hehe! [Transmigration Book]

Feng Huimin said: "From now on, every night, a classmate will come up and play a piece of music for everyone, okay?"

The twenty students present agreed with one voice.

Feng Huimin looked with satisfaction at the twenty students below with excitement and eagerness on their faces, but Feng Huimin did not ignore the exhaustion on their faces.The first day of military training is always hard.So, Feng Huimin said: "However, let the teacher start with me!"

This was proposed by Feng Huimin, and no one had any objections.They still really want to know the level of the person who won the third prize in the Leeds Piano Competition. The same piece of music, some people will feel dull and useless, but some people will make you I think it is a supreme enjoyment, and I can't wait to cycle countless times.

Feng Huimin gently gathered the hem of her skirt, and then sat down on the piano bench in the corner of the piano.Feng Huimin moved her fingers, and the piano revealed a series of crisp notes at the same time.

After thinking about it, Feng Huimin didn't look for the score either, but just played it.

At the beginning, it was an octave chord played by both hands in unison, which immediately calmed down the students who were still a little excited.Mo Yusheng looked in admiration at Feng Huimin who was sitting in front of the piano, her whole posture changed.Unexpectedly, Feng Huimin, who looked so gentle as water, could burst out with such a powerful ability.But, yes, if Feng Huimin could only play soft songs, she wouldn't be able to make it this far, right?

At present, if music wants to touch people's hearts, there are two ways. One is sadness, and musicians in the romantic period also did it.That kind of music that contains great sadness can grab the audience's heartstrings at the first time, and make the audience feel sad and painful with your music.One is joy, the beating notes, the cheerful notes, immediately mobilize the whole atmosphere.

It's not that everyday life isn't touching and has no redeeming qualities.It's just how to integrate daily life into music, so that the audience can feel the warmth of daily life and make people smile. This is a huge project.How many Mozarts in this world can write "Little Star Variations" and Schumann who can compose "Scenes from Childhood"?

Mo Yusheng pursed his lips. From his angle, he could just see Feng Huimin's dexterous hands sliding and typing on the black and white keyboard, up and down, as graceful as a dancing butterfly.

From the majestic general's majestic music, after adding some rhythm, the music becomes relaxed and dynamic, at least the majesty that makes people hold their breath is gradually dissipating.next...

Mo Yusheng also held his breath, the next change was extremely difficult.From ff to p, the change must be rapid, and there must be no sense of disobedience.

After a brief transition period, the reappearance part appeared in the first movement, which was more exciting and brilliant, and more exciting.However, the extremely low dynamics of fff is the first time it appears on the score.This contrast changes more abruptly than between ff and p.

After the fff, the tone should be lowered immediately, and the downward tuning will gradually weaken, but the timbre should be crystal clear, like a broken bead, it has a jump, but it has to end.The introduction part ends in the octave of the high register of the piano, like a sunflower gradually blooming, with bright sunshine. After c major, it turned to f major, which also means that the most magnificent introduction in Tchaikovsky's "Piano Concerto in B Flat Minor" is over.

The word concerto and concerto can tell what instrument should be used to play this piece of music.A concerto is a piece played by a musical instrument and accompanied by a large orchestra.It is also said that the concerto is "a confrontation between one and many", but it is not easy for the lead instrument to shine.There are many kinds of instruments in the orchestra, and their respective timbres are even more varied. It is always more difficult to stand out than a hundred flowers, especially this branch is still among the flowers.

This time Feng Huimin played the piano solo, but it does not mean that the orchestral part can be omitted.On the contrary, Feng Huimin also used the piano to imitate the timbres of various instruments, slightly changed, but changed the concerto into a sonata in a completely unrecognizable way.For example, there should have been the roles of violin and cello just now, and they were responsible for the theme of the magnificent introduction, so now that the violin and cello are missing, we should give up the finishing touch and lead the introduction of the following?

How can it be!Besides, there is no reproduction part in this introduction!How could the only appearance, the only spark be omitted?Therefore, the only way is to replace the violin and cello with the piano with the widest range, but after you replace it, you must not lose the warm color of the ensemble of the violin and cello.

After the introduction, the first movement in sonata style is not too fast and extremely solemn andante, but it is also a vibrant andante.Tchaikovsky mixed these two almost identical definitions together, and what he composed was a solemn and magnificent ode to life.Some people even believe that this is another new "Ode to Joy" after Beethoven.

