But just as this feeling is just a one-sided pointing of Akutagawa Ryunosuke, Mochizuki's doubts are just his own doubts.So she never thought of getting an answer from Akutagawa Ryunosuke, one of the parties, from the beginning to the end, and would rather think by herself.

By the way, I thought about the outline of the new book in the process.

It is said that I want to write a love story, but if it is completely based on emotion, this kind of writing seems not to be in harmony with the temperament of the material.Mochizuki struggled with the manuscript paper for three hours, and the final outline and the initial idea were almost separated by thousands of miles.

Asakami Fujino: "... the love story you agreed to?"

"There is still a line of affection." Mochizuki struggled against his last stubbornness, "The relationship between the two parties is the first motivation to drive the character's behavior, there must be nothing wrong with that!"

Asakami Fujino: "So, what is the development of the story?"

Mochizuki briefly summed up his outline story: "After the war, the male protagonist returned to his hometown, and found that the fiancée he admired had died while discovering that things were wrong. A lingering female ghost identical to the fiancée's—"

This is how the story unfolds.

It sounds like a story about a personal ghost.

Asakami Fujino commented in this way.

Mochizuki didn't say that he wrote this story just for be, the hero who came down from the battlefield has lost his honor, wealth, belief, mental and physical health, and then he found that everything he kept in his hometown was gone with him ...he was doomed to lose everything.

"Sounds like an anti-war novel." Rimbaud commented after finally resolving the related old affairs in France, "It is not the unpredictable fate that makes the hero lose everything, but the war caused by man. He He threw himself into the war fanatically thinking he could get everything out of it, but in the end it was the war that made him lose everything."

Mochizuki said, "What about the relationship line?"

Rimbaud hesitated for a while, and then asked his own doubts: "The ghost he met...is it really his fiancée, not something like a hallucination?"

good question.

As expected of Rimbaud, the question really hits the point!

However, Mochizuki does not want to spoil spoilers.

The girl hugged the manuscript paper in her arms, crossed her hands and pressed her shoulders, made a big X, and said: "The novel has not been written yet, so this is still a secret for the time being - a story that has not yet been born, always keep a little Unknown suspense can attract people to read, don’t you think?”

Rimbaud: "...That's not necessary." He said: "If it's Yuejianyou's novel, even if I already know all the content, I will still re-read it twenty times."

"It's kind of weird to be said that in person..." Mochizuki lowered his head and muttered a few words, then quickly raised his head to smile at the black-haired romantic poet, and said to him: "But, count I'll let you off!" She casually threw the manuscript on the table, opened her arms and gave a nostalgic hug to her long-lost (?) family, and said happily:

"Welcome back, Rimbaud!"

After the welcome ceremony, it was natural to chat. The content was concerned about each other's life during this time. Rimbaud knew everything and talked endlessly. Chickens and dogs jumping——

Although Rimbaud actually knew about it early in the morning, after all, he left a little spy at home, and he knew all about the major events happening in Yokohama.It's like the Junji incident before, or the Nihara Ryunosuke incident that appeared a few days ago.

But these things have already passed... In short, since Mochizuki said so now, he naturally believed it.

After all, he didn’t tell the truth to Mochizuki. For example, the biggest reason for his stay in France was not the government’s documents but the breakup with Verlaine—the breakup between two transcendents was shocking. Things, movement and movement can't be covered up at all.In this regard, Rimbaud was very fortunate that Mochizuki was not in France at that time, otherwise it would definitely affect her.

This development is very bad.

On the one hand, Rimbaud wants to protect Mochizuki's peaceful life, on the other hand... In fact, he is not sure what Mochizuki will do when his peaceful life is disturbed.

And his teacher... It's a bit of a headache to think about it.

Rimbaud's teacher is Baudelaire, and Baudelaire's supernatural ability is called the Flower of Evil—the names of everyone's supernatural abilities these days are actually a bit mysterious, and it is impossible to guess the effect just by listening to the name.It's like Rimbaud's coloring book, just looking at the name, who would have thought that his supernatural powers are subspace manipulation plus psychic corpses?

Another example is Shuji Tsushima's disqualification in the world, Chuya Nakahara's filthy sorrow, and Sakunosuke Oda's seamlessness. In contrast, Asakami Fujino's twisted eyes are even more powerful To keep it simple and straightforward.

Huh, it seems to be getting too far, and the topic is brought back to continue.Although the name of Baudelaire's ability is not a secret, knowing the name of the ability these days does not mean knowing the effect of the ability.The specific effect of Baudelaire's supernatural power is a secret to most people, but obviously not to Rimbaud as a student.

However, Baudelaire admitted to Rimbaud that he felt a certain resonance in Mochizuki.

Although Mochizuki didn't feel anything about it.

