Take the diary to the home of screenwriter Bruno Nutan.

Bruno is the director and screenwriter of the movie "Rodin's Lover". He is very good at live-action biopics, and he is also a fan of Du Pré for many years. Ge contacted Prairis and recommended himself as the screenwriter of Prairis's new movie.

Bruno carefully flipped through this long-standing diary, for fear of any damage.

"How is it?" Prairie asked.

"There are a lot of details that haven't been exposed before," Bruno said.

"About her sister?" Prairis didn't finish the sentence. She wanted to ask Dupree if it was true that she had an affair with her brother-in-law.

"The diary is just a passing paragraph. But I can be sure from the details. No." Bruno said seriously.

Prairie nodded.

In fact she did not believe that Du Pré had an affair with her brother-in-law, but since her sister mentioned it in the posthumous biography of Jacqueline, she had to make it clear.

Yes or no?

Is it her sister's jealousy that makes Jacqueline a lunatic, or is Jacqueline just as she writes in her book?

Before getting this diary, even Prairius didn't think that Jacqueline, who didn't care about anything but the cello, would have an affair with her brother-in-law, but she always had this concern, and got this diary After this, everything was explained clearly.

In Jacqueline's diary there are Daniel and friends who play the violin with her, but her sister and her brother-in-law are not included. Combining with the biography written by her sister after Jacqueline's death, Pryris does not It's not hard to imagine why.

Maybe the two of them are not as close as her older sister Hillary makes it out to be.

Praris asked as Bruno closed the diary.

"How are you going to write it?"

"She is a person with a very pure life." Bruno did not directly answer Prairis's question, paused, and then said, "I hope that the love between Daniel and Jacqueline can be downplayed as much as possible."

Prairie raised an eyebrow.

"Why? As far as I know, you seem to like to use love to expose certain problems in "Rodin's Lover."

"That's because Camille is like this. Her life is tied to Rodin. Everything she has was given to her by Rodin, and she couldn't get rid of the connection with Rodin until the end."

Bruno's fingers brushed the cowhide cover of the diary, his eyes drooped slightly, as if remembering something.

After a while of silence, he continued, "But Jacqueline is different. The cello is too important in her life. She is different from Camille. She never puts men in her heart—even Daniel."

Prairius agrees with Bruno's first sentence "the cello is too important in her life", but disagrees with Bruno's second sentence.

Daniel has always been very important to Jacqueline, but this importance is not in love, but in career. The two of them have always been the best partners in each other's career.

Pryris remembered that in the reports he read in his previous life, it was more than ten years after Jacqueline's death that Daniel talked about Jacqueline publicly for the first time. Love keeps silent.

Daniel reorganized his family with the French female pianist in Paris in the second year of Jacqueline's illness, but he always went back to visit Jacqueline regularly, and his financial support never stopped.

The relationship between Daniel and Jacqueline has never been love, but a special emotion of mutual dependence.

Artistic resonance bonded them, but that faded when Jacqueline could no longer hold the cello.

Daniel has always planned his own life very well. During the years when he and Jacqueline were married, Jacqueline was led by him to reach the pinnacle of her career.

Prairis has never felt that love is a solid thing. There are many factors that cause love, mutual assistance in career, similar hobbies, and the same philosophy of life, but in her understanding, no one will be for nothing. Falling in love with someone for no reason.

The premise of love is resonance.

"What kind of subject do you want to shoot?" Bruno asked.

Prairie thought for a long time, and answered.

"Jacqueline and her cello."

There was no love for Daniel or Jacqueline in the answer.

Prairie paused for a moment, then continued to add.

"I want to make a true biopic about the ontology, about the true love of the characters themselves, about the various hardships the characters encounter in the pursuit of true love. Just like "A Beautiful Mind", in "A Beautiful Mind", The protagonist John Nash’s love is mathematics, so he only talks about one thing, that is mathematics, I think the energy density of this kind of script is no worse than those movies that insist on observing the dark side of geniuses.”

