This marriage must be divorced! [Entertainment]

On the set, the originally tall man was stooped, his face was muddy, his clothes were ragged, and his steps were staggering.The heavy chains on the man's wrists and ankles showed his humble status - a servant who could be bought and sold at will.He was mixed among a group of people dressed in the same outfit, and he completely restrained his aura.

Ye Qiyuan, who was on the sidelines, was stunned on the spot for a while. Although he had seen Ji Yao act in the crew of "Into the World" before, the identities of the wealthy businessman in "Into the World" and Ji Yao's identities had a high degree of overlap, so they did not Not too shocking.

But it is different now, the dusty hair, numb eyes, and even the character's walking posture and inadvertent small movements are completely separated from the influence of Ji Yao himself, presenting a completely different life .

Ye Qiyuan suddenly understood the reason why such a man had achieved a transcendent status in the entertainment industry at a young age.

The opening of "Subversion" is a long shot with one shot to the end. A dentist takes the "goods" in his hand and enters the magnificent Cheng's mansion through the city gate.

In this long shot, the era when the film started is fully displayed, and Ji Yao, the protagonist, is not the focus, and he has been drawn and drawn several times.Ordinary directors seldom dare to do this, and a little carelessness will divert the audience's attention from the protagonist.

But precisely because Ji Yao played the leading role, Gu Jinshang had no such worries at all.Even if this man plays the role of the lowest level of society, he can catch the attention of the viewers at once.

In just the opening chapter, Ye Qiyuan also has a full understanding of Gu Jinshang's crew. The photography, starring role, and even the group performances all cooperate perfectly. It looks like a long-term cooperative team.

Yan Dai, who was standing beside Ye Qiyuan, couldn't help but sigh secretly, the more the team has been working for a long time, the harder it is for newcomers to integrate. Ye Qiyuan will stay in the crew for a long time this time, and I only hope that the later period will be better Bar.

The dentist entered the Cheng's compound, and the first shot of the machine ended.In Ye Qiyuan's eyes, this shot was completely one-off. Unexpectedly, Director Gu, who was sitting in front of the monitor, was dissatisfied.

Ye Qiyuan originally wanted to take advantage of this gap to say hello to the director, but before he could get close, several assistant directors and props immediately passed him and surrounded the monitor.

Gu Jinshang didn't notice him at the moment, she took off the earphones with a "snap", pointed to a corner of the monitor's freeze-frame screen and said, "I just said no, this vase is not placed right, it's too out of harmony, You props team think of a way and change it."

At the end of the last shot, it captured a corner of the main hall of the Cheng family. In that corner was a celadon vase with a few dead branches in a neat arrangement, which was very elegant.

However, this vase only appeared in a corner of the screen, so it was difficult to attract attention, but the director team and prop team of "Subversion" almost quarreled because of this vase.

Gu Jinshang and the assistant directors gathered around a bunch of vases prepared by the props team to try them out. Lao Liang, who was familiar with Ye Qiyuan, was also among them. The busy crew members around them performed their duties. Ye Qiyuan and Ye Qiyuan Yan Dai can only be left there.

Unlike when Ye Qiyuan made up Cang Ya's scenes before, Qian Dongfeng's crew work has come to an end, and he is specially shooting Ye Qiyuan's scenes again, so the staff pays more attention to him.But now, Ye Qiyuan's reputation is not obvious, and he got the role of Cheng Fei over Gu Zhe, who was basically appointed by default, so he was unavoidably coldly received in the crew as a newcomer.

Over there, Gu Jinshang seemed dissatisfied with the work of the props team, so he raised his voice and said, "If you can't find a suitable vase, you won't be able to turn on the machine, and the funds are wasting every day!"

Everyone in the props team headed by Lao Liang almost burst into tears, okay, if you are not satisfied with this vase, you can change it, but you have to tell me what you want?

The key point is that when asked specifically, Gu Dao couldn't say anything, only that she couldn't reach her "feeling". The word "feeling" has almost become the most feared word of the year in the entire prop group.

Yan Dai went out and came back again, and brought news to Ye Qiyuan: "I asked, in fact, it was ready to start up a few days ago, but the director of the vase prepared by the props team was not satisfied. Today I found a suitable point, and the result Director Gu felt that it was not good every time it was started, and this scene has been shot five times. This will make Director Gu angry, so please don't go there and make trouble."

Ye Qiyuan clicked his tongue when he heard that, just for a vase in the corner, such a time-consuming and labor-intensive long shot that requires coordinating various group performances has not been finalized for five times, and it seems that five more times will be taken, " Subversion" crew is really rich and powerful.

Because of his background, Ye Qiyuan is very adaptable to this kind of situation where no one cares about him. He has no yearning for Zhongxing Gongyue at all. Seeing that the director is not free and no one cares about him, he tells Yan Dai to go shopping by himself. Go shopping, just to get acquainted with the crew.

