hehe! [Transmigration Book]
Chapter 105 Chapter 105: Enlightenment, Enlightenment
"Youth's Guide to the Orchestra is a work created by British composer Britten in the middle of the 20th century. From the soundtrack drama "Revenge of the Moors" by the British composer Purcell in the 17th century. This piece of music is composed of multiple fragments, and each fragment is played by a part of the instruments in the orchestra. We call these fragments variations, which are Use different methods to play the same theme. There are three parts in this piece, the first part is Purcell's theme. The orchestra's ensemble presents Purcell's solemn and magnificent theme..."
As soon as Zhang Jinghuai's voice fell, the deputy director waved his left hand and baton.Mo Yusheng watched the conductor's gestures, and also saw that the first note was played.
The 3/2 beat elongates the tone, causing each note to fall heavily, and then the next note appears with an unfinished coda.This kind of emphatic and lengthy score quickly brings out a sense of majesty and majesty.Much religious music uses this rhythm to proclaim the greatness and magnificence of the Lord.
This theme is very brief, and then the commentary is repeated: "Now, we will hear the four instruments of the woodwind group, including piccolo, flute, oboe, and clarinet, playing Purcell's theme in different ways offside."
This section is dominated by the woodwind group, so Mo Yusheng put down the bowstring in his hand.Thinking of Tao Tian in the stands below, Mo Yusheng instinctively looked over from his seat, but it was so dark that Mo Yusheng couldn't see where Tao Tian was at all.
Tao Tian sat in the auditorium below, and after Mo Yusheng took the stage, he kept staring at Mo Yusheng without looking away.If Shengsheng playing the piano is like a lonely prince, then Shengsheng playing the violin is like an elegant nobleman.The slightly lowered eyes, the white fingers are in stark contrast to the black bowstrings, making the hands look even more slender.Even though there was a slight smile on the corner of Mo Yusheng's mouth, it exuded the same concentration, and the same... loneliness.
Tao Tian was a little stunned, this kind of Shengsheng shuts out everything around him, and that door was built by Shengsheng for himself... Unknowingly, the wrinkles between Tao Tian's eyebrows gradually formed.
After the main theme of the ensemble was over, Tao Tian saw Mo Yusheng's eyes looking in his direction, and couldn't help but curl the corners of his mouth, and his slightly frowning brows also relaxed.No matter how Shengsheng treats outsiders, he will always be the most special to Shengsheng!
Lin Lin immediately whispered to Li Yutang: "Xiaotang, look, is Brother Mo looking at us?"
Li Yutang pulled the corner of Lin Lin's clothes and said, "A Lin, you are still playing now, don't whisper!"
Lin Lin was quiet for a while, and then started talking again, but he lowered his voice a lot.Lin Lin said: "Xiao Tang, I don't know why, the first thing I saw among so many violinists was Brother Mo! Brother Mo is so handsome!!!"
Li Yutang said, "Is it because Mo...brother is shorter?" That's why I saw him for the first time.
Lin Lin blushed, and said a little excitedly, "That's not true! Didn't you realize that Brother Mo's aura is much stronger than other senior brothers?"
Tao Tian thought to himself that Li Yutang seemed to be the first to Shengsheng!Thinking about the family background shown by Li Yutang, is this hatred of the rich?Well, there is also this possibility!Tao Tian was more wary of Li Yutang in his heart, but he still couldn't restrain his pride.Indeed, Sheng Sheng who picked up the instrument was the most dazzling person present!No one can grab the halo that belongs to Shengsheng!
This is his Sheng Sheng...
In the darkness, Tao Tian looked at Mo Yusheng with two parts of emotion and joy in his eyes.
It was only in the dark that he dared to show such obvious emotions.Tao Tian knew very well that the relationship between him and Mo Yusheng was still very fragile. This kind of fragility meant that the two of them did not have the ability to withstand the wind and rain.Before the wings are full, he and Shengsheng can only hide it.Of course, after nearly a year of mediocrity, Tao Tian has gradually found the way. Recently, he has been able to make up for Sheng Sheng several times in the name of celebration!
