Aso Shengqiu was also delayed in the bathroom for some time, and after he came out, the opera performance was about to start.

His steps were inevitably hurried.

As for French opera, he is still interested in watching it from the beginning to the end, and he will have a good discussion with Lan Tang.

He passed by the attendants of the opera house, and heard two people standing against the wall pointing to the box on the left of the second floor and whispering, "That box...is open to outsiders again..." "Is it VIP seat No. [-]? Hiss , the box of the ghost..."

The corner of Aso Qiuya's mouth turned up, a ghost's box?Lan Tang said that there are no ghosts, but the people in the opera house think there are.

Could it be that the transcendents who often come and go to the Paris Opera House don't know?

The only possibility: those people knew about it, but did not criticize it, and concentrated on enjoying the opera performance.

On the second floor, there were no guests in the corridor, and people went to their seats to wait for the performance. The look of anticipation on Aso Qiuya’s face had not yet dissipated, his pupils shrank, and suddenly he saw a burning head slowly moving towards him.The head of the man didn't release the fire light at first, but it floated from a place as tall as a man in the darkness, and burned up little by little. Three dark skull holes could be seen in the flames, as if they were the grinning faces of ghosts.

——Well, the dubbing is missing.

Aso Qiuya's heart skipped a few beats, and then he wanted to laugh, and immediately realized that he had "meet a ghost".

Fortunately, the person who encountered this scene was himself, not a few children in the family. Ranbu might be frightened and screamed, and then expose the other party and take revenge back. The head was thrown away, only Osamu Dazai might not be frightened, but leaned over to look.

As soon as he thought about it, Ma Shengqiu heard a sinister whistling sound from the vicinity of Box No. [-], and the wind came out from the hollow tube of the box and hit the person's eardrum.

Arthur Rimbaud in Box No. [-] ignored the noise and was not frightened in the slightest.

"Autumn is really slow."

Arthur Rimbaud was more at ease with the Paris Opera House. The place everyone loves to come to is located in the city center. No matter how messy the French government is, it will not let there be dangerous factors here.

Seeing the burning head approaching, Ma Shengqiu seemed to be frightened and stood still.

He slowly started to back away, approaching the door of the box.

There was some fishy smell on the head.

Disgusting, ugly, and getting close, his eyesight could clearly see the true outline of the skull in the flames: it was a scorched black skull with burnt hair, the flames surged from the inside of the skull, and there was a faint hidden tree above the flames. It is extremely difficult to find that it is a prop mastered by someone behind the scenes.

The premise of being able to discover is that the "audience" is calm enough, observant enough, and will not be overwhelmed by fear.

Ma Shengqiu also pretended to be frightened in order to watch the magic show a few more times.

Otherwise, 100% of the skull will fly away.

The flaming head circled around him, bringing a burning sensation to the surrounding air. Ma Shengqiu also heard the opening music of the opera, and had to regret for a second, "Mr. Human Head, I have to go to the opera first." The frightened black-haired man's expression changed, he restrained his panic, smiled apologetically, and quickly opened the door to enter the box.

Flaming head: "..."

The head slammed into the brown-black wooden door violently, making a disturbing "dong dong" sound!

Arthur Rimbaud turned his head to look at Qiu Ye, and then at the door: "What is hitting the door?"

Aso Qiuya put his hands behind his back and locked the door to prevent people from breaking in. "The opera house will create an atmosphere for the guests. Are we going to watch a horror-themed opera next?"

Arthur Rimbaud looked at the ticket again, "It's "The Betrayal of the Countess of Loen."

"A name I've never heard of before." Ma Shengqiu also sat beside Rimbaud, and the two of them ignored the voice behind them.

In less than a minute, the sound of heads banging on the door disappeared.

The story happened in the past, and it happened among the nobles in the royal power era, and it meant to ridicule the experience of the unfortunate lady who got married at that time.For some reason, Ma Shengqiu also saw from the story a bit of the creative technique of French writer Maupassant's masterpiece "Ball of Suit". The difference is that the heroine of "Ball of Suit" is a poor but beautiful prostitute. Kindness contrasts the meanness and shamelessness of people in the upper class.

Aso also watched it with great interest, the most important thing is that the music in the opera is beautiful!

He discussed with Arthur Rimbaud in a whisper, deliberately lowering his voice so as not to destroy the quiet environment. The loud voice and beautiful French in the opera are the finishing touches.

"It seems to be mocking beauty and ugliness. The ugly woman has a kind heart and a noble background, but it can't match Earl Loen's obsession with beautiful women. She used to be extremely beautiful, but she was envied and her face was ruined. She can only cover her face with a feather fan and wash her face with tears every day..."