Because the evil in this world really has no effect on her—whether it is good or bad, it is naturally like the resonance between the evil in this world and the flower of evil, which has the same supernatural ability, and of course she doesn't feel it at all. of.There is no burden from beginning to end, unlike Baudelaire, who suppressed it very hard.

So much so that after Mochizuki left, he was actually relieved.

It’s not that I didn’t think about keeping people here to figure out why this happened, but the previous conventional attempts had no effect, and the subsequent unconventional attempts will most likely still be ineffective, and it will also offend Einzbern ( Of course, Baudelaire doesn't really care about this) and hurt the feelings of the student Rimbaud——

and most importantly.

The crisis alarm that sounded automatically was so strong that it couldn't be ignored.

Come on, can't you afford to mess with me?

——Although from the heart, Baudelaire is really sincere to the students... Before Rimbaud made up his mind to go back to Yokohama, he persuaded him earnestly, telling his students not to rush to Yokohama to die.

Rimbaud: "But Yokohama is very safe... There will be no danger, teacher." When he said this, he naturally showed a little contempt and pride, "Sakura, who doesn't even have a transcendent What's the problem in the countryside?"

Baudelaire: "Didn't something happen to you before?"

Rimbaud: "That's because Verlaine—"

Baudelaire: "Isn't there still Mochizuki--"

Lan Bo was slightly startled, and then said: "Teacher...you don't have to worry about me." His expression was gentle and firm, as if he was talking about the fact and truth that the sun rises from the east, "I know, the moon sees something There are many secrets...but I believe that she will not hurt me."

Rimbaud thought so when he was in France.

Rimbaud still thinks this way when he is in front of Mochizuki.

His Yue Jian is so gentle, kind and innocent, how could he do something that hurt others?Even if there was, the other party must have done something to hurt Yuejian first!

See you at the moon: ...

I don't know what Rimbaud is thinking, but to be honest: "Your expression is a bit strange!"

Rimbaud was slightly taken aback, then smiled and said, "Really?"

Mochizuki rubbed the poet's face on tiptoe - Rimbaud, who took advantage of his height, also consciously bent over to cooperate - and then said with satisfaction: "It's much better now! That's right, Rimbaud, you wanted to What are you going to say to me?"

Lan Bo: "..." Actually, there is nothing to say. Originally, he didn't intend to tell Mochizuki that this kind of thing would bother her, but since he was asked, of course he had to ask a question. "Your new book..." Rimbaud asked, "what's the name you plan to call?"

"Rolling red dust." Mochizuki replied.

Rimbaud: "... I remember, this is the name of a song?"

"Because I really don't know how to name..." Mochizuki spread his hands innocently, saying that I didn't want this kind of thing to happen. It was completely objective facts that led to this development. The title of the book is either that the relationship between human and ghost is not over, whether you love her or her, or that after retiring and returning to my hometown, I found out that my fiancée has a big problem——

Or brain battles in love: Ms. Ghost wants me to confess this kind of literary name.

In short, it is full of Two-dimensional style, so it is really not suitable to be the title of this novel.

The style of painting is very inconsistent.

After listening to this, Rimbaud also agreed, and tried to express his opinion: "See you, the novel you wrote before..." His expression seemed a little difficult to express, but fortunately, he finally defeated his shame Xin, said the following words, "That Mr. Ba's novel——"

"It's called "The Domineering President's Pretty Baby: The Innocent Wife is Hot." Mochizuki calmly said the full name of the president's novel he wrote last year. The title was also spoken very smoothly, and his tone even slightly rose ——Because I was really happy when I wrote it at the beginning. Although the plot of the novel is bloody, isn’t it fun to spill blood?

Afterwards, I sent it to my pen pal Haisheng to ask him to help me change into a new vest. When it was published, I was still looking forward to it, but there were a lot of things ahead, and I was so busy that I forgot to pay attention to the follow-up questions of this book.

Anyway, Haisheng didn't say there was anything wrong, and the manuscript fee was paid as usual... It should be no problem, right?

"Did something happen?" Mochizuki asked.

Rimbaud said with a strange expression: "No... no problem, but someone asked me to ask you, when will the second part be released?"

Mochizuki tilted his head, with an innocent expression on his face: "Hey? Where did he hear the false news? I have finished writing this book, there is no second one!"

Rimbaud: "..." What a good thing!

Mochizuki: "Although I do plan to write another president's article this year, after all, now that Fujino is too old, I will definitely meet many people with ulterior motives in the future. Early education is still necessary. The previous one doesn't seem to be enough. -"

Rimbaud asked a little difficultly: "So—?"

"So this time I'm going to write something simple and straightforward." Mochizuki Jian announced happily, "I won't write about the male president and his little wife. The story between the bewildered assistant and the clerk who suddenly crashed into a car!"

Rimbaud: "..."

The mood is complicated, but there seems to be nothing to say.

Even if you want to write an anti-fraud guide for domestic children-but is it too much to write like this?

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