As if feeling Tao Tian's gaze, Mo Yusheng's eyes turned and fixed on Tao Tian's direction.It was just because of the darkness that Mo Yusheng couldn't focus at all.
After "looking" at Tao Tian, Mo Yusheng focused on the score again.
After the woodwind group came the brass group, and Zhang Jinghuai’s voice sounded again: “The earliest brass instruments were trumpets and hunting horns. The instruments used here are their descendants—french horn, trumpet, trombone, tuba , they repeat themes with high-pitched and sonorous variations of impression."
Immediately, the trumpet with a pure and bright tone sounded.
After the brass group was Mo Yusheng's string group, and Zhang Jinghuai's voice sounded again: "Big and small string instruments are played with either bows or fingers. Their cousins, the harps, always use Finger plucked."
As soon as Zhang Jinghuai finished speaking, with the wave of the baton, the bow and qin strings in Mo Yusheng's hands began to rub against each other to produce beautiful notes.
The first and second violins, violas, cellos, and double basses begin to change and repeat the theme.The high and low sounds in the musical instrument industry are very easy to distinguish. Generally speaking, the smaller the volume, the higher the pitch it emits, like a whistle.On the contrary, the larger the volume, the lower the tone it emits. For example, the tone of the cello is much smaller than that of the violin.But there are exceptions, such as the pipe organ - the largest instrument in the world, but its volume is loud and majestic, its tone is beautiful and solemn, it can imitate the effects of orchestral instruments and play rich harmony.
If it weren't for the size of the pipe organ, it would not be taken away by the piano as the "King of Musical Instruments".
From the fourth quarter onwards, the harp was added, and the clear and soft voice added a charming color to the orchestra.
In fact, Mo Yusheng prefers the traditional Chinese musical instrument, the harp, to the harp.The harp was once lost, but with the joint efforts of the previous two generations, the modern harp was restored.Mo Yusheng compared it. The tone of the modern harp is much more mellow than that of the harp, and it can also play harmony and polyphony.This is something that the harp can't keep up with, but the difficulty of modern harp is much higher than that of the harp. After all, harp needs to master both hands to play.Simultaneously move different pitches between the different fingers of the two hands and perform vibrato with the corresponding fingers. Since the two hands are not tied to each other like the two fingers of one hand, but are independent of each other, this makes konghou masters They all have a superb skill of left and right mutual blogging.
The string group is followed by the percussion group and the whole orchestra, thus ending the first part.
The second part of "Youth's Guide to the Orchestra" is a variation on Purcell's theme, with thirteen variations on various instruments.The second part, which is equivalent to the "expansion part", completely sets off the timbre characteristics of each instrument.But this time the variation is different from the "solo" in the first part. They have accompaniment and supporting roles.
For example, variation one is home to flute and piccolo, presto.But with the accompaniment of the harp and the violin, the two flutes come out of the ornamental pattern composed of minor second appologia, just like birds singing in the garden in the morning.Then the piccolo imitated the birdsong, but it was shrill.
The serenity and elegance of the oboe duo, the lightness and sprightliness of the clarinet, the low-pitched bassoon mixed with humor, the gorgeousness and grace of the violin...
The third part of "Youth Orchestra Guide" is the allegro fugue, and Zhang Jinghuai's commentary is: "We have seen the various parts of the entire orchestra, let's put these parts together and play a fugue. The musical instruments entered one after another in the order just now..."
Adding instruments of various timbres little by little from the piccolo is like adding ingredients to a pot of clear water, and finally slowly cooking it into a delicious soup!
When the brass instruments played Purcell's beautiful melody, the other instruments continued to play Britten's fugue.
