Chief Oda won't complain

When the "story" progresses and Gide leaves behind ominous words, the reading session ends.

The time after class on school days is limited, and it is not as generous as rest days, so it is difficult to read too much content at one time.

Everyone went back to their homes one after another, and I led the two creditors back to my residence. I made a simple meal with bamboo shoots, and the three ate it together.

While eating, my mind was still spinning the content of the book club.

Regarding the "story" in which I plan to write a novel, in fact, it happens to consist of two parts that are connected before and after.

In the first part, the bearded man sent books and persuaded me to write.In the latter part, I explicitly told Gide that I would not kill people because I wanted to be a novelist.

While reading the first part, the subsequent confession is fully anticipated.Because I have changed from a killer to a protagonist who does not kill, I obviously accepted the bearded man's persuasion, that is, the idea of ​​writing was born.

Therefore, the latter part only clarifies it and withdraws the foreshadowing. It is not that I want to be a novelist without warning.

Of course Dazai and the others understood it, but they had no objections before, but after reading it, they challenged me.I can easily figure out what it is that they mind.

It's not that I'm hiding my dream, it's just that I picked the wrong partner when I first told someone about it.

I remember reading this sentence from nowhere: "The first time is the most important."

But I confessed to Gide for the first time.

Now facing two emotional creditors, I decided to correct my mistakes for me in the "story".

"Dazai, Ango, today I decided to say more about my thoughts, which I have never told anyone. If you two really want to hear it."

The two creditors immediately sat upright in their seats, looking at me eagerly.Suddenly, it looks like a hard-working student in the classroom waiting for the teacher to teach, which makes people moved for no reason.

In fact, I haven't finished the draft yet, so I can only bite the bullet and say whatever comes to mind: "I personally have some guesses about the development and death of the "story". "

"The only thing I don't want to hear about this is Oda Saku." Dazai sighed, his rarely upright sitting posture collapsed.

"But this is necessary." I showed a bit of a teacher's tough attitude, "Let's roughly list the possibilities tonight, and then read the "story" to be mentally prepared and able to develop resistance to tragedies , like desensitization therapy. "

"Is this from the experience of a Mandarin teacher?"

"Yes……"

"Then there is no other way, I can only listen to the teacher."

I adopted a step-by-step strategy, and first explained in detail the conjecture interrupted by Dazai during the study session.

That is, the guess that Ango killed me with his own hands.

Under pressure from the disapproving eyes of both Dazai and Ango, I insisted on my logic and explained the rationality of this conjecture from different angles.

First of all, Ango is actually an enemy. This is obvious. From a standpoint, it is possible to kill a friend in reverse.

Maybe not on purpose, but what if he had to do what he was told? (Ango shook his head repeatedly when he heard me say this.)

Secondly, it will write the battle scenes into a story with the texture of a movie lens, and it will inevitably emphasize dramatic conflicts in the creation of tragedies.

And what could be more dramatic than friends killing each other? (Dazai pursed his lips unconsciously when he heard me say this.)

In the end, this is also in full compliance with the gloomy temperament displayed by the entire "story".And I bet I was the one who died in the end.So I guess the story goes like this:

Gide was actually a bait, used to guide me to break the principle of not killing. When I was discouraged from violating my own principles, Ango would come out of the shadows and kill me, and then he would fight Dazai forever.

After I insisted on finishing the lecture, I found that both Dazai and Ango looked like they were trying hard to resist the urge to hit me.

It is a very serious matter for students to beat teachers, and it is more likely to attract criminal responsibility than students fighting each other.

But I won't tell them, and if they get mad enough to hit me, I'll help keep it under wraps.

"Mr. Odasaku, I don't agree with this conjecture." Ango was the first to raise an objection.

"Whether it is from my own personality analysis or from the foreshadowing situation, this conjecture is full of loopholes."

"Then you also put forward a corresponding reasonable conjecture?"