Bruno thought for a while, then nodded, "I probably understand what you mean."

"So—how long does it take?" Prairie asked.

"One month." Bruno replied.

Prairie looked at the calendar. "Up to 20 days."

Bruno raised his eyebrows, "That's 20 days."

**

The name of the new movie was tentatively set to be "Jacqueline Dupree". Before the script was written, Prairis began to recruit actors.

Unlike "Green Lantern", the filming and production costs of the new film will be fully borne by her and Arnold's studio "NewWa/ve".

Arnold allocated a total of 300 million U.S. dollars for Prairie's new film, which is more than enough for a small-budget art film, but the premise of the 300 million cost is that the actors cannot hire too big names, or big-name actors are willing to lower their salaries.

Generally speaking, ordinary literary and artistic directors will tend to the latter, because literary and artistic films are not high in the box office, and actors themselves are needed to pull up part of the box office, but Prairis is different. Her previous biography The movie "Sagan" has fully proved her box office appeal in literary films, and she does not need big-name stars to attract topics.

Compared with big-name stars, Prairis is more inclined to invite those acting actors who are not well-known this time.

The first thing to consider is Imelda Staunton, who played Umbridge in Harry Potter.

Pryris has always had a special affection for the supporting actors in "Harry Potter". Firstly, their acting skills are very good, and secondly, those supporting actors with outstanding acting skills are often decades older, but they have always been There is no chance of becoming popular.

Pryris has always believed that the due responsibilities of an excellent director should not only make good movies, but also give those capable but not well-known filmmakers a chance to climb up.

This is the responsibility of the director, and it is also the sentiment of the entire film industry.

Through Mike Newell, Prairis got the contact information of Imelda Staunton, but unfortunately, Imelda had accepted a new movie a few days ago, so she had to decline Invitation from Pryris.

After Imelda refused, Prairie found several actors one after another, including Emily Blunt, who played Emily in "The Devil Wears Prada", and later generations in "Doctor Strange". Tilda Swinton played the ancient one, but it is a pity that they all rejected the invitation of Prairie for some reasons of their own.

This was something Prairis never thought about.

In fact, Imelda's rejection was enough to surprise her. After winning the Oscar, Prairie has become one of the top emerging directors in Hollywood, and many first-line Hollywood stars are willing to reject other directors. As long as she can participate in her new film, these old-school actors seem to be different from those actors in her conventional understanding. Even if they know that they can win awards by making her film, they are not willing to refuse without faith Give up the job you took over.

This is a valuable quality rarely seen in Hollywood.

After being rejected by several actors, Prairie thoughtfully chose the old routine again, posting a notice to recruit actors on Twitter.

"Blonde hair, or women with classic temperament who are willing to dye their hair blonde.

An actor who is confident in his acting skills.

Over 20 years old.

Have a musical foundation and are willing to receive special cello training. "

The four-point requirement is not too harsh.

As soon as Prairis sent this news, many actresses came to her door, some of them were first-tier, some were third-tier, and some had won Oscars and FLOPs.

Kate Winslet was one of the people who came to the door. The first time she saw this notice, she asked Prairis to go to the cafe for a meeting.

The next afternoon, Kate flew to Vienna.

When she arrived at the café, Prairius was finishing up her last interview, a blonde from France who had only acted in one obscure film.

The French girl froze in place as she passed Kate.

Why didn't anyone tell her that Kate Winslet was up for the role too?

In the next second, the French girl looked across the street and was completely stunned.

There are piles of paparazzi, crowds of people, and surrounded by those first-line actresses in Hollywood and Europe.

One glance, and the Frenchwoman sees—

Rebecca Ferguson,

Cate Blanchett,

Isabel Adjani,

Eva Green,

Keira Knightley...........

Big names gathered.

And they all come here with only one purpose, and that is to become the next lucky Pryris girl.

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