The brass instruments play the purcell theme of increasing duration, while the woodwinds and strings continue to play the cheerful fugue theme at a higher recess.The music ends in the magnificence and magnificence formed by the mutual reflection of the two, echoing the introduction at the beginning of the music, which plays a finishing touch.
This time the performance took a full 25 minutes, but because the actual performance of the instruments in this piece was not long, the temporary orchestra members composed of students were not so exhausted.
After the performance, Zhang Jinghuai directly said: "Students, please leave in an orderly manner." This ended the freshmen's orchestra initiation.
Tao Tian sat in his seat without moving, took out his cell phone and sent Mo Yusheng a text message, saying that he was waiting for him in his seat.
At this time, Tao Tian heard Lin Lin say: "Oh, time flies too fast... This time is the orchestral enlightenment of western instruments. I don't know if Brother Mo will participate in the orchestral enlightenment of traditional instruments. It's a pity, neither of us People in the traditional musical instrument class can't see the demeanor of Senior Brother Mo..."
Li Yutang said, "Brother Mo, does he know any traditional musical instruments?"
The regret in Lin Lin's tone disappeared immediately, and he said excitedly, "There are so many traditional musical instruments in Brother Mo, such as guqin, erhu, pipa, konghou, dulcimer, qinqin..." Lin Lin made twenty musical instruments with one pass. The name of the traditional Chinese musical instrument.
Li Yutang seemed a little speechless and said, "A Lin, how do you remember it so clearly?"
Lin Lin still said excitedly: "Of course! Brother Mo is my idol. I really want to be a person like Brother Mo who can master all kinds of musical instruments, but... I know I can't do it." It wasn't until Lin Lin worshiped Mo Yusheng that he could do it.
Li Yutang took Lin Lin's hand and followed the crowd out of the auditorium.Li Yutang said after the flow of people lessened, "Okay, we've seen the Enlightenment, we should go back and continue studying."
Lin Lin nodded and walked in front of Li Yutang.
Li Yutang turned his head inexplicably, and saw Senior Brother Mo, whom Lin Lin admired so much just now, talking to a tall boy with a smile on his face.Li Yutang didn't know why, after such a long distance, he was able to see clearly that the coquettish person was Mo Yusheng who was cold and lonely on the stage just now...
As soon as Zhang Jinghuai's voice fell, the deputy director waved his left hand and baton.Mo Yusheng watched the conductor's gestures, and also saw that the first note was played.
The 3/2 beat elongates the tone, causing each note to fall heavily, and then the next note appears with an unfinished coda.This kind of emphatic and lengthy score quickly brings out a sense of majesty and majesty.Much religious music uses this rhythm to proclaim the greatness and magnificence of the Lord.
This theme is very brief, and then the commentary is repeated: "Now, we will hear the four instruments of the woodwind group, including piccolo, flute, oboe, and clarinet, playing Purcell's theme in different ways offside."
This section is dominated by the woodwind group, so Mo Yusheng put down the bowstring in his hand.Thinking of Tao Tian in the stands below, Mo Yusheng instinctively looked over from his seat, but it was so dark that Mo Yusheng couldn't see where Tao Tian was at all.
Tao Tian sat in the auditorium below, and after Mo Yusheng took the stage, he kept staring at Mo Yusheng without looking away.If Shengsheng playing the piano is like a lonely prince, then Shengsheng playing the violin is like an elegant nobleman.The slightly lowered eyes, the white fingers are in stark contrast to the black bowstrings, making the hands look even more slender.Even though there was a slight smile on the corner of Mo Yusheng's mouth, it exuded the same concentration, and the same... loneliness.
Tao Tian was a little stunned, this kind of Shengsheng shuts out everything around him, and that door was built by Shengsheng for himself... Unknowingly, the wrinkles between Tao Tian's eyebrows gradually formed.
