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Dina Luohan, who didn't know how to sneak into the set, rushed directly to the road where Josie was in front of the live TV camera. Even though she was stopped by Josie's bodyguard Jason at the first time, she still shouted: " Please let me go, please, Josie, I can't afford that money at all!"

"Stop!" Ernest also saw this scene, and immediately thought of the interview car over there, and shouted: "Jason! Tell them to turn it off!"

Jason and Ernest, who had just subdued Dina Lohan, exchanged a look. The former immediately asked Josie's other bodyguard to come over in the wireless headset, and he went to the TV station's interview car to turn it off. machine, and the videotape.

The controlled Dina Luohan struggled wildly, still crying: "Don't touch me! You bastards! Stay away from me... God, Josie, I have nothing, I swear I know I'm wrong, Let me go, and you're not really hurt, are you?"

Those reporters were stopped at a distance, but their thirst for news made them unwilling to leave, and many staff members on the set were also whispering, taking this scene as the latest gossip.

Paul, who was standing next to Josie, frowned deeply, thinking of the scandal that caused a storm a few weeks ago, and it was obvious that Dina Lohan in front of him had finally received a court summons.

Defamation is too difficult to define.

But in the United States, it is very painful to go to court with rich people. There are ten thousand ways for a clever lawyer to kill a poor and poor poisonous person like Dina Lohan.

Paul didn't have any sympathy for the woman who was about to kneel in front of him. He couldn't even understand how vicious a mother could be, so she chose to treat her child in that way.

However, the crying of Dina Lohan on the ground still touched some people at the scene, especially seeing the sharp contrast between her tragic situation and the brilliance of Josie Horton, the big star herself. The relationship between them As if turned around, Dina Luohan seemed to be the one who attracted more sympathy.

However, given Josie's prestige in the crew, no one dared to intercede for Dina Luohan, and they all watched the development of the situation very quietly.

Paul subconsciously wanted to stand in front of Josie, but was stopped by Josie's voice.

She doesn't need to hide behind anyone for protection.

This small fight can no longer make her panic, what she is more interested in at the moment is, which idiot created everything in front of her.

"You call those 'no real harm'—" Josie took a few steps forward, surrounded by bodyguards and a security team from the crew, "Leaving aside how you ruined your daughter's entire puberty , even I will always bear the shadow of infamy because of the scandal you fabricated. Dina, you are so smart, I am sure you already know that you have caused at least tens of millions of dollars in direct losses to me. Guess Guess how much you have to pay?"

"But aren't you all fine..." Dina Luohan murmured, and raised her eyes secretly, only to find that Josie was looking at herself with a look that was completely garbage, and immediately shouted: "I'm already Apologize! Do you have to ruin me? Didn’t you claim to be Lindsay’s friend? How could you treat her mother so cruelly!”

"Because I don't want a scumbag like you to stay with Lindsay." Josie looked at the woman in front of her, and no one knew what she was thinking, "I'd rather spend 1000 million to die than forgive you." You, let you spend the rest of your life in prison. You know I can do it."

As she spoke, she winked at Jason who took back the video tape.

Amidst Dina Luohan's yelling and cursing, this woman whose brain had been ruined by alcohol and drugs was quickly gagged and taken away. As for where she would be sent, it would depend on God's will.

Qiao Qian looked indifferently at the back of the other party who had completely disappeared, without any emotion in her heart.

Paul couldn't help worrying.

"Are you sure you can continue filming?" Ernest was more inclined to let the two leading actors return to the trailer for a short break, "I don't want to waste time on continuous NG."

"I'm sure." Josie spoke first.

"Are you sure?" It was Paul who asked her this time.

Josie didn't answer either, she raised her eyebrows and gave him an uncompromising look.

Paul shrugged and said, "Okay, I'm fine then."

In just 10 minutes, the set seemed to return to a state where nothing had happened, except for those media crews who were originally scheduled to interview, one after another was caught talking by the crew's producer Martha Miller.

Back to shooting.

At the beginning, Ernest planned to use the technique in "North and Northwest", using a truck to set up curtains and lights, and let the hero and heroine sit on a motorcycle to perform the scene of galloping on the road, but after they tried it, they found that, The resulting effect was somewhat rigid, and it was discarded and switched to live shooting.

Usually, stuntmen are used to perform such dangerous shots, but Paul thinks he can do it, and Ernest pursues perfection in everything. This is why the former has PlanA, which he personally participated in after several weeks of training.

As for PlanB, there is still a group of stuntmen who are similar in stature to the male and female protagonists on standby. After all, the road blockade time is very limited. If Paul can't do it, then the stuntmen have to do it.

And Josie's appearance is not mandatory, they can shoot in post-production or avoid close-up shots, but when Ernest gave her the right to choose, the big star was just as the director expected , without any hesitation, got into the back seat of Paul's car.