Walking around, Ye Qiyuan came to the location where the filming had just been done. The crew did not film in the film and television city, but purposely rented the house of an official who was in a similar situation to the Cheng family at that time.

The collision of two styles can be clearly seen in this house. The main body is the traditional Chinese style, but the architectural trends of western classicism and romanticism can be seen everywhere.

This is quite in line with the description of the Cheng family in the original book. After all, the mistress of the Cheng family was a princess from a powerful country in Western Europe, and after the princess got married, she quickly emptied her cowardly husband's rights and became the Cheng family. The people in power behind it.

Ye Qiyuan evaluated secretly while walking to the place where the shooting just ended.

Looking at it from his point of view, it happened to be just like the camera that just scanned, seeing the vase in the corner of the lobby of the house.Looking at it this way, Ye Qiyuan, who had been fascinated by various styles in the fashion circle in his previous life, immediately felt that something was wrong.

In this room, the vase, which exudes pure oriental elegance, does seem a bit out of place.

Ye Qiyuan looked at the several vases placed by the props group, and asked a member of the props group next to him in a low voice: "Have you tried changing to a Western-style vase?"

This young prop guy probably lost his temper after being scolded for a long time. Hearing someone questioning him now, he looked up at Ye Qiyuan feebly. When he saw that it was an actor he didn't know, he immediately waved in boredom. He waved his hand: "It's been changed a long time ago, now, isn't there the one over there?"

A Western-style vase with various flowers is established at the place pointed by the prop boy, and the flower arrangement is obviously the work of a flower arrangement master.

Ye Qiyuan took a look, then returned to the lobby, carefully looked at the vases on the table, and stretched out his hand to try to move it.The prop boy took a look at him, curled his lips and muttered, "The director didn't even see what was wrong, so what are you looking for?"

Not far away, Gu Jinshang was so angry that he took off his glasses, rubbed his brows, and cursed bad luck when there was no good or bad discussion in the props team.The first game of the boot was so troublesome, and I don't know how much trouble will follow.

It's not that Gu Jinshang deliberately picked out the details. Period films are very particular about authenticity. In this shot, the vase only takes up a small corner. That's right. What about when the scene later shifts to the main hall?After all, I still can't escape this point.

Gu Jinshang was upset, she turned her head and saw Ye Qiyuan moving the vase in the lobby, she only sighed that young people are very curious, and didn't care anymore.

The vase was placed on the table for the guests, and the props team had moved the vase all over the table, but Gu Jinshang was not satisfied, so she knew that the problem was not the position of the vase.

Gu Jinshang walked back to the monitor in frustration, planning to put this issue aside and adjust the shooting sequence of the subsequent scenes.But when she turned around again, she saw that the young man who was standing there adjusting the position of the vase pulled out the dead branches inserted in the celadon vase, and pulled out the flowers from the Western-style vase next to him. Mess around.

After Ye Qiyuan finished all this, he took a few steps back and nodded in satisfaction.And the prop boy who squatted on the ground and yawned before, turned his head and saw that one Buddha was born and two Buddhas ascended to heaven: "Hey! What are you doing!"

Ye Qiyuan made a mess of the two vases that were good before. The flower arrangements in the Western vases were pulled out, and the celadon vase on the table became neither Chinese nor Western, and the flowers inside were not artistic at all. .

The prop guy was so angry that he pushed Ye Qiyuan away, and reached out to pull out the flowers in the celadon vase, but before his hand touched those "messy" flowers, he heard Gu's voice behind him. The director almost broke his voice and yelled: "Slow down! Don't move!"

The prop boy quickly withdrew his hands in fright, but still rubbed the flowers at the corners crookedly.He hurriedly turned around, and saw that Director Gu threw off the assistant directors who were discussing endlessly, and hurriedly walked towards him.

The little brother thought he was going to be scolded, but he just watched Gu Jinshang pass him and Ye Qiyuan without looking sideways, and walked straight to the vase.

Gu Jinshang straightened his glasses first, and then carefully stretched out his hand to straighten the crooked flowers of the prop boy, as if he was treating some precious artwork.After she had done all this, she stood back and stood in the position of the camera to look at the vase.

"That's how it feels, and we'll follow this style in the future!" Gu Jinshang said to the prop crew behind him, with obvious joy in his voice, "Notify the actors, get ready to start the machine!"

Speaking of which, Gu Jinshang was about to return to the monitor, but when she returned, she still grabbed Ye Qiyuan and said, "Come, let's take a look at your 'masterpiece'."

Gu Jinshang pulled Ye Qiyuan to the monitor.

As soon as the camera was turned on this time, the staff of the production team discovered that this unknown little artist, who was originally lonely and unattended, moved a small bench and sat in front of the monitor, and whispered head-to-head with Director Gu from time to time.

Although Gu Jinshang did not lead Ye Qiyuan to make a grand introduction, and although Ye Qiyuan is not acquainted everywhere in the crew, from now on, he is no longer someone who can be easily ignored in the crew of "Subversion".