After the main theme of the ensemble was over, Tao Tian saw Mo Yusheng's eyes looking in his direction, and couldn't help but curl the corners of his mouth, and his slightly frowning brows also relaxed.No matter how Shengsheng treats outsiders, he will always be the most special to Shengsheng!
Lin Lin immediately whispered to Li Yutang: "Xiaotang, look, is Brother Mo looking at us?"
Li Yutang pulled the corner of Lin Lin's clothes and said, "A Lin, you are still playing now, don't whisper!"
Lin Lin was quiet for a while, and then started talking again, but he lowered his voice a lot.Lin Lin said: "Xiao Tang, I don't know why, the first thing I saw among so many violinists was Brother Mo! Brother Mo is so handsome!!!"
Li Yutang said, "Is it because Mo...brother is shorter?" That's why I saw him for the first time.
Lin Lin blushed, and said a little excitedly, "That's not true! Didn't you realize that Brother Mo's aura is much stronger than other senior brothers?"
Tao Tian thought to himself that Li Yutang seemed to be the first to Shengsheng!Thinking about the family background shown by Li Yutang, is this hatred of the rich?Well, there is also this possibility!Tao Tian was more wary of Li Yutang in his heart, but he still couldn't restrain his pride.Indeed, Sheng Sheng who picked up the instrument was the most dazzling person present!No one can grab the halo that belongs to Shengsheng!
This is his Sheng Sheng...
In the darkness, Tao Tian looked at Mo Yusheng with two parts of emotion and joy in his eyes.
It was only in the dark that he dared to show such obvious emotions.Tao Tian knew very well that the relationship between him and Mo Yusheng was still very fragile. This kind of fragility meant that the two of them did not have the ability to withstand the wind and rain.Before the wings are full, he and Shengsheng can only hide it.Of course, after nearly a year of mediocrity, Tao Tian has gradually found the way. Recently, he has been able to make up for Sheng Sheng several times in the name of celebration!
As if feeling Tao Tian's gaze, Mo Yusheng's eyes turned and fixed on Tao Tian's direction.It was just because of the darkness that Mo Yusheng couldn't focus at all.
After "looking" at Tao Tian, Mo Yusheng focused on the score again.
After the woodwind group came the brass group, and Zhang Jinghuai’s voice sounded again: “The earliest brass instruments were trumpets and hunting horns. The instruments used here are their descendants—french horn, trumpet, trombone, tuba , they repeat themes with high-pitched and sonorous variations of impression."
Immediately, the trumpet with a pure and bright tone sounded.
After the brass group was Mo Yusheng's string group, and Zhang Jinghuai's voice sounded again: "Big and small string instruments are played with either bows or fingers. Their cousins, the harps, always use Finger plucked."
As soon as Zhang Jinghuai finished speaking, with the wave of the baton, the bow and qin strings in Mo Yusheng's hands began to rub against each other to produce beautiful notes.
The first and second violins, violas, cellos, and double basses begin to change and repeat the theme.The high and low sounds in the musical instrument industry are very easy to distinguish. Generally speaking, the smaller the volume, the higher the pitch it emits, like a whistle.On the contrary, the larger the volume, the lower the tone it emits. For example, the tone of the cello is much smaller than that of the violin.But there are exceptions, such as the pipe organ - the largest instrument in the world, but its volume is loud and majestic, its tone is beautiful and solemn, it can imitate the effects of orchestral instruments and play rich harmony.
If it weren't for the size of the pipe organ, it would not be taken away by the piano as the "King of Musical Instruments".
From the fourth quarter onwards, the harp was added, and the clear and soft voice added a charming color to the orchestra.
