A true idol will not be a flash in the pan [Entertainment]
Chapter 21 Night Play
"Cut!" Lu Yunqi shouted.
Su Tan raised his eyes slightly, and looked towards Lu Yunqi, Mo Shi, who was half kneeling in front of him, also turned his head.
"Mo Shi, did you change the line?" Lu Yunqi asked, "The original line should be 'If one day, even such a day can't continue, what should I do'."
Mo Shi nodded: "At the moment just now, I felt that this sentence was more in line with Mu Wei's state of mind, because Mu Wei should speak to Ling with the tone of speaking to people, so I said this according to the feeling in my heart. If it is not suitable If so, do it again."
"No need." Lu Yunqi waved his hand, "This line is ok, this one is like that. But in the future, you still have to strictly follow the lines, don't play too freely."
"Okay." Mo Shi said.
After the shooting of this scene, today's shooting basically announced that it was over, and there was still the last night scene left.
The sun has set, and Mount Baekdu is shrouded in twilight.
The film crew of "Mechanism" was set in a valley, and the mountain peaks blocked the surrounding wind, so the temperature difference between morning and evening was not that big, but the temperature in the mountainous area was still very low.
Lu Yunqi picked up his loudspeaker again: "It's windy and cold at night, all crews should keep warm! The cast and crew who are not working on filming count the number of people and go down the mountain together!"
The set was busy for a while, but Su Tan was still leaning on the pile of firewood to let go. Some extras thought he was still honing his acting skills, and whispered that "the flow and flow are different" and "Su Tan is still working hard."
The first time Director Lu yelled "Cut", Mo Shi stretched out his hand to Su Tan, trying to help him up, but Su Tan shook his head and refused, and Mo Shi went to talk to Lu Yunqi first.
Su Tan's eyes, which are usually as gentle as moonlight, are now devoid of expression, reflecting the empty light like a mirror.
The feeling of familiarity in my heart just now is still lingering in Su Tan's mind.
He couldn't clearly outline the picture in his mind, the entire background was blurred, only it felt so real, so real that he felt his heart tremble.
Unexamined, like being haunted in a dream.
"Why are you still sitting on the ground, get up quickly." Mo Shi's voice sounded, "Aren't you afraid of freezing?"
Su Tan raised his eyes in a daze, and Mo Shi's face came into sight. The black down jacket with white reflective strips finally gave Su Tan a sense of returning to the real world.
"I'm fine." Su Tan said, "I..."
"What's the matter?" Mo Shi was keenly aware of Su Tan's strangeness, and asked.
Su Tan was a little tangled, because he felt that he and Mo Shi were not very familiar, at least he couldn't mature like him and Pu Ying, talking about everything.
But now he felt very uncomfortable in his heart, as if he was full of uncomfortable emotions, he had to speak out.
"I seem to have heard what you said just now." Su Tan said, "No, it should be said that I seem to have said that."
-
When Su Tan said this, Mo Shi looked very surprised. He laughed and asked Su Tan, what does it mean? Could it be that he couldn't even remember whether he said a word or not?
Su Tan was very embarrassed and told Mo Shi that he should have lost his memory and couldn't remember many things.
He originally thought it was very secondary, and Mo Shi would not believe it, or laugh at him, but Mo Shi didn't.
Mo Shi said very gently, if you can't remember it, don't think about it, maybe your mind doesn't want you to remember it.
When Su Tan thought about it, he felt that it was very reasonable.
But he couldn't stop worrying about it, he asked Mo Shi: "Do you think I really said that, brother Mo Shi?"
When Mo Shi heard this, he stared at him thoughtfully for a while, and said with a smile: "Although you look quite obedient now, maybe you are a little scumbag in essence?"
Su Tan immediately became unhappy: "How is it possible! I won't be a scumbag!"
Mo Shi laughed loudly: "Since you know that you won't be a scumbag, why are you still struggling with something you haven't said?"
Su Tan suddenly felt relieved, and Mo Shi stretched out his hand to pull him up: "Let's go, go eat, the boxed lunch has been left for a long time, it should be cold."
Su Tan was dragged by Mo Shi, and his eyes widened: "You called me after the lunch box was left out for a long time?"
"Seeing that you have been emptying out, I want to wait for you." Mo Shi said, "If you think the food is not delicious if it is cold, I will treat you to a good meal after the filming of the two weeks is over."
"That's not true." Su Tan said, "I just think you haven't eaten, and I'm afraid you'll be hungry."
Mo Shi was stunned for a while, smiled and said nothing, and dragged Su Tan to the resting camp.
