hehe! [Transmigration Book]

Mo Yusheng was led by Grandpa Mo into a concert hall. In the center of the concert hall was a stage with seats around it.When Grandpa Mo came in, the auditorium was already half full.Grandpa Mo led Mo Yusheng straight through the outer auditorium, and finally arrived at the seat under the stage.Grandpa Mo's position is in the third row, which is not bad.

After sitting down, Grandpa Mo greeted the people sitting on both sides and introduced Mo Yusheng.The person on the left of Grandpa Mo is a well-known guqin master in China. This year, he is [-] and his representative work is "Flowing Water".On the right of Grandpa Mo and Mo Yusheng is the leaf player. His song "Deep Fog Leaves" has amazed many people.

Mo Yusheng greeted obediently, and in exchange for two compliments.Afterwards, Grandpa Mo started communicating with them, and Mo Yusheng listened silently.At his level, some of them still don't understand!Of course, Mo Yusheng just wrote down what he didn't understand, and asked later!

Time passed and the concert was about to begin.As the lights in the hall dimmed, the audience knew that the concert was about to begin.This time the concert will be broadcast live on national television, not just from China, but from many countries, such as the visiting Britain, Germany and the United States, and Fuso and other countries separated by a strip of water.With such a big posture, Grandpa Mo quietly said to that Cao Guoshou: "This posture is really afraid that others will not know that he is not a good person."

Cao Guoshou smiled very calmly, "We are old now, and the world is full of young people. Aren't your sons and daughters in it? We just need to keep it well and be their backing. "

Grandpa Mo also smiled and said, "Isn't your precious apprentice also in there?"

The host appeared on the stage in the center and said in a pure Chinese accent: "Distinguished guests, dear friends, ladies and gentlemen..." Then they repeated in English and German.

"The first program is the "Spring Festival Overture" brought to us by the famous Chinese conductor Mo Mingrui and his symphony orchestra. We welcome it."

Mo Yusheng stood up as straight as he could, but fortunately he was in the front and could see the performance stage.

Mo Yusheng stared wide-eyed at a slightly raised round stage on the performance stage. A man in a black suit had his back turned to him, but Mo Yusheng could recognize that it was Mo Mingrui!

And his mother, Yu Qilan, was wearing a light blue tube top dress, holding a violin in her hand, standing closest to Mo Mingrui.It turns out that Yu Qilan is the principal violinist!

With the movement of Mo Mingrui's baton, cheerful notes began to dance.

"Spring Festival Overture" has a musical structure of a-b-a. The tonality of the first a and b is generally opposite, which requires a sharp contrast.And the second a is either an incomplete reproduction of the a of the first part, or an expansion and supplement of the first part a. The first part of "Spring Festival Overture" has two themes, the first theme is bright and rough, the rhythm is constantly tightened, and it is expressed in C major; Joy and excitement.The second part is in F major, the melody is very lyrical and beautiful, the rhythm is stretched, and the speed is slow.The third part is to reproduce the first part, repeating or transposing the melody of the first part.

The whole piece of "Spring Festival Overture" is smooth and flowing, but it makes the audience feel a strong sense of festivities. Even the last note is full of cheerful and lively atmosphere.

The baton made a graceful arc, and Mo Mingrui clenched his left hand slightly, and the music stopped.Mo Yusheng sighed, Grandpa Mo asked, Mo Yusheng said: "Grandpa, symphony and solo music will never be the same..." The magnificence of the symphony is really difficult to express with a single instrument.If the solo music is a fairy dancing solo under the moon, then the symphony is a changeable witch. She can be as graceful as a lady of everyone, or as charming as a witch who harms the country... It makes people want to stop, no wonder so many musicians in ancient and modern times bow their heads for it.

Grandpa Mo touched Mo Yusheng's head and said, "Our country also has a symphony." The symphony that Grandpa Mo was referring to did not refer to a symphony composed of Western instruments, but a symphony composed of pure Chinese instruments. The musical instruments used in "Long March Suite" are really unprecedentedly complicated and lonely, and even the allegro used for cross talk can be found in it.When foreigners attacked China on the grounds that there is no symphony in China, this "Long March Suite" blocked a lot of attacks.Although Western musical instruments are used in the "Long March Suite", it is in Chinese style from beginning to end.It is also this "Long March Song" that opened the prelude to the Chineseization of symphony. The status of this originator really cannot be ignored...

After a song ended, Mo Mingrui did not retreat, but directed the bow string group, woodwind group, brass group, and percussion group to go halfway down.Accompanied by ethnic instruments such as gongs, cymbals and drums, it is not that these instruments are not good, but that these instruments will not be useful in the subsequent performances.

Mo Yusheng felt a little nervous for no reason, obviously he was sitting here.Mo Yusheng looked up at Grandpa Mo, and he heard Grandpa Mo say, "Here we come!" What exactly is it?

The symphony orchestra is also divided into the four groups mentioned above, among which (conductor) from left to right are the bowstring group, woodwind group, brass group, and the percussion group is at the end.For example, violins, violas, cellos, and double basses are all members of the bowstring group, of which the violin occupies half of the country.This half of the country can be half of the bowstring group, or half of the entire symphony orchestra. From this we can see the status of the violin in the symphony.The principal violin stands closest to the conductor, and his position in the symphony orchestra is second only to the conductor.