The crew of the crew is chalking the winding curves on this road.

The motorcycle driven by Paul needs to follow this route, and the computer will be used to erase the traces on the screen later, showing the effect of them walking through the traffic flow.

In this scene, Josie's look is completely different from the white coat and black trousers at the beginning. It is Thierry Muller's classic navy blue silhouette jacket, black training suit and trousers of the same color. With a blow, the messy black hair flew up, and the collar rolled up to reveal the orange inside the jacket, breaking the dull look.

The makeup artist and hair stylist of the crew made the final styling for Josie, and the blaster explained the explosion points arranged along the way, and installed appropriate protective equipment on the two actors.

Josie's state of mind seemed to be surprisingly good. Apart from the slightly condensed beauty on her face, her mood was actually very stable, just in line with the state of the heroine in this scene.

"Are you nervous?" Paul, who was sitting in front of her, turned around and asked.

"No." Josie replied.

"Then are you afraid?" Paul asked again.

"No." Josie raised her eyebrows, as if asking what Paul wanted to say.

"Well——" Paul had to appreciate her psychological quality, but he didn't think it was a good thing to restrain his emotions too much, "I want to say, I'm actually a little nervous, just a little bit."

nervous?

Josie didn't believe it at all.

She gave Paul an angry and funny look, but Paul just smiled at her, turned around and leaned on the motorcycle.

"Keep quiet at the scene."

Following Ernest's order, the scene began to clear and keep quiet. After confirming that all the machines were operating normally, the clerk put down the top of the slate with a "snap" and quickly took it away, and his usual message came from the loudspeaker. Indifferent voice: "Start shooting!"

Before the sound of "Shooting!", the actors had already entered the state of performance, and the moment they heard "Shooting!", they officially became the characters they played.

It's a long shot of over a minute and a half.

The hero rode the cool black Augusta, and drove the heroine, who was experiencing this kind of transportation for the first time, through the blacked out city. the best backgrounds in .

In this scene, the most eye-catching is undoubtedly the male protagonist's persistent eyes and the female protagonist's pale face.

Susan Kevin, who was bound by certain rules in her every move, has long since disappeared from her aloof posture when she appeared on the stage. Her black hair was flying, and the flesh on her face was stretched by the wind, tightly fitting her perfect body. Bone phase, it is obviously a pale face, but because of the adventurous factor surging in the eyes, it shows a vibrant beauty.

In front of the monitor, Ernest's gaze was firmly fixed on Susan Kevin's eyes. There was a faint silver light and two clusters of obvious flames flashing there. Into her eyes, it was like a real flame.

so perfect.

The scene is impeccable.

But out of some obsessive-compulsive disorder similar to that of David Fincher, Ernest continued to take exactly six shots, and then chose the first one to copy.

After shooting this long shot, there are still pieces of dismantled shots that need to be shot, but the safety factor of these shots has been greatly improved. If you don’t show your face, you don’t need the protagonist to go into battle in person, which really made the insurance commissioner at the scene heave a sigh of relief.

Thank goodness!

Even without counting the completion insurance of the production crew, Josie Horton's total body insurance coverage was hundreds of millions of dollars, and even a slight mistake could cause him and his supervisor to lose their jobs together.

But they were clearly too happy.

After filming his own scene, Paul got a Harley motorcycle from somewhere, parked it in front of the heroine who was just about to be interviewed, and threw a helmet to the other party.

"We're all worried about you." Paul put his helmet on, "Come on?"

Josie didn't pick up, just stood where she was, and asked, "What about the interview?"

Paul said, "Who knows? Let's run away together!"

Josie looked at Paul and said nothing.

"Just kidding." Paul had to spread his hands and replied, "Actually, Ms. Miller has postponed the interview, so we still have 10 minutes."

This time, Josie finally took the helmet and put it on for herself.

"Thanks." With her long legs crossed, she sat firmly in the back seat of the car, "Although I don't think speed racing is a wise choice, but—"

Before Josie could finish speaking, Paul interrupted her: "Hey, forget about your great principles, Kiddo! Now it's time for grown-ups to play—listen to me and hold me tight!"

As soon as the words fell, the black heavy motorcycle roared like a roar, passed through the set amidst people's exclamations and whistles, and rushed towards the other end of the closed road.

In the rest area of ​​the studio, Ernest, who was explaining the creative concept of the film facing the camera, looked back and noticed that Martha Miller, who was standing not far away, was also frowning, and the two exchanged a helpless look that was almost the same , For a moment, I didn't know whether it was right or wrong to let Paul go.

Well, they just agreed that he volunteered to find Josie something to do, but they didn't let him take her racing...

The question is, is Josie willing to get in the car?