Not far away, Jiang Mei was wearing a thick jacket, sipping hot coffee, looking at the two of them thoughtfully, with smiles in his eyes.
-
This kind of scene has been filmed for a few days. One of the advantages of "Mechanism Master" in terms of funds is that the scenes are small, the need for group performances is small, and the expenditure is not much. Many scenes are the rival scenes between Mo Shi and Su Tan. Of course it is Mo Shi's one-man show is also fine.
The most important requirement for Su Tan is not to laugh, and Su Tan happens to be a little silly, which perfectly fits Director Lu's request.
Not to mention Mo Shi's side.
For movies with such an ancient background and more delicate requirements for characters, actors need a period of time to experience the characters, and Mo Shi's time to sink into the characters is very short, and the effect is also very good.
In Lu Yunqi's words, "Teacher Mo Shi can act out the emotions of two people by himself."
Su Tan also thought it was, when Mo Shi looked at him, he could feel Mo Shi's various emotions, reluctance, nostalgia, and pain even from his eyes.
Sometimes he was even immersed in Mo Shi's performance, and wanted to respond to Mo Shi's various confessions to him, but then he remembered that his role was a puppet, so he continued to remain numb.
In the scenes with Mu Shi, he often has vague sadness, or specious, memory-like emotions.
Moshi said that he may be a little into the drama, or he may have a distant resonance with his past mood or even a dream that came by accident. If he can't remember it, there is no need to think about it.
Su Tan thought it made sense, so he stopped worrying about it.
On the third day, I didn't plan to shoot a night scene. The forecast said that there would be snow at night, so Lu Yunqi was overjoyed and immediately pulled a large team up the mountain.
Xue Ye's play is of course also an emotional play. When a group of people are debugging the machine and waiting for the snow to come, Mo Shi and Su Tan are playing against each other in the ruined temple.
Su Tan was wrapped in a thick military overcoat and held a hand warmer in his hand.
On the surface it was said to be a hand warmer, but inside it was a small flame that Feng Chu reluctantly vomited, and it had an excellent warmth-keeping effect.
Mo Shi quickly entered the state of play, as if this role was born for him.
In today's plot, the puppet was injured, and the mechanism engineer needed to repair it. Su Tan's face hadn't been scarred yet, so Mo Shi just gestured at his face twice.
His movements were not full, but his eyes were fully tensed. The regret in his eyes was reflected in Su Tan's eyes, and Su Tan felt pain.
Su Tan even really felt that he was the puppet who escaped with the mechanism master, and Mo Shi used his performance to bring him into this scene.
During the break, Su Tan couldn't help asking Mo Shi: "Brother Mo Shi, why are you able to act so well? Do you have any skills? When you looked at me just now, I felt like I was really that puppet."
Mo Shi reached out and took a bottle of mineral water, unscrewed the water and handed it to him, then said: "For skills, let's find empathy."
"Empathy?" Su Tan didn't understand.
"It is to feel the emotions of the characters, and then look for the emotional points that I have had similar experiences before, and act with that feeling. For example, I think the organist has some liking for Ling, so I will go to Recalling my similar feelings, I . . . "
Mo Shi paused for a moment: "The person I like."
Su Tan corrected: "The flower you like."
Mo Shi originally had a serious expression on his face, but he was overwhelmed by his words, and he couldn't help laughing: "Yes, I like flowers."
Su Tan thinks that Mo Shi is very good, he is handsome, he is a good person, and he is so good at acting.
To be liked by Mu Shi must be an excellent character.
He suddenly understood where Pu Ying's "gossip mentality" came from. For example, when facing Mo Shi, he wanted to know more about this flower.
Su Tan is a straightforward flower, he was very curious, so he asked Mo Shi: "What kind of flower do you like?"
When Mo Shi heard Su Tan's question in such a tone, he was silent for a while.
Seeing that Mo Shi didn't answer, Su Tan immediately realized that his question might be a bit offensive.
Park Young did indeed say that in the entertainment circle, one should try to hide one's love life as much as possible.Su Tan has no love life, so he didn't care about it before.
Su Tan immediately wanted to apologize to Mo Shi and pretend that he hadn't asked, but at this moment, Mo Shi smiled lightly and replied:
"It's a stupid flower."
Su Tan raised his eyes slightly, and looked towards Lu Yunqi, Mo Shi, who was half kneeling in front of him, also turned his head.
"Mo Shi, did you change the line?" Lu Yunqi asked, "The original line should be 'If one day, even such a day can't continue, what should I do'."
Mo Shi nodded: "At the moment just now, I felt that this sentence was more in line with Mu Wei's state of mind, because Mu Wei should speak to Ling with the tone of speaking to people, so I said this according to the feeling in my heart. If it is not suitable If so, do it again."