With the ups and downs of the plot, Ma Shengqiu felt more and more wrong.

How does this look like another version of The Phantom of the Opera?

The phantom in "The Phantom of the Opera" has two versions of his life experience. One is deformed and ugly since he was a child, abandoned by his parents and helpless. His parents gave him a mask as a gift.The other is that the violinist was disfigured by chemicals, leaving half a good face and half a bad face, and his heart has been distorted and inferior since then.

Aso Qiu also thought: Mash-up version?

Arthur Rimbaud didn't think as much as Qiu Ye thought, leaning on his seat, enjoying the baptism of opera.

French people with supernatural powers generally prefer to watch operas, and those who transcend are especially spiritually empty. They are busy killing during wartime, and they are forbidden to go abroad at will during non-wartime. They can only find some spiritual food to eat.

"Qiuya, please comment on the music and plot." Arthur Rimbaud's ability to judge his lover is trustworthy.

"The music is first-class, the plot is first-class, and it lacks the essence of sublimation." Aso Qiu also put his arms around Arthur Rimbaud's waist, embracing the French transcendent to watch an opera in Paris, which is simply a romantic thing.

Don't underestimate his ability to chase people.

If Lantang was a woman, Aso felt that their children would be able to play soy sauce.

Today, under their pampering and teaching, several children in the family have learned the skills of self-reliance, and they are in Japan, China and the United States, and Azhi is playing in other places in Paris.

"Countess Ruen, if you want to betray, just be more straightforward, and never apologize."

"The most important feature of the Countess of Ruen in the opera is her ugliness. Her ugliness is her label. Tearing up the label will only make her become vulgar. If she can attract men with her own charm, she will be an undoubted legend. In the plot, her efforts to save her husband's love are sad and ridiculous, facing a Yangou, either destroying the other's aesthetics, or letting Yangou find 'true love' and get retribution."

"The Countess of Loen ended up with nothing. Not only did she want too much, but her face was not ruined. It was easy to get these. The world's views on beauty and ugliness are deeply rooted in the hearts of the people, mainly because of her own lack of ability. To support her longing, dreamy love needs dreamers."

"Love is the most precious artificial jewelry in a dressing box."

"The one who carves it must be skilled."

Aso Shuya's statement has its own interpretation of life, but Arthur Rimbaud disagrees.

Arthur Rimbaud gazed at his lover with golden-green eyes.

"It's not costume jewelry."

The embrace is so warm, and the skin-to-skin contact of the body leaves a taste of ecstasy that fits perfectly.He can no longer say against his conscience that being the recipient is a shameful thing, but after experiencing it, he knows that it is really comfortable.

"Our love is a natural jewel, born from a coincidence, and then presented to me through your hands—" Artille Rimbaud spread his five fingers, as if holding a non-existent jewel in his palm, Praising its brilliance and the preciousness of nature, the smiles in the eyes are so full that they can overflow.

Ma Shengqiu also said softly: "Yes."

The phantom in the secret passage of the fifth box sits in a closed environment, listening to the conversations coming from the pipes, he monitors the conversations in the box more than once, and every time he hears someone praising his opera, he will be secretly happy , because the people in the box are well-informed, and the meaning of praise from ordinary people is different.

He thought that after scaring an Asian guest in the box, the other party would not want to watch the opera, but he did not expect that the chat between the two of them was all about the development of the opera. I saw Romain Rolland, who had an extremely accurate evaluation of music.

The Phantom is professional and dedicated to the opera, and has always listened to the opinions of the guests in the fifth box.

"Ugliness is a label... Lose the label and become vulgar..."

"A dreamy love needs a dreamy person..."

"The Countess of Loen is not capable enough to support herself to get what she wants, so she has no money..."

Masked man in black dress touches metal object on face.

"I'm not even as good as the Countess of Loen."

"She had beauty in the beginning, and tasted the praise and pursuit of the world, but I have lived in hell since I was born, surrounded by people like a monkey in a cage, and only by wearing a mask can I survive."

"Guy, the story I adapted from your script is just to let you know-you always satirize the differences in status and class in your stories, and talk about the dirty things among the nobles, but in my opinion Come on, you are not much different from those people! You pity those women who have fallen into prostitution, but you are superior and complacent, and you are not worthy of my love for you! I curse you that you will contract venereal diseases sooner or later!!!”

Even if I have seen the demeanor of many transcendents and am impressed by their charm, the most unforgettable thing for Phantom is still the versatile Guy de Maupassant who impressed himself with his singing voice and stood on the stage.

The beauty of Maupassant, young and agile, exudes the brilliance of art from the soul and bones.

Why is it a transcendent...

Why do you retreat three feet when you see his ugliness...