In fact, Mo Yusheng prefers the traditional Chinese musical instrument, the harp, to the harp.The harp was once lost, but with the joint efforts of the previous two generations, the modern harp was restored.Mo Yusheng compared it. The tone of the modern harp is much more mellow than that of the harp, and it can also play harmony and polyphony.This is something that the harp can't keep up with, but the difficulty of modern harp is much higher than that of the harp. After all, harp needs to master both hands to play.Simultaneously move different pitches between the different fingers of the two hands and perform vibrato with the corresponding fingers. Since the two hands are not tied to each other like the two fingers of one hand, but are independent of each other, this makes konghou masters They all have a superb skill of left and right mutual blogging.
The string group is followed by the percussion group and the whole orchestra, thus ending the first part.
The second part of "Youth's Guide to the Orchestra" is a variation on Purcell's theme, with thirteen variations on various instruments.The second part, which is equivalent to the "expansion part", completely sets off the timbre characteristics of each instrument.But this time the variation is different from the "solo" in the first part. They have accompaniment and supporting roles.
For example, variation one is home to flute and piccolo, presto.But with the accompaniment of the harp and the violin, the two flutes come out of the ornamental pattern composed of minor second appologia, just like birds singing in the garden in the morning.Then the piccolo imitated the birdsong, but it was shrill.
The serenity and elegance of the oboe duo, the lightness and sprightliness of the clarinet, the low-pitched bassoon mixed with humor, the gorgeousness and grace of the violin...
The third part of "Youth Orchestra Guide" is the allegro fugue, and Zhang Jinghuai's commentary is: "We have seen the various parts of the entire orchestra, let's put these parts together and play a fugue. The musical instruments entered one after another in the order just now..."
Adding instruments of various timbres little by little from the piccolo is like adding ingredients to a pot of clear water, and finally slowly cooking it into a delicious soup!
When the brass instruments played Purcell's beautiful melody, the other instruments continued to play Britten's fugue.
The brass instruments play the purcell theme of increasing duration, while the woodwinds and strings continue to play the cheerful fugue theme at a higher recess.The music ends in the magnificence and magnificence formed by the mutual reflection of the two, echoing the introduction at the beginning of the music, which plays a finishing touch.
This time the performance took a full 25 minutes, but because the actual performance of the instruments in this piece was not long, the temporary orchestra members composed of students were not so exhausted.
After the performance, Zhang Jinghuai directly said: "Students, please leave in an orderly manner." This ended the freshmen's orchestra initiation.
Tao Tian sat in his seat without moving, took out his cell phone and sent Mo Yusheng a text message, saying that he was waiting for him in his seat.
At this time, Tao Tian heard Lin Lin say: "Oh, time flies too fast... This time is the orchestral enlightenment of western instruments. I don't know if Brother Mo will participate in the orchestral enlightenment of traditional instruments. It's a pity, neither of us People in the traditional musical instrument class can't see the demeanor of Senior Brother Mo..."
Li Yutang said, "Brother Mo, does he know any traditional musical instruments?"
The regret in Lin Lin's tone disappeared immediately, and he said excitedly, "There are so many traditional musical instruments in Brother Mo, such as guqin, erhu, pipa, konghou, dulcimer, qinqin..." Lin Lin made twenty musical instruments with one pass. The name of the traditional Chinese musical instrument.
Li Yutang seemed a little speechless and said, "A Lin, how do you remember it so clearly?"
Lin Lin still said excitedly: "Of course! Brother Mo is my idol. I really want to be a person like Brother Mo who can master all kinds of musical instruments, but... I know I can't do it." It wasn't until Lin Lin worshiped Mo Yusheng that he could do it.
Li Yutang took Lin Lin's hand and followed the crowd out of the auditorium.Li Yutang said after the flow of people lessened, "Okay, we've seen the Enlightenment, we should go back and continue studying."
Lin Lin nodded and walked in front of Li Yutang.
Li Yutang turned his head inexplicably, and saw Senior Brother Mo, whom Lin Lin admired so much just now, talking to a tall boy with a smile on his face.Li Yutang didn't know why, after such a long distance, he was able to see clearly that the coquettish person was Mo Yusheng who was cold and lonely on the stage just now...
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