The years when I was reborn as a giant in the antique world

Of course, the application for the letter of appointment as a 'starter' was not approved.

There is a shortage of cultural relic restorers in the Municipal Museum. As a master with 11 years of work experience, Ren Han has his own restoration tasks and is irreplaceable.

However, the cultural relics restoration department has a high degree of freedom.

Usually after the restoration plan is formulated, the restorer arranges the time personally, and every step must be meticulous and there is no rush.

Ever since he knew that Yun Zhou had inherited the 'no trace repair' technology, Ren Han often came to help.

Helping him clean the rust and water rust on the porcelain, and helping him tidy up the workbench and materials after get off work every day, are really doing it regardless of his status.

He did what he said.

Yunzhou felt a little embarrassed, so after repairing the porcelain, he would instruct the other party on the skill of mixing glaze colors, starting with the most common blue and white.

In addition to the fixed ratio, the change in the depth of the color actually depends on the sensitivity and proficiency. While blending and memorizing, the more you blend, the more you will feel.

The hand feel is usually only available to master craftsmen who have been engaged in it for 30 to [-] years.

However, after several years of training, Yunzhou has come into contact with and repaired no less porcelain than them. In addition, he has been guided by Master Feng from the beginning.

This situation is similar to that after entering high school, when you look at the questions you didn't understand in elementary school or junior high school, you will inevitably wonder why you were stumped by such a simple question at that time?

In fact, with the growth of individuals, the perspective and depth of seeing problems have long been different.

The same goes for restoring porcelain.

What Yun Zhou saw was the composition and ratio of the glaze, while what others saw was only the type and shade of the color.

After receiving the other party's guidance, Ren Han tried to adjust the glaze color every day whenever he had time, and recorded the impact of the increase or decrease of materials. He took the youth's words as the golden rule and learned them very seriously.

After continuous recording and experimentation, my mind suddenly became much clearer, and the control of the ratio was more precise.

In the past, he would only think about matching and repairing the glaze color on the porcelain, and he would never think about mixing and identifying it by himself.

But now he is changing from passive to active, and his proficiency will continue to improve.

Both have achieved varying degrees.

Yunzhou has also learned a lot of experience in cleaning ancient ceramics and making them old, especially old ones.

The porcelain he had been in contact with before was in good condition, and it was not difficult to make it old, so it was lacking in this aspect.

However, the unearthed cultural relics have a high degree of damage and the steps of making old are more complicated, which can just exercise the ability in this area.

Yun Zhou first made the glaze color old.

He has already considered this part when preparing the glaze color, and now he only needs to use the method of polishing and waxing, rubbing the surface of the porcelain with a linen cloth, and then rubbing it with a silk cloth, and continuously polishing it to achieve a natural luster.

Then it is rusty and old.

Spray the adhesive and paint juice on the rusty part of the porcelain, and then use a toothbrush to lightly or flick or brush out the spot and patchy rust, spray it with water from time to time, and sprinkle a little loess with age to make a Layer-by-layer bonding effect.

The production of soil rust should be messy, and the direction, strength and angle of brushing should be different in order to be realistic.

After the last step is completed, the restored cultural relics are not only flawless, but also have unearthed traces, which are very suitable for displaying cultural relics.

The first batch of third-level cultural relics restored by Yunzhou was delivered to the collection management department, and they conducted a unified inspection to check whether they met the standards.

However, after the test, several people froze in place.

This restoration is also very good. If they hadn't seen the real objects before restoration, they would have thought that these porcelains were not damaged when they were unearthed——

Director Cao's tone was excited: "Which restorer repaired this? Hurry up and call out the data!"

"Director Cao, the restorer's information is here."

"The video is also called out."

For the handover, restoration, and transportation of cultural relics, all files, photos, and images must be well preserved.

When they saw the images restored by the slightly thin young man on the workbench, everyone gasped, how young they are!

Director Cao couldn't help but look at the information, Yunzhou, 22 years old, is still an intern.

Simply genius.

This young man was recommended by Director Ye, and the restoration of the first batch of third-level cultural relics was also specially approved. It seems that the curator knows his abilities very well.

"You test these three ancient porcelains again, and I will go to the curator."

"Yes."

Director Cao went over with the materials, and curator Ye and the deputy curator were there.

After some discussion, the second batch of cultural relics was quickly sent to Yun Zhou, a total of five pieces.

"Level [-] cultural relic?!" Ms. Tao and Master Yan were taken aback, but then took it for granted.

With such outstanding restoration skills, it may be possible to restore not only second-class cultural relics, but even first-class cultural relics in the future.

The two were extremely envious. They had worked for so many years, but they did not have this honor.

Especially Master Yan, who has been working for 30 years and is a real master.

His restoration skills are also excellent, but currently he can only occasionally restore some second-level cultural relics that are not very damaged. The first-level cultural relics are too precious, and only a few designated masters in the country are qualified to restore them.

Can't compare to this young man.

**

With the help of Ren Han, Yunzhou's efficiency is higher than ever.

The restoration difficulty of each cultural relic is different, and the restoration cycle is also different, but young people know how to manage and use time very well.

During the waiting period after the bonding of this piece of porcelain, the matching and bonding of the second piece of porcelain began immediately, followed by the third piece and the fourth piece...