An Wu thought for a while, and said: "If I insist on guessing, I think there must be another meeting of the three of them in the follow-up plot, and then they must break up..."

He ended up telling a story that didn't please anyone.

Ango, who worked for the government, eventually lost his friendship forever. He was alone and cold-hearted, and ruthlessly planned the plan to assassinate Dazai.

Oda Saku, who is unwilling to kill people, finally kills Gide, loses the spiritual support of writing, and ends up in a mess all his life.

The deceased among the three was Dazai, and he gave up struggling in frustration because he realized that the assassination plan was made by Ango.

As if telling a ghost story, Ango summed up sinisterly: "In the previous article, I plotted against Odasaku-sensei as a foreshadowing, which was the toxin that was delayed for a few seconds. So I will plan a big one later, directly assassinating Mr. Dazai , this is a progressive relationship that increases layer by layer, and I think it is very reasonable."

"The two conjectures are equally far-fetched." Dazai pursed his lips in displeasure, and looked at Ango.

"Besides, why did I realize that it was you and I gave up struggling on my own, and it would not be a loss to kill you anyway. Your character deduction is completely wrong, and I don't agree."

An Wu: "Then Dazai-kun, do you also have a guess?"

"Let me guess? Then the last person to die must be Ango!" Everyone insisted on their betting choices.

The story given by Dazai is unexpectedly positive and optimistic. It is happy that the port mafia has worked hard and finally succeeded in eradicating the traitors and solving all crises.

di

g...

Ango has become an outright villain, and his final death method is also a typical villain's death method.

On the other hand, Odasaku, Dazai, and Akutagawa are a tacitly coordinated counterattack team, each showing their strengths, and united to destroy the mimic.

If you ignore the fact that the painting style has changed drastically and the sense of fragmentation is serious, the overall magic is very logical.Moreover, the various clues are arranged very evenly, and all the foreshadowing that should be collected has been collected.

After listening to this story, I revisited the story for the second time, and seriously praised Dazai for his excellent layout and plotting, and then I couldn't help but suggest that he try to write a novel.

"Compared to me writing novels, you should write Odasaku." Dazai replied.

So I know which pot I can't open and which pot to lift.

The three of them each made a conjecture, the atmosphere was just right, and I started to take the medicine step by step.This time I told a story where everyone had to die.

"Occasionally there are tricks in literary creation. The author consciously deceives the reader. For example, telling the reader that one of the three will die, but it is vague that the story will continue after that point. Maybe the death of one person is just more The beginning of death. In fact, when the first dies, the rest inevitably die too."

I'm dead, Gide is dead, Akutagawa is dead, Ango is dead, Dazai is dead, Mori Ogai is dead...

In short, I simply told a story that no one survived.Anyone whose name appeared in the "story" died in various reasonable or unreasonable ways.

I'm not good at thinking of ways, so in order to prevent Dazai and Ango from being too sad when they see the tragedy later, let's describe a bigger tragedy in advance.

This may be desensitization therapy, or it may be fighting fire with fire, but it is never a good idea anyway.

I can only promise to get the story out of my mouth, and the first people to hear it are Dazai and Ango.

The scope of influence is small, and the main body of responsibility is me.Ensuring these are enough for me.

The strange thing is that when I finished speaking, Dazai and Ango looked at me no longer wanting to hit me, but looking at gods.

"You are cruel enough." After a long time, An Wu sighed with complicated emotions. "It's so ruthless that I feel very admirable."

As for Dazai, he stared at me in reverence for a while, and then burst out laughing: "Oh, why is Oda Saku the only one who can tell such an interesting story? My clever head really has to feel frustrated! "

I'm the one who is going to be frustrated.I told such a complete tragedy that I didn't earn a single tear.

The author has something to say: In terms of responsibility for this matter, the two listeners are innocent. With Mr. Oda's excellent tone of storytelling, no matter who comes to listen to it, they will not cry.