietly closed his eyes.
Assistant Song next to him just finished checking in his luggage, holding the DSLR that he borrowed from others, saw Qiao Qiu and Jiang Zhanxin, and walked over with a smile.
"What's going on? Qiao Qiu, are you unhappy?"
Qiao Qiu choked his throat, shook his head and said nothing.
"Let's take a photo of the two of you." Assistant Song knelt on the ground on one knee, "Both brothers are so tall."
For an actor, Qiao Qiu's height is a bit too tall, and the actors who played with him worked very hard. In order to accommodate him, they had to step on higher heels.
Jiang Zhanxin's height is at an appropriate level.However, of course no one dared to ask Jiang Zhanxin to be an actor.
Qiao Qiu put down his hand around Jiang Zhanxin's neck, and said with some emotion: "Brother, let's take a photo together."
The two have lived together for five years, and there are many photos, but not many group photos.
Jiang Zhan thought for a while, then said 'huh', walked to Qiao Qiu's side, and stood shoulder to shoulder with him.
Qiao Qiu felt that such a posture was a bit silly, so he walked behind Jiang Zhanxin, put his hands on Jiang Zhanxin's shoulders, bent slightly, and rested his chin on his arms, and their faces were pressed together one after the other.
Such a coquettish posture is really not suitable for these two tall boys.But Qiao Qiu's appearance is very clean and sweet, with big eyes, which is nothing out of the ordinary.
Assistant Song didn't say anything, "Kaka" kept taking pictures, Qiao Qiu's eye circles were still red, he didn't know what to think, he felt very uncomfortable, couldn't help but lower his head, his nose was sore.
Jiang Zhanxin heard his sniffling sound, turned his face away slightly, and rubbed the bridge of his nose against Qiao Qiu's cheek to comfort him.
After Assistant Song finished taking the photo, the three of them walked into the VIP channel together. Qiao Qiu said to Jiang Zhanxin, "Brother... just send it here."
Jiang Zhanxin looked up at Qiao Qiu, paused, and said:
"I'll go with you."
"...?" Qiao Qiu was taken aback.
"Let's go." Jiang Zhanxin took Qiao Qiu's wrist, "I'll go wherever you go. I won't let you be alone in the future."
"..." Qiao Qiu took two steps, and gradually came to his senses, chasing after Jiang Zhan and asked, "Brother, are you not going back to work?"
"No more work." Jiang Zhanxin looked at Qiao Qiu seriously, seeing the obvious joy on the boy's face.
Qiao Qiu laughed out of tears, and asked repeatedly: "Really?"
Jiang Zhanxin took his hand, said 'hmm', with sincere eyes, and whispered: "It's true."
Jiang Zhanxin did what he said.
Except for Qiao Qiu filming, the two are together almost all the time.
Jiang Zhanxin also saw Qiao Qiu's state at work.
He didn't know how Qiao Qiu acted, he just thought it was realistic.I have always heard the director praise him.
Qiao Qiu put on the crew's costume, the deep clothes that were connected into one piece, and the hard armor. The make-up artist's skillful hands, according to the study of Qiao Qiu's face shape, insisted on dressing him like a fifteen or sixteen-year-old boy.
Qiao Qiu's character, Nie Yun, caught up with the national conscription, and all the young people in the village were arrested as coolies.The first scene is about the parting between Nie Yun's mother and Nie Yun. His mother told him to escape quickly to avoid conscription.
The elderly mother had a total of four sons. The three eldest sons all died due to years of war, and only the youngest son, Nie Yun, remained.The mother with handicapped legs hurriedly took out the only three cakes in the house from the pot, put them all in Nie Yun's hands, and then pushed him out of the house quickly and forcefully. She pushed her son so hard that he almost fell down. The thin woman seemed to have exhausted all the strength in her body. After pushing this, she knelt on the ground.
She couldn't stop crying.
Nie Yun stared blankly at his mother, the pancake in his hand was so hot that he didn't even have time to say goodbye, and didn't look back at his mother, and ran away with the four teenagers from the same village.
The village was full of shouting and crying.Nie Yun and the people from the same village hid in a large wheat field that was erected temporarily.
The three cameras were chasing Qiao Qiu at the same time, not even missing the sound of his breathing, filming the boy's performance in all directions without blind spots.
Qiao Qiu tightly grasped the cake in his hand, his palm was as red as blood from being scalded, even so, he still grasped it firmly.He didn't have a sad expression, only panic. He ran like a frightened wild deer, forming a huge contrast with his heartbroken mother.
Through the monitor, Yao Qing looked at Qiao Qiu's expression and stroked his chin thoughtfully.
Before filming, Yao Qing once gave Qiao Qiu a general idea, hoping that he would show panic, and add a little sadness, the sadness of being forced to leave home and wander around.
Qiao Qiu nodded in agreement at the time, but in fact, during the actual performance, Qiao Qiu completely forgot Yao Qing's instructions.
It seems to be too scared.
In addition to being frightened, what impressed people was the three cakes he was holding tightly in his hand.
Without any prompts, anyone can see that Nie Yun attaches great importance to these three cakes.It can be said that he did not feel sad when he left home, and even felt happy because of these three hot and sweet pancakes.
Yao Qing finds this kind of performance very different from the script very interesting.
"There can be a comparison here." Screenwriter Sun said to Yao Qing on the phone, "The longing for leaving home before, the arrogance of young people who don't know how to feel sad, and the longing for their mother and hometown after being bullied by the outside world. very good."
Yao Qing also felt that this kind of contradiction had its own characteristics, so except for the obvious mistakes, he simply did not talk to Qiao Qiu about the rest, and let him develop it himself.
Qiao Qiu only felt that the performance was becoming more and more unrestrained, but this unrestrained state often brought him more pressure.Because he doesn't know what he's doing.No one told him.
I took one after another, and it went smoothly.
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