"No need." Lu Yunqi waved his hand, "This line is ok, this one is like that. But in the future, you still have to strictly follow the lines, don't play too freely."
"Okay." Mo Shi said.
After the shooting of this scene, today's shooting basically announced that it was over, and there was still the last night scene left.
The sun has set, and Mount Baekdu is shrouded in twilight.
The film crew of "Mechanism" was set in a valley, and the mountain peaks blocked the surrounding wind, so the temperature difference between morning and evening was not that big, but the temperature in the mountainous area was still very low.
Lu Yunqi picked up his loudspeaker again: "It's windy and cold at night, all crews should keep warm! The cast and crew who are not working on filming count the number of people and go down the mountain together!"
The set was busy for a while, but Su Tan was still leaning on the pile of firewood to let go. Some extras thought he was still honing his acting skills, and whispered that "the flow and flow are different" and "Su Tan is still working hard."
The first time Director Lu yelled "Cut", Mo Shi stretched out his hand to Su Tan, trying to help him up, but Su Tan shook his head and refused, and Mo Shi went to talk to Lu Yunqi first.
Su Tan's eyes, which are usually as gentle as moonlight, are now devoid of expression, reflecting the empty light like a mirror.
The feeling of familiarity in my heart just now is still lingering in Su Tan's mind.
He couldn't clearly outline the picture in his mind, the entire background was blurred, only it felt so real, so real that he felt his heart tremble.
Unexamined, like being haunted in a dream.
"Why are you still sitting on the ground, get up quickly." Mo Shi's voice sounded, "Aren't you afraid of freezing?"
Su Tan raised his eyes in a daze, and Mo Shi's face came into sight. The black down jacket with white reflective strips finally gave Su Tan a sense of returning to the real world.
"I'm fine." Su Tan said, "I..."
"What's the matter?" Mo Shi was keenly aware of Su Tan's strangeness, and asked.
Su Tan was a little tangled, because he felt that he and Mo Shi were not very familiar, at least he couldn't mature like him and Pu Ying, talking about everything.
But now he felt very uncomfortable in his heart, as if he was full of uncomfortable emotions, he had to speak out.
"I seem to have heard what you said just now." Su Tan said, "No, it should be said that I seem to have said that."
-
When Su Tan said this, Mo Shi looked very surprised. He laughed and asked Su Tan, what does it mean? Could it be that he couldn't even remember whether he said a word or not?
Su Tan was very embarrassed and told Mo Shi that he should have lost his memory and couldn't remember many things.
He originally thought it was very secondary, and Mo Shi would not believe it, or laugh at him, but Mo Shi didn't.
Mo Shi said very gently, if you can't remember it, don't think about it, maybe your mind doesn't want you to remember it.
When Su Tan thought about it, he felt that it was very reasonable.
But he couldn't stop worrying about it, he asked Mo Shi: "Do you think I really said that, brother Mo Shi?"
When Mo Shi heard this, he stared at him thoughtfully for a while, and said with a smile: "Although you look quite obedient now, maybe you are a little scumbag in essence?"
Su Tan immediately became unhappy: "How is it possible! I won't be a scumbag!"
Mo Shi laughed loudly: "Since you know that you won't be a scumbag, why are you still struggling with something you haven't said?"
Su Tan suddenly felt relieved, and Mo Shi stretched out his hand to pull him up: "Let's go, go eat, the boxed lunch has been left for a long time, it should be cold."
Su Tan was dragged by Mo Shi, and his eyes widened: "You called me after the lunch box was left out for a long time?"
"Seeing that you have been emptying out, I want to wait for you." Mo Shi said, "If you think the food is not delicious if it is cold, I will treat you to a good meal after the filming of the two weeks is over."
"That's not true." Su Tan said, "I just think you haven't eaten, and I'm afraid you'll be hungry."
Mo Shi was stunned for a while, smiled and said nothing, and dragged Su Tan to the resting camp.
Not far away, Jiang Mei was wearing a thick jacket, sipping hot coffee, looking at the two of them thoughtfully, with smiles in his eyes.
-
This kind of scene has been filmed for a few days. One of the advantages of "Mechanism Master" in terms of funds is that the scenes are small, the need for group performances is small, and the expenditure is not much. Many scenes are the rival scenes between Mo Shi and Su Tan. Of course it is Mo Shi's one-man show is also fine.
The most important requirement for Su Tan is not to laugh, and Su Tan happens to be a little silly, which perfectly fits Director Lu's request.
Not to mention Mo Shi's side.