The same is true for coloring.

When different glazes are prepared, the materials and proportions used are different.

And Yunzhou will analyze the glazes of these five pieces of porcelain first, and list all the approximate materials. The same material is prepared at one time, and it can be taken directly from the workbench when it is prepared, and there is no need to go to the locker to find it again.

With such efficiency, Yun Zhou repaired 16 pieces of porcelain in only three months. The longest was two months, and the shortest was only 20 days. The speed is astonishing!

The other three people in the restoration room were all stunned.

Ren Han restored a total of 27 pieces of porcelain last year, which is his largest number in recent years.

During this period, countless painstaking efforts were spent, and the restoration skills were improved. The restored porcelain was well evaluated by the collection management department, and was awarded the title of outstanding employee at the end of the year.

He was very satisfied at the time, and he was extremely proud of it.

Restoration of cultural relics has always been slow work and meticulous work, with quality as the first priority. While ensuring quality, try to increase the quantity as much as possible. It is really rare to have this quantity.

The master teacher taught them from the very beginning: don't rush, take your time, I would rather not repair it than repair it.

This is indeed a good statement. Cultural relic restorers have always followed this principle, always be patient and careful, calm and not pursue speed.

However, looking at this handsome and clean young man in front of them, the three of them couldn't help sighing that not only his restoration skills have reached the master level, but there are also many of them!

It can be seen that in front of a real master, the two can coexist.

Ren Han was even more in admiration.

He thought he had done a good job last year, but it was nothing compared to the youth!

The number of opponents is not only twice as much as his own, but the difficulty of repairing porcelain is also higher than his.

However, his speed is also accelerating, and he should be able to overfulfill the task this year, thanks to the young man's guidance.

Under the influence of such an atmosphere, the three of them involuntarily accelerated their efficiency at the same time.

Ms. Tao restores lacquerware, such as red carving lacquer, and some complex crafts need to be painted hundreds or thousands of times, and sometimes it can't be finished in one or two years.

Among them, the time of drying in the shade accounts for about half, and each layer of paint must be dried in the shade before another layer of paint can be applied.

Generally, it needs to be dried outside for 12 hours, and then placed in a dry room for 12 hours, which takes one day.

Before she was drying in the shade, the schedule would be relatively easy, several pieces of lacquerware would be cross-processed, and the rest of the time would simply clean up dust and the like.

However, the time interval is now also used to restore other small lacquerware.

After getting busy like this, she found that her speed is not slow, and there is hope for future job title evaluations!

So is Master Yan.

As a master craftsman for 30 years, I am very proficient in various steps, as long as I am careful, there will be no mistakes.

He also hopes that his professional title can be raised to another level before retirement, so that the pension will be higher and life will be more secure in his later years.

Yun Zhou didn't expect that he accidentally mobilized the enthusiasm of the entire repair room, he only felt that the past few months had been very fulfilling.

Seeing the broken cultural relics come back to life in my own hands, this sense of accomplishment cannot be brought by anything, and there is a magical feeling of dialogue with history.

The cultural relics exhibited in the museum are held in his hands like this, and only they can get close contact with such precious cultural relics.

The little silver dragon was coiled around the young man's wrist, holding two little dragon horns to absorb spiritual energy, and the tip of its tail was flicking and flicking, extremely happy.

This kind of unearthed cultural relics has more spiritual energy because of the strong yin energy, which is much better than the outside ones.

At this time, people from the collection management department were sorting out the materials of Yun Zhou's restoration of porcelain, and Director Ye was talking with Director Cao in the office.

Director Cao said urgently: "Curator, are you sure you want to apply for the restoration of the first-class cultural relics?

However, Yunzhou's age and experience did not meet the requirements, and he did not have a staff, so he might not pass the audit. "

Curator Ye sighed softly: "I know. But you have also seen his repair ability. Even if the celadon bowl of the Longquan kiln in the Southern Song Dynasty was broken into more than 30 pieces, he still repaired it flawlessly. It can be said that there are not many people in the whole Huaguo. comparable."

The only downside is that there is no official organization and job title, which is precisely the most important thing.

Director Cao suggested: "Director, otherwise...you can wait for him to be admitted to the establishment before applying?"

Curator Ye frowned: "It's all the same, he has no experience in the establishment of the examination, let's try first.

Organize the video clips and photos of cultural relics, as well as the photos of the workshop I sent to you, and attach them to the application as a package and upload them. "

Director Cao: "Understood."

It takes at least 20 days for the application for the restoration of a first-class cultural relic to be approved. It has to be approved by the provincial and national cultural relics bureaus in turn. Director Ye has to wait patiently.

It is now the end of May, Yun Zhou asked for leave to go to school to defend his defense, and he is about to graduate in one month.

By the beginning of June, the application finally came down.

Curator Ye immediately checked the system information, and saw the approval result displayed behind the application: "The application has not been approved."

His hanging heart completely fell to the bottom of the valley, and he sighed heavily, it seemed that he still couldn't do it.

In this way, there is no reason to even keep Yun Zhou.

However, the next day, Director Ye received news that Peng Yongshou, deputy director of the Provincial Museum, and several leaders will visit the city and arrive tomorrow.