But...Compared to Feng Huimin's "Piano Concerto No. [-] in B Flat Minor" played at the Leeds Piano Competition, the music this time has a little more leisure.Mo Yusheng and the music he saw and heard on TV in his memory did not know whether the TV weakened the atmosphere of the scene. Anyway, Mo Yusheng felt that Feng Huimin's performance this time was much better than the one played during the competition... …

Mo Yusheng secretly admired the spirituality of Feng Huimin's music, then let himself indulge in Feng Huimin's music, looked at Feng Huimin with bright eyes, and let Feng Huimin control his emotions.Mo Yusheng's whole body seemed to be on fire, excited and excited, as if he could rush out in the next second to continue the military training for an hour and a half, exhaustion and fatigue disappeared...

This is not an exaggeration!

Mo Yusheng was still sitting in his original position at this time, but the background of the whole person was on fire, and he was still restrained.Just now, the Swiss man Dennis had already stood up, clenched his fists, and even had blue veins burst out on the back of his hand.His eyes were burning, his breath was short of breath, but he tried not to cry out, because it is very rude to interrupt someone else's performance.

When the humorous and relaxed F major came out, the atmosphere became relaxed.Because the main part is "a very energetic allegro", the rhythm pattern of Suzy in the third beat of the triple play is very peculiar.The heart must be very humorous, cheerful, fun, and innocent and lively... This kind of childlike lightness has swept the entire class. Who didn't have a little fun in childhood?Who didn't have one or two embarrassing things in their childhood?Who didn't have a little "secret" in their childhood?It is these joys, embarrassments, and self-conceived "secrets" that constituted that innocent childhood. Every time I look back, I can't help but smile.

Even Mo Yusheng couldn't help but think of last year when he and Brother Xiaotian secretly picked the grapes on the shelf. They were so sour, but they still resisted eating them, just to destroy the evidence.Two months later, when the grapes were fully ripe and the sourness became sweet, Grandpa Mo asked Mo Yusheng and Tao Tian to bring a big bag of grapes, and said, "The grapes are sweet now, you can eat more if you like. Mo Yusheng chatted with Tao Tian, ​​and left with the bag of grapes in despair.But let alone, that bag of grapes is really sweet...

This is the second theme that outlines the movement - warmth and sincerity!

Blending, Complementary, Variation...

It is the first and only time in the whole song that the key of e major appears, optimistic, bright and enthusiastic, and the eulogy of life is vividly expressed.All emotions burst out at this moment, which is not only a confession, but also a call...

life, life!Life, life!

The music has become affectionate and romantic again, and this passage is extremely singing.Immediately behind is fff, the piano that should be weakened in this place can't be weak!Because this is a concerto, it is also in this passage that the piano is fighting against the entire orchestra.

After a brief competition came the cadenza—the one-man show of the main instrument, as if the piano had won an overwhelming victory in the struggle just now, and began to show its own ability triumphantly.Feng Huimin plays a two-part melody with his right hand, which is composed of continuous split half notes.

This cadenza is very light and soft, as if in a dream.However, the looming bass quietly leads you forward in the dream.This gentle dream suddenly changed, from a slightly gentle humor to a violent octave competition between left and right hands.The gentle dream was torn to pieces at once, pulling people cruelly into the bloody reality.It also seems that a person is facing different things, showing different personalities, but from gentleness to firmness, this change is a little bit bigger, and it is hard to imagine, what kind of things make people's personality change so much severe……

The suffering is gradually far away, and the music is softened, and finally it becomes an ethereal adagio.Slower and slower speeds, broken and continuous rhythms, shallow and sad rhythms, are infinite misses for the beautiful past...

A short cadenza—even though the cadenza of the Piano Concerto No. [-] in B flat minor is one of the longest cadenzas in the history of piano concertos, it is short compared to a concerto with three movements— There are three themes before and after the appearance, and the character of the last theme has been completely changed three times!Even the split personality is not so fast and easy to switch!

After the cadenza, it is the end of the first movement, with two crescendos followed by sudden lightening, and the instruments are even more magnificent and broad, with regular ups and downs.In the end, it ended this end with great momentum, which echoed the introduction.

When the music fell completely, Mo Yusheng sighed contentedly, and then started to applaud.For a while, the class that had just calmed down became lively again.

Grandpa Mo once commented on this piece of music to Mo Yusheng in this way: "There are only two themes in the whole movement, but Tchaikovsky is ever-changing on this, and he really achieved the best of the music..."