Rebirth: Don't fight for gold

Chapter 25

Yue Le hid at Miao Yang's side to avoid the limelight. Everyone else had their own tricks, and no one would take the initiative to make trouble. Therefore, during the lunch break, the entire crew enjoyed a wonderful cross talk.

It wasn't until it was time to start work that Director Jiang gave Screenwriter Wang an unsatisfactory look and said, "I'll forgive you this time, but next time you won't be so lucky."

Screenwriter Wang said arrogantly: "Let everyone comment, who will win at noon today?"

Everyone wisely avoided Director Wang's gaze, and none of them were willing to be the judge. Director Jiang and screenwriter Wang, neither of them could afford to offend, let alone offend.

Jiang Dao looked smug, and when he saw Yue Le behind Miao Yang, he pulled his face down: "You haven't left yet? Want me to drive you back!?"

Yue Le smiled, and said, "I have nothing to eat when I go back tonight, so I have to stay in the crew for lunch."

Director Jiang pointed at him fiercely from the air, thinking he was ashamed, and cursed: "No prospect!"

Of course Yue Le didn't stay here for the box lunch, he had his own plans.

The protagonist of the play "Northern Tune in Southern Tune" is definitely Miao Yang. The four major local troupes of Hui Troupe, represented by Jin Yaoding played by Miao Yang, came to Beijing. After entering Beijing, they often cooperated with other local troupes in performances. Absorbing the directors of various schools, a new type of opera was gradually formed, that is, Peking Opera, which was later famous both at home and abroad.The main line of the story is the process of Peking Opera evolving from a single type of opera to Peking Opera, and various local troupes will appear in the play.As Kunqu Opera was the favorite genre of dignitaries in the Qing Dynasty at that time, opera troupes were often invited by the dignitaries to perform in their mansions.Wan Xiaoyu, played by Yue Le, was the most famous Kunqu opera singer in the capital at that time, and she was unparalleled at the time.Jin Yaoding asked him to discuss the improvement and shortcomings of emerging dramas, but Wan Xiaoyu refused.He is completely immersed in Kunqu Opera and cannot extricate himself. He never asks about the outside world and only lives in his Kunqu Opera.

In fact, this is the process of Beijing opera replacing Kunqu opera and becoming the mainstream opera, and it is also the process of Jin Yaoding replacing Yue Yue and becoming the No. 1 actor in the capital.

Director Jiang's purpose in filming this play is to restore the situation in the early days of Peking Opera and show the world something about the nation; For the old school, the final result is obvious, which has been proved by history. The reformers have won a big victory, and change is inevitable in the development of history.Old things will eventually be replaced by new things and become the mainstream, and those who are unwilling to abide by the laws of history will eventually be eliminated, just like Wan Xiaoyu in the play, from a popular famous actor to a lonely retreat in his hometown.

Yue Le didn't have many lines in it, and there weren't many scenes. Most of them were the libretto of Kunqu Opera, but his eyes were different in every scene.

Although he doesn't ask about outside affairs, it doesn't mean he doesn't know about outside affairs. Fewer and fewer people invited him to listen to his plays. In a play, there is only one audience...

His eyes represent Kunqu Opera's transition from prosperity to decline, until it finally withdraws from Kyoto and the stage of history.

Screenwriter Wang's scripts are short, and sometimes there are only a few short sentences in a scene, and how to perform it depends entirely on the director's impromptu performance.Director Jiang has always been "contemptuous" of screenwriter Wang, and he should not ask too many scenes to change the play on the spot. If a line or an action is changed, the subsequent plot must be changed.Not only the screenwriter Wang complained, but the actors were also quite helpless, and if Yue Le wanted to act well in the later scenes, he had to know what happened in front of him, which was why he insisted on staying on the set.

Director Jiang has strict requirements, and strives for perfection in every shot. It doesn't matter how many times the N camera is used. He never refuses to compromise, and must meet his requirements.

begging.

This afternoon, a picture of Jin's class entering Beijing was filmed from noon to evening, but still failed, Jiang Dao kept scolding Miao Yang angrily.Yue Le sympathized with Miao Yang very much. Miao Yang did a good job in this scene, fully showing Jin Yaoding's confidence in coming to Beijing for the first time. As an internationally famous actor, Director Jiang mercilessly He scolded, but Miao Yang was never impatient or impatient, and had no temper at all, and kept discussing with Director Jiang.

In the evening, director Jiang rushed to shoot a night scene, and it was already past twelve o'clock in the evening when work was over. Miao Yang offered to send Yue Le back.

On the way, Miao Yang asked Yue Le: "How about letting Martin stay with you?"

