"I have brought you, that our passions may fuse and merge—

in your mind you've already succumbed tome,

dropped all defenses, completely succumbed tome—

now you are here with me:nosecondthoughts,

you've decided,

decided..."

There is no doubt that this is a very moving male voice!Hoarse and magnetic, the sound range is wide, and the turning points of the notes vibrate slightly, which is meaningful.What's even more wonderful is the emotion he expresses, the smooth and eloquent voice is full of pride, evil, desire, full of desire to conquer and dominate.As described at the beginning of this scene, it's a hoax.The innocent and beautiful girl was defenseless and came here for love, like an innocent lamb, slowly stepping into the trap prepared by the hunter.And the hunter watched all this viciously and triumphantly.

"Triumph of Don Juan" is a very incomplete script in "The Phantom of the Opera". It suddenly appears, and from a few words, it can only be heard that Don Juan has set a trap for a girl.And this script was quickly interrupted by the plot of the main drama, making it appear to be mindless.But in fact, "Triumph of Don Juan" is full of meaning within a play.Don Juan is a figure in historical legends, a Spanish nobleman living in the 15th century, who set up a trap to abduct a girl, and was killed by the girl's father.In the evaluation of history, Don Juan acted boldly, did many evils, used his charm to seduce many women, and was a negative character.

Phantom created this script, which obviously has a meaning of reflecting himself, and indirectly expresses his feelings about himself, inferiority, pride, and self-destruction.But all of this can't relieve him of the sweetness of getting his beloved girl.In order to get the girl he loves, he is willing to bear these original sins.

The phantom replaced Pipiji as Don Juan, and he performed his works very piously—perhaps the only time in his life, he really stood on the stage. , Seeing Christine, there was no way to control the complicated emotions in my heart.

This kind of play within a play, the feeling of being in and out of the play is very strange, but as the audience, they can understand it without any effort, and a kind of sadness arises spontaneously—sorrow for the Phantom.They all expected that when Christine uncovered his mask, his delusion and efforts to become Don Juan would all go to waste!

Hayley Atwell is still faithfully playing the role of the deceived in "Triumph of Don Juan", as if unconscious, but there is a tremor in her eyes, because she is Christine, she heard the phantom the sound of.

"Past the point of no return—no backward glances:

the games we've played till nowareatanend...

Pastall thought of 'if' and 'when' - nouse resisting:

abandon thought, let the dream descend...

What dragging fire shall flood the soul?

What rich desire to unlock its door?

What sweet reduction lies before us? "

John Owen sang next, like waking up from a dream!While the crowd was still immersed in Vogt's short but content-filled aria, his completely different style of voice was almost noise-like!

They want to hear Vogt's voice!Listen more, clearer, a little taste, a little interpretation!

God, let John Irving finish singing quickly!Everyone shouted inwardly.

I don't know whether he was shocked by Vogt's singing or felt the restless emotions in the audience. John Owen sang this rhythm-changing section. He didn't adjust the pitch properly at the beginning, and the interaction with Hayley Atwell seemed a bit stiff .Although he had gotten into the game as quickly as possible, no one missed his mistakes.

"Past the point of no return, the final threshold—

what warm, unspoken secrets will welcome?

Beyond the point of no return..."

Once again, Vogt's voice sounded!

Driven by John Owen just now, Hayley Atwell's condition has also become not very good.But in the next second, with a flash in front of her eyes, she found herself leaning into a strong and firm embrace, with a pair of arms vainly embracing her in front of her, worshiping her body with endless longing, as if she was reluctant to touch it , until the last sentence, the slender and strong fingers finally mustered up the courage to touch her skin, and slowly intertwined with her five fingers.

The girl was bewitched, she was fascinated by her lover's beautiful voice, subconsciously intertwined with his fingers, showing a sweet and moving smile.However, the skin is close, the body temperature is intertwined, and the seemingly similar touch makes the deceived girl change back to Christine, and she reflexively leaves "Don Juan", with a flash of surprise on her face.

"Don Juan" remained calm.Christine suppressed her doubts and continued to play her role:

"You have brought me to that moment where words rundry,

to that moment where speech disappears into silence,

silence...

I have come here, hardly knowing why...

Inmymind, I've already imagined our bodies entwining,

defenselessandsilent-andnowIamherewithyou:

nosethoughts, I've decided,

decided..."

The girl is deeply obsessed with her lover, she only has love in her heart, for love, she longs to give everything and become one with her lover.Without hesitation, she approached her lover, hugged and entangled with him...

"Past the point of no return—no going back now:

ourpassion-playhasnow,atlast,begun...

Pastallthoughtofrightandwrong-onefinalquestion:

How long should we two wait, before we're one?

When will the bloodbegintorace, thesleepingbudburstintobloom?

When will the flames, at last, consumeus? "

The contact again confirmed Christine's guess.The music becomes intense, confrontational. "Don Juan" grabbed the hand of the "girl" who wanted to escape, and they hurriedly sang the lines of the script, but their emotions were already that of Phantom and Christine:

"Past the point of no return, the final threshold—

the bridge is crossed, so stand and watch it burn...

We've passed the point of no return..."

The last "return" was short and abrupt, and Christine quickly lifted the cloak, revealing the phantom's face - half of the face was wearing a white mask, and the other half was as handsome as a bewitching Satan.Christine couldn't help being fascinated by those deep amber eyes.It's a pity that reality kept reminding Christine that she turned her face away in panic, not daring to look again.

But that enchanting voice didn't let her go, and sang his affection and love word by word, and he did everything just to be with her and break free from the cage of loneliness:

"Say you'll share with me one love, one life time,

Lead me, save me from mysolitude.

Say you want me with you, here beside you...

Anywhere you go let me got too..."

When the phantom put the ring on Christine, her tears fell silently, but her eyes were struggling, and she was torn apart by truth and emotion.

"Christine, that's all Iask of..."

The contented Phantom sang "You are the only thing I want" affectionately and piously, but the last "you (you)" disappeared when Christine took off his mask...

"Bravo! Bravo! Bravo!" Marnie clapped loudly, crying and laughing: "I want to play with him! I want to play with him!"

There was applause from the audience!

Everyone present had watched "The Phantom of the Opera" countless times, but the performance just now still had infinite appeal.They are unconsciously immersed in it, and their moods fluctuate with the development of the plot.As an objective judge, this is a rare thing!

Hayley Atwell recovered from Christine's role and looked at John Owen apologetically.She had been so engrossed in acting with Vogt that she had completely forgotten about him.John Irving had already lifted his cloak and smiled wryly at her with a barely maintained demeanor.There is no need for the judges to tell the result, and the final winner is obvious to all.

Without waiting for Tim to speak, Ashby stood up and said to Vogt, "You are welcome, Mr. Vogt Peston!"

The author has something to say: Note: Bravo: Excellent!

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