China's symphony is slightly less than that of foreign countries, and this is caused by many aspects.During those 33 years in isolation, everything was cut off, let alone music.A culture without fusion and collision is a stagnant pool, and so is music, especially the instrumental music in my country has gradually declined since the Southern Song Dynasty, until it became an accompaniment to dramas.However, foreign religions and worship allow children to receive the edification of symphony from an early age.

Foreign symphony orchestras are not as hard-pressed as domestic ones. Because of the lack of popular support, most domestic symphony orchestras are supported and subsidized by the state.Moreover, all kinds of popular music in China are rampant. After listening to vocal music, it is much more difficult to return to instrumental music, because you are used to describing the scene in your mind based on the lyrics of vocal music.

On the contrary, foreign symphony orchestras have a very good public foundation.Therefore, as long as they go out to perform, they can be responsible for their own profits and losses. There is also a market for classical music abroad.

Nowadays, no matter what comes to globalization and integration, even domestic music will be appropriately "changed" in order to get ahead.Of course, it doesn't mean that China's classical music really has no market.You know, in the 20s and 7s, the spacecraft launched by the United States carried a record that could be preserved for 80 billion years, and there were only 10 pieces of music in it, which was considered to be the music that best represented human beings.Among the seven pieces of music, one is the Chinese song "Flowing Water". Coincidentally, it was Cao Guoshou's teacher who played this piece at that time...

Returning to the main story, the symphony is known as the sacred hall of the music kingdom, and anyone who has a little bit of western music can't get around it.Therefore, the "friendly exchange" this time still includes the "friendly exchange" in culture and art, and the country naturally selects famous people in the country.Mo Mingrui, as the No.1 domestic conductor, will naturally not be missed, and even Yu Qilan will not be missed.Father and son soldiers in battle, they are playing husband and wife file.However, until now, I have not been able to find a second pair of conductors and principal violins who have a better understanding than Mo Mingrui and Yu Qilan.

Half of the people left, and someone was added immediately.

Mo Yusheng took a look, and found that they were all a group of Westerners with deep eyebrows and tall men.At the same time, a bearded man walked up to Mo Mingrui, and they shook hands and kissed on the cheek.Mo Mingrui was half a head shorter than that Westerner, but his aura was not necessarily weaker than him.And Yu Qilan also hugged another middle-aged man with a ponytail. Yu Qilan was gentle and graceful, but that middle-aged man was full of melancholy and romance.

As the first violin, both of them have heard of each other's name and achievements, but due to various reasons, they were not able to compete on the same stage.I just didn't expect to cooperate now.

Yu Qilan said: "Alexis, I really look forward to the ensemble later."

Alexis Janaves smiled and said, "Mrs Yu, I am also looking forward to it..." Alexis Janaves is from England, with slightly green eyes, and The melancholy in his body caused him to have an illusion of affection when looking at people, although Yu Qilan would not be fooled by this illusion.

I have to say, this time the cooperation of two symphony orchestras, two conductors conducting on the same stage, and two concertmasters playing together, what a gimmick is this?

It's just that there are more things behind this, just like Tao Tian and Qin Fangchen are watching the live broadcast in front of the TV now, and the camera keeps switching to the leaders of various countries in the first row.If any expression can't keep up with the changes in the music... Hehe, tomorrow's overwhelming will be xxx leaders who have no quality.It's just that it's related to the people above, and the news and newspapers won't make it too obvious, most people won't understand the meaning.

Mo Mingrui and Ignatius Bolo, the conductor of the symphony orchestra who came with the British delegation, stood on the podium, and Yu Qilan also stood on the podium with Alexis Janaves place.

Two symphony orchestras from two countries cooperated, this time playing "Carmen Overture".

Regardless of the fact that "Carmen Overture" and "Spring Festival Overture" both have the word prelude, the two instrumental music belong to the same category.Although in the way of composing overtures, the three-segment structure is the most classic and common.

"Spring Festival Overture" belongs to the concert overture, and the concert overture is specially created by musicians for concert performances, and the materials are not limited.Therefore, this is the reason why although the lively scenes of the Spring Festival described in "Spring Festival Overture" are used to start today, there is no discomfort.

The "Carmen Overture" belongs to the opera overture, and the opera opera, as the name suggests, is the prelude to the opera "Carmen".An opera overture is the beginning piece of an opera, oratorio, dance drama, other dramatic works, and vocal and instrumental divertimento. After the second half of the 18th century, the pattern overture must play the role of suggesting the plot and guiding the audience into the drama, and generally intercepts a certain fragment of the opera.

There are two ways of expressing opera overtures, one is Italian and the other is French.The "Carmen Overture" is Italian, and it is still a very typical reproduction of the three-stage musical structure.Therefore, both "Carmen Overture" and "Spring Festival Overture" are from the same school (reproducible three-stage style), and they sound slightly similar.

Similar melodies, but expressing diametrically opposite meanings.Different from the joy and celebration of "Spring Festival Overture", "Carmen Overture" is full of tension and faint sadness. The Adagio part of "Carmen Overture" is the matador's song, and the overture finally ends on a strong dissonant chord - (diminished seventh chord), which strengthens the tragic suspense brought by this piece of music and foretells the tragedy of Carmen sex ending...