I want to be your friend, I want your love, I want your... person...

Stimulated by the sweet love in Box No. [-], the Phantom went mad, and walked quickly to the passage of the underground lake, where she saw the exquisite cage she had built for Guy de Maupassant, or rather—the love nest of two people.

He stroked the edge of the cage in despair, and murmured in a low and hoarse voice not inferior to that of a singer.

"I love you... why don't you come..."

"They've all been here..."

……

The bulletin board of the Paris Opera House became a hot topic on the Internet that day with lightning speed.

Immediately afterwards, the Paris Opera House received a notice of rectification.

The bulletin board still hasn't been taken down.

Under the pressure of huge public opinion, the staff members of the Paris Opera House thought sadly: "What is the fine? "

The French star who was refused entry to the opera house was so angry that he was "treated differently". After the online speech, he went to talk to the government agency specifically, forcing the government agency staff to look wryly at this transcendent who had never suffered. By.

"Monsieur Émile Zola, do you know who visited us before you came?"

"Who? Which MP?"

The French star dismissed it and sat in the reception room of the office building with his legs crossed.He became famous later, and the war basically came to an end, so he was not squeezed to death by the French government. He was a young transcendent of the same generation as Arthur Rimbaud and Guy de Maupassant.

Paris officials confided a litany of names.

All people the French star knew.

The French star was stunned, and counted with his fingers: "Are these colleagues protecting the Paris Opera behind their backs?"

The Paris official said: "Yes, several Mr. Transcendents have said that whatever the Paris Opera does, as long as it is not too much, let us give the Paris Opera some face and privileges."

It took seconds for the French star to go from surprise to thoughtful.

"When you say that, I think of a rumor that there is a talented 'ghost' in the Paris Opera House. Many colleagues have been pursued by the 'ghost' after entering. Is there such a thing?"

"..."

The Paris officials shook their heads in bewilderment, how could they know the rumors inside Transcendent.

The French star smiled and said: "Forget it, I'll just let them off for the sake of saving face. At worst, I'll enter again in disguise."

There is no solution, but whether it is worthwhile for Emile Zola to change his attitude.

Emile Zola walked out of the government building, turned around and went to contact his friend Maupassant to ask them what was going on. The circle of transcendents has always been exclusive, and the lack of information makes it easy for him to accidentally offend others.

News about the Paris Opera House finally reached Guy de Maupassant's ears.

"The script is "The Betrayal of the Countess of Loen"... This is a script I wrote, I don't know if it has been modified."

"What? You wrote the script! I want to see it even more." Emile Zola exclaimed, then carefully avoided Maupassant, and asked holding his breath: "What should the red spot on your body be?" It can't be... why don't you go to the supernatural doctor?"

Guy de Maupassant buttoned up his collar, gave him a blank look, and said: "I didn't plan to see you, you broke into my house yourself, and if news of the French star night came out the next day Don't blame me for not reminding you of the scandal of breaking into someone's house."

Emile Zola laughed: "The scandal of a French star is different from the scandal of two transcendents."

No reporter dared to report indiscriminately.

Being a star was Emile Zola's private pleasure and had nothing to do with state affairs.

"Don't stare at me." Guy de Maupassant said openly when he was found infected by a friend, "I'm not an exception. Other colleagues have also been recruited, as long as you have the authority to check their medical examinations." The report will find that it is old news that transcendents get sick, and after the cure, the antibodies are all positive, and the transcendents who have not had the disease are outdated, indicating that they are not playing enough!"

Émile Zola: "..."

Guy de Maupassant continued to bully: "I suspect that Mr. Baudelaire is also sick, so he helped us suppress the news and dared not disclose rumors in this regard. He played the game no less than other people."

Emile Zola suddenly suffocated, and it seemed that he was going to have a medical examination, how could he be infected with syphilis!

"You go to the doctor quickly, I dare not stay in the same room with you!"

"I saw it."

"The supernatural doctor... can't solve the disease?"

"can."

Guy de Maupassant took a sip of the bitter medicine and sighed quietly: "It's a pity that he can't cure my disease for the time being."

Emile Zola still trusted the country's medical system, "You are not a serious cancer!"

Guy de Maupassant said: "You know, we are not afraid of contracting these diseases, even if syphilis has a stage, stage [-], stage [-], stage [-] or something, the supernatural doctor will keep it secret, and at most the TPPA antibody will be left behind. Positive recovery records are embarrassing, so—”

Guy de Maupassant smiled brightly and guiltily.

"Because I have been infected several times and have already developed antibodies, this time... the syphilis has unbelievably mutated!"

"The supernatural doctor said he's going to upgrade first!"

……

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