Martin is the name of Miao Yang's assistant. Yue Le can naturally feel Miao Yang's care for him. Whether he is on the set or living in this courtyard house, Miao Yang takes care of him in every possible way.Miao Yang only had Martin as an assistant, and all the care of Yue Le fell on Martin's head. Martin had to take care of two people at once, so it was inevitable that he would not be considerate.Yue Le heard Martin complaining to Miao Yang in the production crew yesterday. He felt very sorry and said to Miao Yang, "No, I'll be fine by myself. Don't bother Brother Martin."

Martin hurriedly said, "No trouble, no trouble at all. It would be even better if you could move in and live with Miao Yang."

Miao Yang has a house in the emperor, and he doesn't need to live in the place arranged by the crew. Martin also mentioned this to him in private, saying that it is more convenient for two people to live together to take care of him. Miao Yang has never found a suitable opportunity to tell Yue Le. .

Yue Le quickly waved his hands and said, "No, it's fine for me to live here alone."

Miao Yang said, "Don't be polite to me."

Yue Le smiled when she heard this, and said, "I don't really like living with others. I rent a house by myself when I go to school."

What did Martin want to say, Miao Yang gave him a wink and told him not to say any more, Martin muttered, looking unhappy.He wanted to create more opportunities for Miao Yang, the lonely man lived alone, and he was worried that his relationship would not heat up, and he was worried that he would not be able to catch up with Yue Le. ah!This worried Martin!After sending Yue Le home, on the way back, he began to mutter about Miao Yang, saying that he would not seize the opportunity, that he was too boring, not romantic at all, and how could he still be respectful and obedient to Miao Yang in the crew on weekdays.

Miao Yang put on the earphones, pulled down the hat to cover his eyes, and completely blocked Martin's chatter.

In the courtyard, not long after returning home, Yue Le received a call from Fu Heming.

From the day Fu Heming left, he called Yue Le every night, and there were countless text messages, what did he do, what did he eat, where did he go, the local customs, beautiful scenery, He bombarded Yue Le madly without hesitation.

Yue Le didn't reply a text message, and Fu Heming didn't care, as long as he had to answer the phone every night.

There is only Yue Le living in the courtyard. Yue Le will turn on the speakerphone, and Fu Heming will say whatever he wants. One sentence: "Sleep."

Then, before Fu Heming could say anything, he hung up the phone.

Fu Heming was very sensible, as long as Yue Le finished saying this sentence, he would never call again, but the next day's text message and evening call would come on time.

Gradually, Yue Le actually got used to his text messages and phone calls. Sometimes when he sent few text messages in a day, Yue Le would still feel puzzled. This person is so busy today, isn't he really on vacation in Yun Province?Actually get busy?

Autumn is crisp and crisp, with the fragrance of osmanthus. It is the best time to enjoy the red leaves in Xiangshan. Teacher He finally spared a few days to give Yue Le makeup.

One-third of the filming of the whole film has passed. According to the progress of the script, Yue Le has left three scenes. That is to say, if it goes well, Yue Le needs to be busy for three consecutive days to shoot one scene a day.

Yue Leduo is in a single role, and there are not many actors who need to act with him. Director Jiang generously gave the other actors three days off, leaving only the workers.

The staff and Wan Xiaoyu's little follower Takako.

This actor is called Su Guigui, who looks younger than Yue Le, but is actually in his 30s. He has been acting since elementary school, with a small stature and a tender face. His face without any intentions clearly tells the audience: He is only Responsible for making soy sauce, there are no secrets on him.In fact, he is a well-known actor in the Yue opera circle, but it is the first time he appears on the big screen, and ordinary audiences are not familiar with it.

There are still many actors like Su Guigui in the crew of "Southern Tune and Northern Tune", most of them are famous actors in the opera world.

Became an unknown little actor and supporting role.For this rare film dedicated to promoting opera, they let go of their previous achievements and aura, learned from the beginning, and filmed their roles bit by bit amid Director Jiang's scolding.

Just like the great fusion of opera circles more than 300 years ago, they willingly put down their identities and names for the development of art.

They come from all over the country, and some of them even only have one scene, but they need to stay in the crew for a week or two. Many of them are not paid and act for free.

Su Guigui had quite a lot of scenes in it, he would follow Yue Le from the beginning to the end of the filming.

The scene to be filmed today is still in Prince Jing’s Mansion. Wan Xiaoyu is sitting in front of the dressing table and applying makeup to the mirror. Of course, Mr. He has already helped him with the base makeup before shooting, and he only needs to make a look. .

Wan Xiaoyu was sitting in front of the dressing table, a delicate face was reflected in the bronze mirror, her long black hair was scattered like a waterfall, and she was dressed in a plain and elegant white silk jacket. with.

Outside the door, Gui Zi bowed his waist and said in a low voice: "Boss Jin has sent greeting cards again."