Jacqueline's biopic was finally named "Elgar Rhapsody", and it will start in London at the end of March.

Prairis specially rented Jacqueline's childhood residence at a high price from the intermediary, and after ordering the art design to create a "classical" aesthetic as much as possible, Prairis temporarily changed the main tone.

In the early stage, the hazy European traditional literary style is dim, and in the later stage, the light blue oil painting texture.

Photographer Woodlow is a graduate of the London Film School and a junior of Prairius. His biggest dream is to become a director as good as Prairius, so he saw the recruitment posted by Prairius on the Internet. After being notified by the staff, Woodlow couldn't wait to submit his resume. He wanted to be a field recorder to accumulate experience, but who knew that Prairius accidentally found his resume, and he was very interested in his graduation in the resume. He was very interested in the works and directly promoted him to be a photographer.

Woodrow was too excited to speak after hearing the news, what happened?He's teaming up with Prairie Klander?

OMG!

"Woodlow, do you understand?" Prairie asked after finishing his thoughts with Woodlow.

"Got it," Woodrow said quickly.

Prairis raised an eyebrow, "You seem nervous."

"No." Woodrow quickly denied.

"Then can you please repeat what I just said?"

Woodrow was speechless, and his cheeks became flushed. He was just patronizing and immersed in the excitement, and he didn't hear what Prairis was saying at all.

Woodrow groaned a few times, but couldn't speak.

Prairie asked with a smile.

"Is this your first time joining the group?"

"Amateurs have also joined some small crews, but they are the kind among classmates, the type of graduation works, and it is the first time for such a big scene..." Woodlow replied.

Prairis looked down at the information in his hand, then looked up at Woodlow, "Then I will give you a chance, a seven-day trial period, if you don't work, you can leave on your own, what do you think?"

Prairis has already said this very politely. In fact, if an ordinary photographer is distracted while shooting, she will let him go without hesitation, but Woodlow is different. Having seen his works, his style is quite similar to that of Shunji Iwai's early days, with a strong Japanese style and fresh style. With time, Woodrow should become a good new director.

This is the seventh year that Prairis has been in the industry. During these seven years, she won the Oscar, the Caesar Award, and the Golden Lion Award. In terms of personal achievements, Prairis believes that she has reached At present, we have reached the peak, and what we can do next is nothing more than two roads-to become a capitalist at the extreme level of business, and become the endorsement of the faction at the extreme level of literature and art. Although Prairie has made two commercial films so far and the box office is good. , but she must admit that her interest is not in this, so there is only one path left for her, and that is - literature and art to death.

Personally at her peak, all that's left for Prairie is to make more movies and find new talent for her new company.

As the first young man valued by Prairie, Woodrow decided to train with all her strength.

Holding the final draft of the characters, Prairis stared at the actors. Today's first scene is about Jacqueline's childhood, and Prairis specially invited Saoirse Ronan to play the role.

The clothing designed by the art designer is somewhat different from the actual one, but it is mostly the same, at least the overall style is the same.

After confirming the lighting and recording, Prairius started shooting the first scene today.

Childhood Jacqueline played by Saoirse asks her mother what instrument it is after seeing the cello playing on TV.

The rhythm of this section of the film is very fast, and it is almost a passing paragraph. Prairis does not want to put too much effort into this aspect. She wants to spend more pen and ink on Jacqueline in her teenage years and Jacqueline in her mature period.

Jacqueline's career in the film is divided into only three sections.

The fateful encounter with the cello, the fateful love with the cello, and the time when I had to end my career early after being ill.

The things in girlhood are short-lived, because the encounter with the cello is fate. Jacqueline is destined to play the cello. Apart from playing the cello, she doesn’t have many extra activities in her life. Reith only used a few episodes to express it. Jacqueline asked her mother what instrument it was when she was a child. Jacqueline started to play the piano and played music games with her sister. After seeing her sister being praised, she started to work hard and finally won applause. Practice more diligently.