For movies with such an ancient background and more delicate requirements for characters, actors need a period of time to experience the characters, and Mo Shi's time to sink into the characters is very short, and the effect is also very good.
In Lu Yunqi's words, "Teacher Mo Shi can act out the emotions of two people by himself."
Su Tan also thought it was, when Mo Shi looked at him, he could feel Mo Shi's various emotions, reluctance, nostalgia, and pain even from his eyes.
Sometimes he was even immersed in Mo Shi's performance, and wanted to respond to Mo Shi's various confessions to him, but then he remembered that his role was a puppet, so he continued to remain numb.
In the scenes with Mu Shi, he often has vague sadness, or specious, memory-like emotions.
Moshi said that he may be a little into the drama, or he may have a distant resonance with his past mood or even a dream that came by accident. If he can't remember it, there is no need to think about it.
Su Tan thought it made sense, so he stopped worrying about it.
On the third day, I didn't plan to shoot a night scene. The forecast said that there would be snow at night, so Lu Yunqi was overjoyed and immediately pulled a large team up the mountain.
Xue Ye's play is of course also an emotional play. When a group of people are debugging the machine and waiting for the snow to come, Mo Shi and Su Tan are playing against each other in the ruined temple.
Su Tan was wrapped in a thick military overcoat and held a hand warmer in his hand.
On the surface it was said to be a hand warmer, but inside it was a small flame that Feng Chu reluctantly vomited, and it had an excellent warmth-keeping effect.
Mo Shi quickly entered the state of play, as if this role was born for him.
In today's plot, the puppet was injured, and the mechanism engineer needed to repair it. Su Tan's face hadn't been scarred yet, so Mo Shi just gestured at his face twice.
His movements were not full, but his eyes were fully tensed. The regret in his eyes was reflected in Su Tan's eyes, and Su Tan felt pain.
Su Tan even really felt that he was the puppet who escaped with the mechanism master, and Mo Shi used his performance to bring him into this scene.
During the break, Su Tan couldn't help asking Mo Shi: "Brother Mo Shi, why are you able to act so well? Do you have any skills? When you looked at me just now, I felt like I was really that puppet."
Mo Shi reached out and took a bottle of mineral water, unscrewed the water and handed it to him, then said: "For skills, let's find empathy."
"Empathy?" Su Tan didn't understand.
"It is to feel the emotions of the characters, and then look for the emotional points that I have had similar experiences before, and act with that feeling. For example, I think the organist has some liking for Ling, so I will go to Recalling my similar feelings, I . . . "
Mo Shi paused for a moment: "The person I like."
Su Tan corrected: "The flower you like."
Mo Shi originally had a serious expression on his face, but he was overwhelmed by his words, and he couldn't help laughing: "Yes, I like flowers."
Su Tan thinks that Mo Shi is very good, he is handsome, he is a good person, and he is so good at acting.
To be liked by Mu Shi must be an excellent character.
He suddenly understood where Pu Ying's "gossip mentality" came from. For example, when facing Mo Shi, he wanted to know more about this flower.
Su Tan is a straightforward flower, he was very curious, so he asked Mo Shi: "What kind of flower do you like?"
When Mo Shi heard Su Tan's question in such a tone, he was silent for a while.
Seeing that Mo Shi didn't answer, Su Tan immediately realized that his question might be a bit offensive.
Park Young did indeed say that in the entertainment circle, one should try to hide one's love life as much as possible.Su Tan has no love life, so he didn't care about it before.
Su Tan immediately wanted to apologize to Mo Shi and pretend that he hadn't asked, but at this moment, Mo Shi smiled lightly and replied:
"It's a stupid flower."
You'll Also Like
-
The Fourth Master's Dog
Chapter 261 17 hours ago -
Comprehensive film and television: the queen is charming and has many children and blessings
Chapter 580 17 hours ago -
Quick Wear: Lu Ming She Has Many Children and Blessings
Chapter 443 17 hours ago -
Comprehensive film and television: Cannon fodder female supporting role has many children and good f
Chapter 226 17 hours ago -
Female Supreme: Population is in crisis, I have a fruit-bearing tree
Chapter 204 17 hours ago -
Film and television actress, she has many children and good fortune
Chapter 512 17 hours ago -
The most beautiful female in the animal world: bear many children and cubs!
Chapter 340 17 hours ago -
Quick Wear: Stunning Beauty Pregnant Again and Again
Chapter 198 17 hours ago -
Many children, many blessings: The male protagonist who has no descendants becomes a man who dotes o
Chapter 383 17 hours ago -
The pet of the beast world: sickly beauty has many children and good fortune
Chapter 640 17 hours ago