Jacqueline's girlhood was full of piano sounds, or her whole life was full of piano sounds. The cello is Jacqueline's destiny. This is a poetic and splendid journey, but it comes to a dramatic end.

Saoirse has always been talented in acting, and it is the same at this time. She pointed to the cellist on TV and said to Adjani who played the mother, "Mom, what instrument is this?"

Saoirse looked at Adjani innocently, almost for a moment, Prairis even thought that this was Jacqueline, and Adjani was her mother.

Of course, this scene is over.

This is the first act of the movie, and it went through smoothly.

Then there are several scenes of Xier Sarah playing the violin.

Probably because of the high interest on the first day, after today's progress was successfully completed, I shot a few scenes in advance.

After the shooting, Prairis returned to the hotel with the material.

Insert the USB flash drive into the computer, and Prairis started to play today's filming.

There is a difference between the on-site playback equipment and the post-screen display, but experienced directors can always avoid this color difference as much as possible to reduce the post-work process. Praris has been in the industry for seven years, and the size has also been photographed Several movies are also sensitive to color capture, so what is shot today is almost the same as what is on the screen now.

Watching Saoirse and Adjani's performance today on the computer is still amazing, but what makes Prairis even more amazing is Woodlow's performance.

The cameraman is different from the camera director. The camera director can affect the overall picture style and shooting position just like the director, but the cameraman can’t interfere with anything. The cameraman is like a chess piece on the chessboard. According to the script of the shot, he should find out where he should be. place, and then hold the camera and click the record button. The cameraman’s control range is very small, basically zero for novices, but in the picture in front of her, Prairis saw something that made her eyes shine.

Woodlow's control camera is located at the oblique rear of the track, that is, the side rear, and the shot is the profile of Jacqueline as a child.

In a shot of less than 6 seconds, Woodlow did not know what magical magic he had cast to make it look different.

Very classic, even with a little pious belief.

And what about other people?

Nothing new, just up to Prairie's standard for "not so ugly".

Raising his eyebrows, Prairis called Arnold.

"I see a nice new guy, maybe you'd like to give him a chance?"

Arnold was reviewing scripts when he received the call. 20th Century Fox had recently released a batch of C-level scripts that had been sealed for more than 5 years. Arnold decided to buy some promising ones to fill the company's script library.

After receiving the call, Arnold raised his eyebrows after listening to what Prairis said, "A rookie with good potential? What does he do?"

"Cameraman, maybe he can become a good director in the future." Prairis replied.

videographer?Maybe a good director's cameraman?

If you just want to promote a good new cameraman, there is no need for Praris to call him.

Arnold puts down the script "You want me to give him a chance? To direct the 'NEWWA/VE' movie?"

Arnold was straightforward.

Prairie answered thoughtfully and bluntly, "Yes."

"I don't think it was a conscious decision," Arnold said.

He didn't think the videographer Prairis had mentioned was capable of much.

In fact, he doesn't think that there will be a director who can succeed in one transformation, let alone a newcomer.

It is too difficult to train a newcomer. Even if the newcomer has the "potential" that Prairis can see, he is not willing to use the film of the new company to test the water. Screenwriters are not available, and what new companies lack the most are screenwriters and scripts.

“I know why you might think it’s not a wise choice, but, Arnold, that new guy is really different. He has a strange charm, and you can see it when you read his work.” Prairieth said .

"His talent may be amazing, but, Prairieth, we don't have any scripts to shoot." Arnold rubbed his sore temples, "Although I'm already accepting them, but you know, screenwriters always like to put their works Selling a big company, even if we offer a better price. I think we will hardly get a better script before your movie is released. And the new guy you mentioned-the well-known photographer-turned-professional The director can't tell a story, and without a good screenwriter, it can't be filmed—"

Before he could finish speaking, he was interrupted by Praris.

She said on the other end of the phone.

"There's a script."

"I'll send it to you later."

After saying that, Prairie hung up the phone.

Opening the file saved at the time, Prairis looked at Arnold's work again.

Called Arnold.

"Hey honey, there's an opportunity in front of you. Will you take it with me?"

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